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Author: Deborah Philips Publisher: Bloomsbury Publishing ISBN: 1441149511 Category : Literary Criticism Languages : en Pages : 169
Book Description
Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 to the present. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership. Despite their popularity, these novels remain largely outside the 'canon' of women's writing, and are often unacknowledged by feminist literary criticism. However, these texts clearly touched a nerve with a largely female readership, and so offer a means of charting the changes in ideals of femininity, and in the tensions and contradictions in gender identities in the post-war period. Their analysis offers new insights into the shifting demands, aspirations and expectations of what a woman could and should be over the last half century. Through her analysis of women's writing and reading, Philips sets out to challenge the distinction between 'popular' and 'literary' fiction, arguing that neat categories such as 'popular', 'middle brow' and 'serious fiction' need more careful definition.
Author: Deborah Philips Publisher: Bloomsbury Publishing ISBN: 1441149511 Category : Literary Criticism Languages : en Pages : 169
Book Description
Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 to the present. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership. Despite their popularity, these novels remain largely outside the 'canon' of women's writing, and are often unacknowledged by feminist literary criticism. However, these texts clearly touched a nerve with a largely female readership, and so offer a means of charting the changes in ideals of femininity, and in the tensions and contradictions in gender identities in the post-war period. Their analysis offers new insights into the shifting demands, aspirations and expectations of what a woman could and should be over the last half century. Through her analysis of women's writing and reading, Philips sets out to challenge the distinction between 'popular' and 'literary' fiction, arguing that neat categories such as 'popular', 'middle brow' and 'serious fiction' need more careful definition.
Author: Clare Hanson Publisher: Springer ISBN: 1137477369 Category : Literary Criticism Languages : en Pages : 322
Book Description
This volume reshapes our understanding of British literary culture from 1945-1975 by exploring the richness and diversity of women’s writing of this period. Essays by leading scholars reveal the range and intensity of women writers’ engagement with post-war transformations including the founding of the Welfare State, the gradual liberalization of attitudes to gender and sexuality and the reconfiguration of Britain and the empire in the context of the Cold War. Attending closely to the politics of form, the sixteen essays range across ‘literary’, ‘middlebrow’ and ‘popular’ genres, including espionage thrillers and historical fiction, children’s literature and science fiction, as well as poetry, drama and journalism. They examine issues including realism and experimentalism, education, class and politics, the emergence of ‘second-wave’ feminism, responses to the Holocaust and mass migration and diaspora. The volume offers an exciting reassessment of women’s writing at a time of radical social change and rapid cultural expansion.
Author: Stephanie Russo Publisher: Springer Nature ISBN: 3030586138 Category : History Languages : en Pages : 322
Book Description
This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of centuries of these shifting and often contradictory ways of understanding the narrative of Henry VIII’s most infamous queen. Since her execution on 19 May 1536, Anne’s life and body has been a site upon which competing religious, political and sexual ideologies have been inscribed; a practice that continues to this day. From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself.
Author: Rachael Gilmour Publisher: Manchester University Press ISBN: 1784991791 Category : Literary Criticism Languages : en Pages : 378
Book Description
Available in paperback for the first time, this first book-length study explores the history of postwar England during the end of empire through a reading of novels which appeared at the time, moving from George Orwell and William Golding to Penelope Lively, Alan Hollinghurst and Ian McEwan. Particular genres are also discussed, including the family saga, travel writing, detective fiction and popular romances. All included reflect on the predicament of an England which no longer lies at the centre of imperial power, arriving at a fascinating diversity of conclusions about the meaning and consequences of the end of empire and the privileged location of the novel for discussing what decolonization meant for the domestic English population of the metropole. The book is written in an easy style, unburdened by large sections of abstract reflection. It endeavours to bring alive in a new way the traditions of the English novel.
