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Author: Barbara Kiefer Lewalski Publisher: Harvard University Press ISBN: 9780674962422 Category : Literary Collections Languages : en Pages : 460
Book Description
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Queen gave way to the rule of a patriarchal ideologue, a woman's subjection to father and husband came to symbolize the subjection of all English people to their monarch, and all Christians to God. Remarkably enough, it is in this repressive Jacobean milieu that we first hear Englishwomen's own voices in some number. Elizabeth Cary, Aemilia Lanyer, Rachel Speght, and Mary Wroth published original poems, dramas, and prose of considerable scope and merit; others inscribed their thoughts and experiences in letters and memoirs. Queen Anne used the court masque to assert her place in palace politics, while Princess Elizabeth herself stood as a symbol of resistance to Jacobean patriarchy. By looking at these women through their works, Lewalski documents the flourishing of a sense of feminine identity and expression in spite of - or perhaps because of - the constraints of the time. The result is a fascinating sampling of Jacobean women's lives and works, restored to their rightful place in literary historyand cultural politics. In these women's voices and perspectives, Lewalski identifies an early challenge to the dominant culture - and an ongoing challenge to our understanding of the Renaissance world.
Author: Barbara Kiefer Lewalski Publisher: Harvard University Press ISBN: 9780674962422 Category : Literary Collections Languages : en Pages : 460
Book Description
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Queen gave way to the rule of a patriarchal ideologue, a woman's subjection to father and husband came to symbolize the subjection of all English people to their monarch, and all Christians to God. Remarkably enough, it is in this repressive Jacobean milieu that we first hear Englishwomen's own voices in some number. Elizabeth Cary, Aemilia Lanyer, Rachel Speght, and Mary Wroth published original poems, dramas, and prose of considerable scope and merit; others inscribed their thoughts and experiences in letters and memoirs. Queen Anne used the court masque to assert her place in palace politics, while Princess Elizabeth herself stood as a symbol of resistance to Jacobean patriarchy. By looking at these women through their works, Lewalski documents the flourishing of a sense of feminine identity and expression in spite of - or perhaps because of - the constraints of the time. The result is a fascinating sampling of Jacobean women's lives and works, restored to their rightful place in literary historyand cultural politics. In these women's voices and perspectives, Lewalski identifies an early challenge to the dominant culture - and an ongoing challenge to our understanding of the Renaissance world.
Author: Karen Raber Publisher: Routledge ISBN: 1351964909 Category : History Languages : en Pages : 536
Book Description
Elizabeth Cary's Tragedy of Mariam, the first original drama written in English by a woman, has been a touchstone for feminist scholarship in the period for several decades and is now one of the most anthologized works by a Renaissance woman writer. Her History of ... Edward II has provided fertile ground for questions about authorship and historical form. The essays included in this volume highlight the many evolving debates about Cary's works, from their complicated generic characteristics, to the social and political contexts they reflect, to the ways in which Cary's writing enters into dialogue with texts by male writers of her time. In its critical introduction, the volume offers a thorough analysis of where Cary criticism has been and where it might venture in the future.
Author: Anita Pacheco Publisher: Routledge ISBN: 1317884450 Category : Literary Criticism Languages : en Pages : 295
Book Description
The last twenty years have witnessed the rediscovery of a large number of women writers of the early modern period. This process of recovery has had a major impact on early modern studies for, by beginning to restore women to the history of the period, it provides new insight into the formative years of the modern era. This collection amply demonstrates the diversity as well as the literary and historical significance of early women's writing. It brings together studies by an impressive range of critics, including Elaine Hobby, Catherine Gallagher, Jane Spencer and Laura Brown, and examines the major works of five of the most important women writers of the seventeenth and early eighteenth centuries: Mary Wroth, Katherine Philips, Margaret Cavendish, Aphra Behn and Anne Finch. The range of authors it covers, and the challenging critical work it presents, make Early Women Writers: 1600-1720 essential reading for students of feminist theory, Women's Studies and Cultural Studies, as well as for all those interested in the history and literature of the early modern period.
Author: M. Wynne-Davies Publisher: Springer ISBN: 0230592945 Category : Literary Criticism Languages : en Pages : 218
Book Description
This book explores the development of familial discourse within a chronological frame, commencing with the More family and concluding with the Cavendish group. It explores the way in which the support of family groups enabled women to participate in literary production, whilst closeting them within a form of writing that encompassed style or theme.
