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Author: Stephen Gill Publisher: ISBN: Category : History Languages : en Pages : 370
Book Description
Wordsworth and the Victorians tells the story of the flowering of Wordsworth's reputation and influence. As well as showing how poets and novelists such as Matthew Arnold and George Eliot transmitted the Wordsworthian spirit, Stephen Gill uses a mass of anecdotal and biographical material - the personal testimony of critics, scholars, publishers, and ordinary readers - to illustrate just what Wordsworth's poetry meant to his Victorian readers.
Author: Stephen Gill Publisher: ISBN: Category : History Languages : en Pages : 370
Book Description
Wordsworth and the Victorians tells the story of the flowering of Wordsworth's reputation and influence. As well as showing how poets and novelists such as Matthew Arnold and George Eliot transmitted the Wordsworthian spirit, Stephen Gill uses a mass of anecdotal and biographical material - the personal testimony of critics, scholars, publishers, and ordinary readers - to illustrate just what Wordsworth's poetry meant to his Victorian readers.
Author: Tom Mole Publisher: Princeton University Press ISBN: 0691202923 Category : History Languages : en Pages : 334
Book Description
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Author: Carl Dawson Publisher: JHU Press ISBN: 1421437228 Category : Literary Criticism Languages : en Pages : 343
Book Description
Originally published in 1979. Carl Dawson looks at the year 1850, which was an extraordinary year in English literary history, to study both the great and forgotten writers, to survey journals and novels, poems and magazines, and to ask questions about dominant influences and ideas. His primary aim is descriptive: How was Wordsworth's Prelude received by his contemporaries on its publication in 1850? How did reviewers respond to new tendencies in poetry and fiction/ Who were the prominent literary models? But Dawson's descriptions also lead to broader, theoretical questions about such issues as the status of the imagination in an age obsessed by mechanical invention, about the public role of the writer, the appeal to nature, and the use of myth and memory. To express the Victorians' estimation of poetry, for example, Dawson presents the contrasting views help by two eminent Victorians, Macaulay and Carlyle. In Macaulay's opinion, the advance of civilization led to the decline of poetry; Carlyle, on the other hand, saw the poet as a spiritual liberator in a world of materialists. The fusion of the poet's personal and public roles is witnessed in a discussion of the two mid-Victorian Poet Laureates, Wordsworth and his successor, Tennyson. In analyzing the relationship between the two writers' works, Dawson also highlights the extent of the Victorians' admiration for Dante. To give a wider perspective of the status of literature during this time, Dawson examines reviews, prefaces, and other remarks. Critics, he shows, made a clear distinction between poetry and fiction. Thus, in 1850, a comparison between, say, Wordsworth and Dickens would not have been made. Dawson, however, does compare the two, by focusing on their uses of autobiography. Dickens surfaces again, in a discussion of Victorian periodical publishing. Here, Dawson compares the Pre-Raphaelites' short-lived journal The Germ with Dickens' enormously popular Household Words and a radical paper, The Red Republican, which printed the first English version of "The Communist Manifesto" in 1850. In bringing together materials that have often been seen as disparate and unrelated and by suggesting new literary and ideological relationships, Carl Dawson has written a book to inform almost any reader, whether scholar of Victorian literature or lover of Dicken's novels.
Author: Trenton B. Olsen Publisher: Routledge ISBN: 0429640641 Category : Literary Criticism Languages : en Pages : 299
Book Description
The influences of William Wordsworth’s writing and evolutionary theory—the nineteenth century’s two defining visions of nature—conflicted in the Victorian period. For Victorians, Wordsworthian nature was a caring source of inspiration and moral guidance, signaling humanity's divine origins and potential. Darwin’s nature, by contrast, appeared as an indifferent and amoral reminder of an evolutionary past that demanded participation in a brutal struggle for existence. Victorian authors like Matthew Arnold, George Eliot, Robert Louis Stevenson, and Thomas Hardy grappled with these competing representations in their work. They turned to Wordsworth as an alternative or antidote to evolution, criticized and altered his poetry in response to Darwinism, and synthesized elements of each to propose their own modified theories. Darwin’s account of a material, evolutionary nature both threatened the Wordsworthian belief in nature’s transcendent value and made spiritual elevation seem more urgently necessary. Victorian authors used Wordsworth and Darwin to explore what form of transcendence, if any, could survive an evolutionary age, and reevaluated the purpose of literature in the process.