Author: Roberta Garrett Publisher: Rowman & Littlefield ISBN: 1786605198 Category : Literary Criticism Languages : en Pages : 200
Book Description
Although a large body of work has emerged which addresses neoliberal representations of the family in other cultural forms (such as parenting advice programmes) little has been written specifically on the family and contemporary literature. This book examines the growing body of autobiographical and fictional writing on family and parenting issues in Anglo-American culture from the late 1990s to the present day. The book looks closely at six distinct genres which have arisen during this time frame: the misery memoir, the mum’s lit popular novel, the maternal confessional, ‘dads’ lit, the dysfunctional domestic novel and the family noir. Writing the Modern Family will examine the way these burgeoning areas of British and American writing respond to a neoliberal public discourse in which a ‘parenting deficit’ rather than economic and structural disadvantage, is responsible for increasing inequality in child welfare and achievement. In evaluating these forms and their relationship to neoliberal culture, the book will also consider the complex interrelationship between these genres.
Author: Beauty Bragg Publisher: Lexington Books ISBN: 0739188798 Category : Literary Criticism Languages : en Pages : 141
Book Description
Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg’s study addresses why such work should be the subject of scholarly examination, describes the events and attitudes which account for the critical neglect of this body of work, and models a critical approach to such narratives that demonstrates the distinctive ways in which this literature captures the complexities of post-civil rights era black experiences. In making her arguments regarding the value of popular writing, Bragg argues that black women’s popular fiction foregrounds gender in ways that are frequently missing from other modes of narrative production. They exhibit a responsiveness and timeliness to the shifting social terrain which is reflected in the rapidly shifting styles and themes which characterize popular fiction. In doing so, they extend the historical function of African American literature by continuing to engage the black body as a symbol of political meaning in the social context of the United States. In popular literature Beauty Bragg locates a space from which black women engage a variety of public discourses.
Author: Robert McParland Publisher: Rowman & Littlefield ISBN: 1538110008 Category : Literary Criticism Languages : en Pages : 335
Book Description
Whether curled up on a sofa with a good mystery, lounging by the pool with a steamy romance, or brooding over a classic novel, Americans love to read. Despite the distractions of modern living, nothing quite satisfies many individuals more than a really good book. And regardless of how one accesses that book—through a tablet, a smart phone, or a good, old-fashioned hardcover—those choices have been tallied for decades. In Bestseller: A Century of America’s Favorite Books, Robert McParland looks at the reading tastes of a nation—from the beginning of the twentieth century to the present day. Through extensive research, McParland provides context for the literature that appealed to the masses, from low-brow potboilers like Forever Amber to Pulitzer-Prize winners such as To Kill a Mockingbird. Decade by decade, McParland discusses the books that resonated with the American public and shows how current events and popular culture shaped the reading habits of millions. Profiles of authors with frequent appearances—from Ernest Hemingway to Danielle Steel—are included, along with standout titles that readers return to year after year. A snapshot of America and its love of reading through the decades, this volume informs and entertains while also providing a handy reference of the country’s most popular books. For those wanting to learn more about the history of American culture through its reading habits, Bestseller: A Century of America’s Favorite Books is a must-read.
Author: Peter Childs Publisher: Lexington Books ISBN: 149850096X Category : Literary Criticism Languages : en Pages : 235
Book Description
9/11 is not simple a date on the calendar but marks a distinct historical threshold, ushering in the war on terror, various states of emergency, a supposed “clash of civilizations,” and the putative legitimation of counter-democratic procedures ranging from extraordinary renditions to enhanced interrogation. Perhaps no date, since Virginia Woolf declared that “on or about December 1910 human character changed,” has marked such a singular point in the perception of time, identity and nature. Women’s writing has always been something of a counter-canon, offering modes of voice and point of view beyond that of the “man” of reason. This collection of essays explores the two problems of what it means to write as a woman and what it means to write in the twenty-first century.
Author: Deborah Philips
Author: Deborah Philips
Author: Clare Hanson
Author: Stephanie Russo
Author: Rachael Gilmour
Author: Deborah Philips
Author: Katharine Cockin
Author: Roberta Garrett
Author: Beauty Bragg
Author: Robert McParland
Author: Peter Childs