Author: Clare R. Kinney Publisher: Routledge ISBN: 1351964933 Category : History Languages : en Pages : 330
Book Description
The last twenty-five years have seen exciting new developments in scholarly work on Lady Mary Wroth, whose Urania and Pamphilia to Amphilanthus constitute the first romance and the first sonnet sequence to be published by an Englishwoman. Wroth's writings enter into a suggestive and gendered dialogue with the lyric and narrative works of her uncle, Sir Philip Sidney, even as they carve out a place for her own literary experiments. This volume gathers together some of the most striking recent criticism addressing Wroth's oeuvre; many of its essays also discuss the intellectual and cultural contexts in which she wrote. The collection is prefaced by an extended editorial overview of scholarship in the field.
Author: R. Smith Publisher: Springer ISBN: 0230513689 Category : Literary Criticism Languages : en Pages : 181
Book Description
This study explores why women in the English Renaissance wrote so few sonnet sequences, in comparison with the traditions of Continental women writers and of English male authors. In this focus on a single genre, Rosalind Smith examines the relationship between gender and genre in the early modern period, and the critical assumptions currently underpinning questions of feminine agency within genre.
Author: Micheline White Publisher: Routledge ISBN: 1351964879 Category : History Languages : en Pages : 310
Book Description
Anne Lock, Isabella Whitney and Aemilia Lanyer have emerged as important literary figures in the past ten years and scholars have increasingly realized that their bold and often unorthodox works challenge previously-held conceptions about women's engagement with early modern secular and religious literary culture. This volume collects some of the most influential and innovative essays that elucidate these women's works from a wide range of feminist, literary, aesthetic, economic, racial, sexual and theological perspectives. The volume is prefaced by an extended editorial overview of scholarship in the field.
Author: Mihoko Suzuki Publisher: Routledge ISBN: 1000152529 Category : Education Languages : en Pages : 532
Book Description
Until recently, Anne Clifford has been known primarily for her Knole Diary, edited by Vita Sackville-West, which recounted her steadfast resistance to the most authoritative figures of her culture, including James I, as she insisted on her right to inherit her father's title and lands. Lucy Hutchinson was known primarily as the biographer of her husband, a Puritan leader during the English Civil Wars. The essays collected here examine not only these texts but, in Clifford's case, her architectural restorations and both the Great Book which she had compiled and the Great Picture which she commissioned, in order to explore the identity she fashioned for herself as a property owner, matriarchal head of her family, patron and historian. In Hutchinson's case, recent scholars have turned their attention to her poetry, her translation of Lucretius and her biblical epic, Order and Disorder, to analyze her contributions to early modern scientific and political writing and to place her work in relation to Milton's Paradise Lost.
Author: Carol Barash Publisher: Oxford University Press ISBN: 9780198119739 Category : Language Arts & Disciplines Languages : en Pages : 372
Book Description
This study reconstructs the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Based on extensive archival research in England and the United States, Barash argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars. Women entered print culture--as poets and as women--by situating their writing in defence of embattled monarchy. In particular, Barash points to women poets' fascination with the figure of the female monarch (both real and mythic). Their sense of poetic legitimacy derives from the communities they generate around figures of female authority, particularly James II's second wife, Mary of Modena, and later Queen Anne. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch.
Author: Anita Pacheco Publisher: John Wiley & Sons ISBN: 0470692774 Category : Literary Criticism Languages : en Pages : 414
Book Description
This timely volume represents one of the first comprehensive, student-oriented guides to the under-published field of early modern women's writing. Brings together more than twenty leading international scholars to provide the definitive survey volume to the field of early modern women's writing Examines individual texts, including works by Mary Sidney, Margaret Cavendish and Aphra Behn Explores the historical context and generic diversity of early modern women's writing, as well as the theoretical issues that underpin its study Provides a clear sense of the full extent of women's contributions to early modern literary culture
Author: Barbara Kiefer Lewalski
Author: Barbara Kiefer Lewalski
Author: Karen Raber
Author: Anita Pacheco
Author: M. Wynne-Davies
Author: Clare R. Kinney
Author: R. Smith
Author: Micheline White
Author: Mihoko Suzuki
Author: Carol Barash
Author: Anita Pacheco