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Author: Sidonie Smith Publisher: Univ of Wisconsin Press ISBN: 9780299158446 Category : Biography & Autobiography Languages : en Pages : 546
Book Description
The first comprehensive guide to the burgeoning field of women's autobiography. Essays from 39 prominent critics and writers explore narratives across the centuries and from around the globe. A list of more than 200 women's autobiographies and a comprehensive bibliography provide invaluable information for scholars, teachers, and readers.
Author: Sidonie Smith Publisher: Univ of Wisconsin Press ISBN: 9780299158446 Category : Biography & Autobiography Languages : en Pages : 546
Book Description
The first comprehensive guide to the burgeoning field of women's autobiography. Essays from 39 prominent critics and writers explore narratives across the centuries and from around the globe. A list of more than 200 women's autobiographies and a comprehensive bibliography provide invaluable information for scholars, teachers, and readers.
Book Description
An overview of women's autobiography, providing historical background and contemporary criticism along with selections from a range of autobiographies by women. It seeks to provide a broad introduction to the major questions dominating autobiographical scholarship today.
Author: Bella Brodzki Publisher: Cornell University Press ISBN: 1501745565 Category : Literary Criticism Languages : en Pages : 383
Book Description
Autobiography raises a vital issue in feminist critical theory today: the imperative need to situate the female subject. Life/Lines, a collection of essays on women's autobiography, attempts to meet this need.
Author: Afsaneh Najmabadi Publisher: Harvard CMES ISBN: 9780932885050 Category : Biography & Autobiography Languages : en Pages : 92
Book Description
The four essays in this volume discuss the autobiographical writings of Iranian women. The contributors to the collection include William Hanaway, Michael Hillmann, and Farzaneh Milani. Milani asks why modern Persian literature, with its rich self-reflective tradition, has not produced many autobiographies, and what particular problems confront Iranian women engaging in autobiographical writing. Najmabadi discusses one of the earliest modern autobiographical writings by a woman, Taj os-Saltaneh’s Memories, and Hillman projects Forugh Farrokhzad’s poetry as an autobiographical voice. Hanaway investigates the possibilities of going beyond lack of Western-style autobiographical form and looking for what Persian literary forms and categories provide for the autobiographical voice.
Author: Linda H. Peterson Publisher: University of Virginia Press ISBN: 9780813918839 Category : Literary Criticism Languages : en Pages : 256
Book Description
Victorian women's autobiography emerged at a historical moment when the field of life writing was particularly rich. Spiritual autobiography was developing interesting variations in the heroic memoirs of pioneering missionary women and in probing intellectual analyses of Nonconformists, Anglicans, agnostics, and other religious thinkers. The chroniques scandaleuses of the eighteenth century were giving way to the respectable artist's life of the professional Victorian woman. The domestic memoir, a Victorian variation on the family histories of the seventeenth and eighteenth centuries, flourished in a culture that celebrated the joys of home, family, and private life. Perhaps most important, Victorian women writers were experimenting with all these forms in various combinations and permutations. Arguing that women's autobiography does not represent a singular separate tradition but instead embraces multiple lineages, Linda H. Peterson explores the poetics and politics of these diverse forms of life writing. She carefully analyzes the polemical Autobiography of Harriet Martineau and Personal Recollections of Charlotte Elizabeth Tonna, the missionary memoirs that challenge Charlotte Brontë's Jane Eyre, the Romantic autobiographies of the poet and poetess that Barrett Browning reconstructs in Aurora Leigh, the professional life stories of Margaret Oliphant and her contemporaries, and the Brontëan and Eliotian bifurcations of Mary Cholmondeley's memoirs. The desire to know the details of other women's lives--and to use them for one's own purposes--underlies much Victorian women's autobiography, even as it helps to explain our continuing interest in their accounts.
Author: Lynn C. Miller Publisher: Univ of Wisconsin Press ISBN: 9780299184247 Category : Biography & Autobiography Languages : en Pages : 348
Book Description
Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed. The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers--Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah--tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.
Author: Johnnie M. Stover Publisher: Orange Grove Texts Plus ISBN: 9781616101350 Category : Languages : en Pages : 0
Book Description
Johnnie M. Stover explores the origin and power of black women writers' voices using the personal narratives of 19th-century Americans who were slaves or indentured servants. Displaying aspects of the oral traditions of Yoruba culture in West Africa, these voices took on a subversive tone, a form of expression that Stover describes as the "mother tongue" and argues is completely different from literary forms employed by white men or women or black men. Stover maintains that the mother tongue--a system of linguistic and physical techniques--developed in response to black women's struggles to find outlets for expression in a white male dominated society. The African American mother tongue is not a result of biology but grew out of the need of black women to resist oppression. It is a combination of words, rhythms, sounds, and silences that black women encoded with veiled meanings. Moreover, it is a physical way of communicating--a look, a set of the lips, a positioning of the hand, hip, and head. It is a stance, an attitude of resistance, and a powerful force in social and political as well as literary life. She proposes that the linguistic practices are a balance of African, European, and African American communicative techniques and include secrets, silences, hesitations, whispers, feigned misunderstanding, lying, masking, mumbling, sass, invective, impudence, and dissembling. Stover focuses on four texts that employ the mother tongue and engage sociopolitical issues of the 19th century--Harriet Wilson's Our Nig, Harriet Jacobs's Incidents in the Life of a Slave Girl, Elizabeth Keckley's Behind the Scenes, and Susie King Taylor's Reminiscences of My Life in Camp. Rhetoric and Resistancewill affect the way African American women's autobiography is read today and will be valuable to scholoars interested in linguistics and 19th-century literature and in African American, multicultural, and women's studies.
Author: Sidonie Smith
Author: Sidonie Smith
Author: Martine Watson Brownley
Author: Sidonie Smith
Author: Estelle C. Jelinek
Author: Bella Brodzki
Author: Sidonie Smith
Author: Afsaneh Najmabadi
Author: Linda H. Peterson
Author: Lynn C. Miller
Author: Johnnie M. Stover