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Women Artists and the Parisian Avant-garde

Women Artists and the Parisian Avant-garde PDF Author: Gillian Perry
Publisher: Manchester University Press
ISBN: 9780719041655
Category : Painting, French
Languages : en
Pages : 236

Book Description
A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR

Women of the Avant-garde 1920-1940

Women of the Avant-garde 1920-1940 PDF Author: Michael Juul Holm
Publisher:
ISBN: 9788792877000
Category : Art
Languages : en
Pages : 0

Book Description
Women of the Avant-Garde 1920-1940 presents eight female artists who made major contributions to Dada, Surrealism, Constructivism and other European avant-gardes of the modernist era: Claude Cahun, Sonia Delaunay, Germaine Dulac, Florence Henri, Hannah Höch, Katarzyna Kobro, Dora Maar and Sophie Taeuber-Arp. The artists are constellated in relation to one another across five themed sections that illuminate the nature of their respective innovations: "Composing Color," "Constructing Space," "Different Rules," "New Identities" and "Another Reality."

Women Artists and the Parisian Avant-garde

Women Artists and the Parisian Avant-garde PDF Author: Gillian Perry
Publisher: Manchester University Press
ISBN: 9780719041655
Category : Painting, French
Languages : en
Pages : 236

Book Description
A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR

Women on the Verge

Women on the Verge PDF Author: Rosette C. Lamont
Publisher: Hal Leonard Corporation
ISBN: 9781557831484
Category : Drama
Languages : en
Pages : 420

Book Description
(Applause Books). This anthology gathers together recent work by the finest and most controversial contemporary American women dramatists. Collectively, this magnificent seven seeks to break the mold of the well-wrought psychological play and its rigid emphasis on realisticsocio-political drama. Includes: Occupational Hazard (Rosalyn Drexler) * Us (Karen Malpede) * What of the Night? (Maria Irene Forne) * Birth and After Birth (Tina Howe) * and more.

Points of Resistance

Points of Resistance PDF Author: Lauren Rabinovitz
Publisher: University of Illinois Press
ISBN: 9780252071249
Category : Experimental films
Languages : en
Pages : 276

Book Description
In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entrée to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women's labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde's importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network.

Feminist Avant-Garde

Feminist Avant-Garde PDF Author: Gabriele Schor
Publisher: Prestel Publishing
ISBN: 9783791359717
Category :
Languages : en
Pages : 0

Book Description
Now available again in an expanded edition and featuring a variety of work from artists both well-known and under the radar, this volume explores the pioneering achievements of the Feminist Avant-Garde. For art history, the 1970s represent the beginning of women subverting culturally and socially established constructions and traditional norms. Second-wave feminism, with its slogan "The personal is political", challenged the one-dimensional roles assigned to women--mother, housewife, and spouse. During this period, women artists radically questioned their duties and created a plurality of self-determined representations of themselves. Rejecting traditional male-dominated techniques, such as painting, these artists made use of new media, such as photography, film, video, and performance. The outcome was artwork which was radical, poetic, ironic, bitter, cynical, and heartfelt. This book features more than seventy international female artists, including works by Martha Rosler, Mary Beth Edelson, Ana Mendieta, Nil Yalter, and Ulrike Rosenbach. Editor Gabriele Schor used the term Feminist Avant-Garde in order to emphasize the role that these artists played in the last four decades. This new edition has been enriched with twenty-five new artists--Emma Amos, Dara Birnbaum, Rose English, Natalia LL, among others--as well as up-to-date research on feminist exhibitions, catalogues, and periodicals. Each artist is introduced by an essay and the book also includes fascinating texts by leading scholars.

Women, Destruction, and the Avant-Garde

Women, Destruction, and the Avant-Garde PDF Author: Kim Socha
Publisher: Rodopi
ISBN: 9401207070
Category : Social Science
Languages : en
Pages : 272

Book Description
This interdisciplinary study fuses analysis of feminist literature and manifestos, radical political theory, critical vanguard studies, women’s performance art, and popular culture to argue for the animal liberation movement as successor to the liberationist visions of the early twentieth-century avant-gardes, most especially the Surrealists. These vanguard groups are judiciously critiqued for their refusal to confront their own misogyny, a quandary that continues to plague animal activists, thereby disallowing for cohesion and full recognition of women’s value within a culturally marginalized cause. This volume is of interest to anyone who is concerned about the continued—indeed, escalating—violence against nonhumans. More broadly, it will interest those seeking new pathways to challenge the dominant power constructions through which oppression of humans, nonhumans, and the environment thrives. Women, Destruction, and the Avant-Garde ultimately poses the animal liberation movement as having serious political and cultural implications for radical social change, destruction of hierarchy and for a world without shackles and cages, much as the Surrealists envisioned.

Marthe Donas

Marthe Donas PDF Author: Peter J. H. Pauwels
Publisher:
ISBN: 9789491819414
Category : Art, Belgian
Languages : en
Pages : 0

Book Description
A pioneer of avant-garde art, Belgian artist Marthe Donas is gradually being rediscovered internationally. This is the first monograph in English wholly dedicated to her oeuvre. It encompasses both her surviving work and much of what has been lost and probably destroyed during the Second World War. Written by Peter J. H. Pauwels with the collaboration of Kristien Boon, the book contains high-quality reproductions of the artist's drawings and paintings - including Nature Morte M, Portrait de Georgette, Jeux and Composition abstraite N°5 - as well as a chronological list of her exhibitions. Using a simple, accessible language, the authors interweave close biographical details with insightful criticism, allowing us to understand the evolution of her style from cubism to the abstract. Donas was a friend of many important figures in the avantgarde, and exhibited with all the great of the period, from Picasso to Mondrian, Braque to Modigliani. But more importantly, she was an exceptional artist in her own right.

The Golden Avant-garde

The Golden Avant-garde PDF Author: Raphael Sassower
Publisher: University of Virginia Press
ISBN: 9780813919355
Category : Art
Languages : en
Pages : 164

Book Description
A philosopher and an artist place the phenomenon of avant garde in different perspectives. They wonder how avant garde artists navigate the cultural, financial and technological challenges in past and present. They draw the conclusion that artists have become adept at manipulating the same forces that they seek to exaggerate and articulate in their work.

Women's Experimental Cinema

Women's Experimental Cinema PDF Author: Robin Blaetz
Publisher: Duke University Press
ISBN: 9780822340447
Category : Performing Arts
Languages : en
Pages : 436

Book Description
This volume offers introductions to the work of fifteen avant-garde American women filmmakers.

The Most Typical Avant-Garde

The Most Typical Avant-Garde PDF Author: David E. James
Publisher: Univ of California Press
ISBN: 0520242580
Category : Architecture
Languages : en
Pages : 564

Book Description
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films. This panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true centre of avant-garde cinema in the US.