Don't Say Yes Until I Finish Talking PDF Download

Author: Mel Gussow
Publisher:
ISBN:
Category :
Languages : en
Pages : 348

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Author: Mel Gussow
Publisher:
ISBN:
Category :
Languages : en
Pages : 322

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Author: Mel Gussow
Publisher: W H Allen
ISBN: 9780491001793
Category : Motion picture producers and directors
Languages : en
Pages : 322

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Author: Mel Gussow
Publisher: Richmond Hill, Ont. : Simon & Schuster of Canada
ISBN: 9780671781293
Category : Motion picture producers and directors
Languages : en
Pages : 352

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Biography of Darryl F. Zanuck, an American film producer and studio executive; he earlier contributed stories for films starting in the silent era.

Author: Darryl F. Zanuck
Publisher: New Millenium
ISBN: 9781893224421
Category : Biography & Autobiography
Languages : en
Pages : 384

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64

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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Author: Mel Gussow
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 380

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Author: Bernard F. Dick
Publisher: Univ. Press of Mississippi
ISBN: 1496838645
Category : Performing Arts
Languages : en
Pages : 320

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Book Description
Beginning with The Jazz Singer (1927) and 42nd Street (1933), legendary Hollywood film producer Darryl F. Zanuck (1902–1979) revolutionized the movie musical, cementing its place in American popular culture. Zanuck, who got his start writing stories and scripts in the silent film era, worked his way to becoming a top production executive at Warner Bros. in the later 1920s and early 1930s. Leaving that studio in 1933, he and industry executive Joseph Schenck formed Twentieth Century Pictures, an independent Hollywood motion picture production company. In 1935, Zanuck merged his Twentieth Century Pictures with the ailing Fox Film Corporation, resulting in the combined Twentieth Century-Fox, which instantly became a new major Hollywood film entity. The Golden Age Musicals of Darryl F. Zanuck: The Gentleman Preferred Blondes is the first book devoted to the musicals that Zanuck produced at these three studios. The volume spotlights how he placed his personal imprint on the genre and how—especially at Twentieth Century-Fox—he nurtured and showcased several blonde female stars who headlined the studio’s musicals—including Shirley Temple, Alice Faye, Betty Grable, Vivian Blaine, June Haver, Marilyn Monroe, and Sheree North. Building upon Bernard F. Dick’s previous work in That Was Entertainment: The Golden Age of the MGM Musical, this volume illustrates the richness of the American movie musical, tracing how these song-and-dance films fit within the career of Darryl F. Zanuck and within the timeline of Hollywood history.

Author: Associate Professor David Welky, PH.D.
Publisher: JHU Press
ISBN: 0801890446
Category : History
Languages : en
Pages : 443

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This author's analytical approach will be appreciated by historians as well as film buffs. He examines Hollywood's response to the rise of fascism and the beginning of the Second World War. Welky traces the shifting motivations and arguments of the film industry, politicians, and the public as they negotiated how or whether the silver screen would portray certain wartime attributes.

Author: Thomas Cripps
Publisher: Oxford University Press
ISBN: 0195360346
Category : Social Science
Languages : en
Pages : 401

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Book Description
This is the second volume of Thomas Cripps's definitive history of African-Americans in Hollywood. It covers the period from World War II through the civil rights movement of the 1960s, examining this period through the prism of popular culture. Making Movies Black shows how movies anticipated and helped form America's changing ideas about race. Cripps contends that from the liberal rhetoric of the war years--marked as it was by the propaganda catchwords brotherhood and tolerance--came movies that defined a new African-American presence both in film and in American society at large. He argues that the war years, more than any previous era, gave African-American activists access to centers of cultural influence and power in both Washington and Hollywood. Among the results were an expanded black imagery on the screen during the war--in combat movies such as Bataan, Crash Dive, and Sahara; musicals such as Stormy Weather and Cabin in the Sky; and government propaganda films such as The Negro Soldier and Wings for this Man (narrated by Ronald Reagan!). After the war, the ideologies of both black activism and integrationism persisted, resulting in the 'message movie' era of Pinky, Home of the Brave, and No Way Out, a form of racial politics that anticipated the goals of the Civil Rights Movement. Delving into previously inaccessible records of major Hollywood studios, among them Warner Bros., RKO, and 20th Century-Fox, as well as records of the Office of War Information in the National Archives, and records of the NAACP, and interviews with survivors of the era, Cripps reveals the struggle of both lesser known black filmmakers like Carlton Moss and major figures such as Sidney Poitier. More than a narrative history, Making Movies Black reaches beyond the screen itself with sixty photographs, many never before published, which illustrate the mood of the time. Revealing the social impact of the classical Hollywood film, Making Movies Black is the perfect book for those interested in the changing racial climate in post-World War II American life.