Author: Sander H. Lee Publisher: McFarland ISBN: 1476605963 Category : Performing Arts Languages : en Pages : 417
Book Description
While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of this generation's more influential filmmakers. In this work such Allen films as Annie Hall (1977), Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995) are analyzed for the common philosophical themes they share. Gender issues, Allen's love-hate relationship with God, narcissism and moral relativism, and the use of the so-called existential dilemma are among the topics discussed. The extensive research is augmented with a rare interview with Allen.
Author: Mary P. Nichols Publisher: Rowman & Littlefield Publishers ISBN: 1442207469 Category : Performing Arts Languages : en Pages : 269
Book Description
In this pathbreaking new book, Mary P. Nichols challenges this, arguing that Allen's work, from Play It Again, Sam to Deconstructing Harry, is actually an attempt to explore and reconcile the tension between art and life.
Author: Marion Meade Publisher: Simon and Schuster ISBN: 0684833743 Category : Motion picture producers and directors Languages : en Pages : 392
Book Description
This is the first uncensored, unauthorized biography of a filmmaker who is to his era what Charlie Chaplin & Buster Keaton were to theirs - & the first biography to investigate all the sensitive subjects both personal & professional that Woody does not talk about.
Author: James F. Scott Publisher: Rowman & Littlefield ISBN: 1498548970 Category : Social Science Languages : en Pages : 335
Book Description
Directors Martin Scorsese, Woody Allen, and Spike Lee emerged as filmmakers toward the end of the 1960s, when the breakdown of the studio system paved the way for new production partnerships and gave more creative authority to directors, actors, and writers. In what has come to be called the “Indie” movement, these directors were able to explore ethno-racial themes with more frankness than previously allowed. From the perspectives of their own minority communities, Scorsese, Allen, and Lee dramatized and critiqued the challenges this restless, ethno-racial underclass posed to the “White Republic” imagined by the Founding Fathers. The three directors whose work is at the heart of this book explore the question of how identity formation is a process of negotiation, particularly among America’s ethno-racial minorities. They emphasize the stresses related to the double burden in the assimilative process of patterning oneself after the majoritarian culture, while acknowledging in complex ways the culture of the community of origin. Annie Hall tells Alvie Singer, “you’re a real Jew.” Buggin’ Out instructs his homeboy friend, “Stay Black, Mookie!” What implications do these phrases carry? Will Alvie have a chance to modify his identity? Should he? Will Mookie honor his friend’s admonition? Is “black” also susceptible to a cultural makeover? Is identity a personal choice? This book highlights how various films by these three directors explore the ways in which “cultural capital” (musical, artistic, intellectual, athletic, etc.) is used to erase “ethno-racial taint” (skin tones, supposed biological “traits,” offensive cultural habits). The formula ordains that assimilation and interculturation will be asymmetrical, favoring those groups or individuals who bring with them the most cultural capital.
Author: Mark T. Conard Publisher: Open Court ISBN: 0812697464 Category : Philosophy Languages : en Pages : 284
Book Description
Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care? Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.
Author: Vincent Brook Publisher: Brandeis University Press ISBN: 1611684803 Category : Social Science Languages : en Pages : 313
Book Description
Although Woody AllenÕs films have received extensive attention from scholars and critics, no book has focused exclusively on Jewishness in his work, particularly that of the late 1990s and beyond. In this anthology, a distinguished group of contributorsÑwhose work is richly contextualized in the fields of literature, philosophy, film, theater, and comedyÑexamine the schlemiel, Allen and women, the Jewish take on the Òmorality of murder,Ó AllenÕs take on Hebrew scripture and Greek tragedy, his stage work, his cinematic treatment of food and dining, and what happens to ÒJew YorkÓ when Woody takes his films out of New York City. Considered together, these essays delineate the intellectual, artistic, and moral development of one of cinemaÕs most durable and controversial directors.
Author: Woody Allen Publisher: Samuel French, Inc. ISBN: 9780573695391 Category : Drama Languages : en Pages : 132
Book Description
Short Plays / Comedy / 2m, 3f / 3 ints. This long-running Off Broadway hit features the work of three gifted playwrights. David Mamet's AN INTERVIEW is an oblique, mystifying interrogation. A sleazy lawyer is forced to answer difficult questions and to admit the truth about his life and career. The why and where of the interrogation provide a surprise ending to this brilliant twenty minute comedy. In HOTLINE by Elaine May, a neurotic woman with enough urban angst to fill a neighborhood calls a
Author: Marilyn Fabe Publisher: Univ of California Press ISBN: 0520279972 Category : Performing Arts Languages : en Pages : 312
Book Description
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
Author: Jill Franks Publisher: McFarland ISBN: 1476677921 Category : Performing Arts Languages : en Pages : 204
Book Description
The comic archetype of the Little Man--a "nobody" who stands up to unfairness--is central to the films of Woody Allen and Charlie Chaplin. Portraying the alienation of life in an indifferent world with a mix of pathos, irony and slapstick, both adopted absurdist personas--Chaplin's bumbling yet clever Tramp with his shabby clothes, and Allen's fool with his metaphysical witticisms and proclivity to fall in love too quickly. Both men were auteurs who managed to retain creative control of their work and achieve worldwide popularity. Both suffered from scandals regarding their attraction to younger women. Drawing on psychoanalysis and gender studies, this book explores their films as barometers of their respective historical moments, marking cultural shifts from modernism to postmodernism.
Author: Sander H. Lee
Author: Mary P. Nichols
Author: Marion Meade
Author: James F. Scott
Author: Mark T. Conard
Author: Vincent Brook
Author: Woody Allen
Author: Marilyn Fabe
Author: Sam B. Girgus
Author: Jill Franks