Author: Francis BeaumontPublisher:
ISBN:
Category : French drama
Languages : en
Pages : 490
Book Description
Women pleas'd. Night-walker, or, the little thief. Island princess. Women's prize, or the tamer tam'd. Noble gentleman
Author: Francis BeaumontPublisher:
ISBN:
Category : French drama
Languages : en
Pages : 490
Book Description
The Dramatick Works of Beaumont and Fletcher: Women pleas'd. Night-walker, or, the little thief. Island princess. Women's prize, or the tamer tam'd. Noble gentleman
Author: Francis BeaumontLove's cure; or, The martial maid. Women pleas'd. The night-walker; or, The little thief. The island princess. The woman's prize; or, The tamer tam'd. The noble gentleman. The coronation. The sea-voyage. The coxcomb. Wit at several weapons. The fair maid of the inn. Cupid's revenge. The two noble kinsmen. The tragedy of Thierry and Theodoret. The woman-hater. The nice valour; or, The passionate madman. The honest man's fortune. The masque of the Inner-Temple and Gray's Inn; Gray's Inn and the Inner-Temple. Four plays, or moral representations, in one
Author: Francis BeaumontLeaves of Grass
Author: Walt WhitmanLove's Cure
Author: John FletcherPublisher: Createspace Independent Publishing Platform
ISBN: 9781726252683
Category :
Languages : en
Pages : 88
Book Description
Love's Cure, or The Martial Maid is an early seventeenth-century stage play, a comedy in the canon of John Fletcher and his collaborators. First published in the Beaumont and Fletcher folio of 1647, it is the subject of broad dispute and uncertainty among scholars. In the words of Gerald Eades Bentley, "nearly everything about the play is in a state of confusion...." The manifold problems about Love's Cure inevitably complicate the scholarly and critical response to the play. It is hard to say what the play reveals about Fletcher's dramaturgic artistry when his participation in the project is so clouded by uncertainty - one critic even referring to Fletcher's "collaboration with the dead." The play's strong theme of gender and sexuality, though, has attracted modern commentators on the subject.
Minima Moralia
Author: Theodor AdornoPublisher: Verso
ISBN: 9781844670512
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
"A volume of Adorno is equivalent to a whole shelf of books on literature." Susan Sontag
The Knight of Malta
Author: John FletcherPublisher: Createspace Independent Publishing Platform
ISBN: 9781726254366
Category :
Languages : en
Pages : 104
Book Description
The Knight of Malta is a Jacobean era stage play, a tragicomedy in the canon of John Fletcher and his collaborators. It was initially published in the first Beaumont and Fletcher folio of 1647. In the period in which the play was written, King James I was pursuing a policy of Spanish appeasement; the play's choice of subject, the Knights of Malta, has been interpreted in light of that policy, as a gesture at royal flattery. Modern critics have focused on the play's Christian/Muslim conflict, its sexual politics, and the racial implications of making the play's villain an African woman.
The Maid in the Mill
Author: John FletcherPublisher: Createspace Independent Publishing Platform
ISBN: 9781726262057
Category :
Languages : en
Pages : 92
Book Description
The Maid in the Mill is a late Jacobean era stage play, a comedy written by John Fletcher and William Rowley. It was initially published in the first Beaumont and Fletcher folio of 1647. The two playwrights took their main plot from Leonard Digges's translation of Gerardo, the Unfortunate Spaniard by Gonzalo de Céspedes y Meneses - a source that Fletcher had exploited for The Spanish Curate in the previous year. They took the Florimel subplot from The Palace of Pleasure by William Painter; and they may also have been influenced by Shakespeare's The Winter's Tale. Fletcher, working with Philip Massinger, would compose a play with a very similar plot a few years later, in The Fair Maid of the Inn (1626).
White Trash
Author: Nancy IsenbergPublisher: Penguin
ISBN: 110160848X
Category : History
Languages : en
Pages : 482
Book Description
The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.
Author: Parker Fillmore