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Author: Ross Melnick Publisher: Columbia University Press ISBN: 0231554133 Category : Performing Arts Languages : en Pages : 371
Book Description
Winner - 2022 Richard Wall Memorial Award, Theatre Library Association Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood’s Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.
Author: Ross Melnick Publisher: Columbia University Press ISBN: 0231554133 Category : Performing Arts Languages : en Pages : 371
Book Description
Winner - 2022 Richard Wall Memorial Award, Theatre Library Association Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood’s Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.
Author: Charles Mitchell Publisher: Orange Grove Texts Plus ISBN: 9781616101664 Category : Arts Languages : en Pages : 0
Book Description
"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.
Author: Felicia Hardison Londré Publisher: A&C Black ISBN: 9780826411679 Category : Performing Arts Languages : en Pages : 660
Book Description
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Author: Felicia Hardison Londré Publisher: Burns & Oates ISBN: Category : Performing Arts Languages : en Pages : 552
Book Description
Reveals the multicultural dimension of the history of North American theater, covering Mexican, Native US, Caribbean, and Canadian theater as well as US theater history. Coverage encompasses major theatrical developments, events, and influential figures, with sections on pre- Columbian performance, New Spain, the American colonies, New France, national stages, and the periods 1825-1870, 1870-1900, 1900-1945, and 1945 to the present. Includes some 300 bandw photos and illustrations. For students and general readers. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Chinua Thelwell Publisher: Taylor & Francis ISBN: 1317398807 Category : Performing Arts Languages : en Pages : 253
Book Description
Theater and Cultural Politics for a New World presents a radical re-examination of the ways in which demographic shifts will impact theater and performance culture in the twenty-first century. Editor Chinua Thelwell brings together the revealing insights of artists, scholars, and organizers to produce a unique intersectional conversation about the transformative potential of theater. Opening with a case study of the New WORLD Theater and moving on to a fascinating range of essays, the book looks at five main themes: Changing demographics Future aesthetics Making institutional space Critical multiculturalism Polyculturalism
Author: Leo J. Daugherty III Publisher: McFarland ISBN: 0786431377 Category : History Languages : en Pages : 285
Book Description
Japan's attack on Pearl Harbor in 1941 secured for Chiang Kai-shek's Chinese Nationalist forces what no amount of pleading had been able to produce: an influx of U.S. supplies. This volume explores the strategies of the Allies in China, Burma and India in World War II and the politically charged campaign waged in that theater. After an overview of the Allied situation in early 1942, the work presents the personal accounts of six individuals who served as part of the resupply effort in the CBI theater: Captain Edward Goodman, Captain David C. Hall, Staff Sergeant Robert Boehm, Corporal Anthony R. Silva, Corporal Alexander McVean and Tech Sergeant Kenneth R. Quigley. The service of African Americans in the CBI theatre is also discussed in detail. Appendices contain information on the organization of a motor transport truck regiment in Persia during World War II and an extract from a December 1944 log of an Air Jungle Rescue Unit in Burma.
Author: Keith Terry Publisher: Arcadia Publishing ISBN: 9780738583259 Category : History Languages : en Pages : 132
Book Description
The World Theatre in Kearney, Nebraska, opened in 1927 and was welcomed by an excited public. Much more than just a movie house, it soon proved to be a social center, where people of all professions, ages, and income levels would frequently gather, because it was modern and new and there were considered few equally attractive alternatives. Some went because it was a sanctuary or where they earned a living, while others nurtured the seeds of attachments there or sought out temporary distractions such as bits of humor, drama, mystery, or adventure. For still more, it was an important venue for staying informed or even escaping the heat of the day. Slowly over time, the entertainment and economic landscapes in the country changed, affecting The World's profitability as well as others like it.
Author: Ross Melnick
Author: Ross Melnick
Author: 
Author: Charles Mitchell
Author: Felicia Hardison Londré
Author: Felicia Hardison Londré
Author: Chinua Thelwell
Author: Leo J. Daugherty III
Author: 
Author: 
Author: Keith Terry