Author: Stephen Gill Publisher: ISBN: 9780191671180 Category : Criticism Languages : en Pages : 346
Book Description
In this book, Stephen Gill uses a large amount of anecdotal and biographical material to illustrate the various ways in which Wordsworth's reputation was diffused in the Victorian era.
Author: Stephen Gill Publisher: Cambridge University Press ISBN: 1139825887 Category : Literary Criticism Languages : en Pages : 452
Book Description
The Cambridge Companion to Wordsworth provides a wide-ranging account of one of the most famous Romantic poets. Specially commissioned essays cover all the important aspects of this multi-faceted writer; the volume examines his poetic achievement with a chapter on poetic craft, while other chapters focus on the origin of his poetry and on the challenges it presented and continues to present. Further contributions include discussions of The Prelude and The Recluse, Wordsworth as philosophic poet, his writing in relation to European Romanticism, and Wordsworth as Nature poet. The collection, by an international team of established specialists concludes with a lucid account of the history of Wordsworth's texts, and offers students invaluable reference material including a chronology and guides to further reading.The volume aims to ensure that its readers will be grounded in the history of Wordsworth's career and his critical reception.
Author: Leah Price Publisher: Princeton University Press ISBN: 1400842182 Category : Literary Criticism Languages : en Pages : 361
Book Description
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Author: Samuel Baker Publisher: University of Virginia Press ISBN: 081393043X Category : Literary Criticism Languages : en Pages : 343
Book Description
The very word "culture" has traditionally evoked the land. But when such writers as William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and, later, Matthew Arnold developed what would become the idea of modern culture, they modeled that idea on Britain's imperial command of the sea. Instead of locating the culture idea’s beginnings in the dynamic between the country and the city, Samuel Baker insists on taking into account the significance of water for that idea’s development. For the Romantics, figures of the island, the deluge, and the sundering tide often convey the insularity of cultures understood to stand apart from the whole; yet, Baker writes, the sea also stands in their poetry of culture as a reminder of the broader sphere of circulation in which the poet's work, if not the poet's subject, inheres. Although other books treat the history of the idea of culture, none synthesizes that history with the literary history of maritime empire. Written on the Water tracks an uncanny interrelationship between ocean imagery and culturalist rhetoric of culture forward from the late Augustans to the mid-Victorians. In so doing, it analyzes Wordsworth's pronounced ambivalence toward the sea, Coleridge's sojourn as an imperial functionary in Malta, Byron's cosmopolitan seafaring tales, and Arnold's dual identity as "poet of water" and prose arbiter of "culture." It also considers Romanticism's classical inheritance, arguing that the Lake Poets dissolved into the idea of culture the Virgilian system of pastoral, georgic, and epic modes of literature and life. This compelling new study will engage any reader interested in the intellectual and literary history of Britain and the lived experience of British Romanticism.
Author: Publisher: ISBN: Category : Languages : en Pages :
Book Description
The Department of English at the University of Southern California, located in Los Angeles, California, features a book review written by Marcy Tanter of the book authored by Stephen Gill entitled "Wordsworth and the Victorians," (ISBN 0-19-811965-8) published by Clarendon Press in 1998. Tanter comments on Gill's book, which provides a study of the last 25 years of the life of the English poet William Wordsworth (1770-1850), and his influence on future writers.
Author: Stephen Gill
Author: Stephen Gill
Author: Tom Mole
Author: Carl Dawson
Author: Trenton B. Olsen
Author: Stephen Gill
Author: Stephen Gill
Author: Leah Price
Author: Samuel Baker
Author: Robert Eugene Lovelace
Author: