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Author: Heather Ann Ackley Bean Publisher: ISBN: Category : History Languages : en Pages : 294
Book Description
Both urban Appalachian evangelical Christianity, as embodied in Appalachian women's folk art and music, and process theology as articulated by John B. Cobb, Jr, and those he has mentored share an existentialist eschatology that emphasizes the salvific quality of individual life in the present rather than hope in the future. Explores the ways in which these two marginal Christian existential theological traditions share common beliefs, articulate them in radically different ways with radically different results, and thus might learn from one another.
Author: Heather Ann Ackley Bean Publisher: ISBN: Category : History Languages : en Pages : 294
Book Description
Both urban Appalachian evangelical Christianity, as embodied in Appalachian women's folk art and music, and process theology as articulated by John B. Cobb, Jr, and those he has mentored share an existentialist eschatology that emphasizes the salvific quality of individual life in the present rather than hope in the future. Explores the ways in which these two marginal Christian existential theological traditions share common beliefs, articulate them in radically different ways with radically different results, and thus might learn from one another.
Author: Karin Pendle Publisher: Routledge ISBN: 1135848130 Category : Music Languages : en Pages : 870
Book Description
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
Author: Benson Vaughan Publisher: Wipf and Stock Publishers ISBN: 1532633343 Category : Religion Languages : en Pages : 307
Book Description
This book examines the influence of music on the development of the Church of God (Cleveland, Tennessee). This narrative is historically driven, but relies upon an interdisciplinary approach to draw on the insights of ecclesiology, theology, liturgiology, church development, and especially music. This study utilizes a chronological and systematic approach to the relationship between music and the Church of God in the United States during the first 125 years of the denomination’s history, from 1886 to 2011. For over a century, music has been an often-neglected dialogue partner at the table of academic discussion and this research argues for recognition and a proper place in Pentecostal history. Along with primary and secondary sources, the important element of “living archives” is investigated in this work; these are interviews with people who participated in historical music events in the Church of God. The book also relies upon musical examples to explore the influence of music upon the shaping of the denomination’s history and theology.
Author: Kristin G. Congdon Publisher: Bloomsbury Publishing USA ISBN: 0313349371 Category : Architecture Languages : en Pages : 789
Book Description
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.
Author: Katherine Kelleher Sohn Publisher: SIU Press ISBN: 0809390949 Category : Language Arts & Disciplines Languages : en Pages : 226
Book Description
Even some enlightened academicians automatically—and incorrectly—connect illiteracy to Appalachia, contends Katherine Kelleher Sohn. After overhearing two education professionals refer to the southern accent of a waiter and then launch into a few redneck jokes, Sohn wondered why rural, working-class white people are not considered part of the multicultural community. Whistlin’ and Crowin’ Women of Appalachia: Literacy Practices since College examines the power of women to rise above cultural constraints, complete their college degrees, assume positions of responsibility, and ultimately come to voice. Sohn, a born southerner and assimilated Appalachian who moved from the city more than thirty years ago, argues that an underclass of rural whites is being left out of multicultural conversations. She shares how her own search for identity in the academic world (after enrolling in a doctoral program at age fifty) parallels the journeys of eight nontraditional, working-class women. Through interviews and case studies, Sohn illustrates how academic literacy empowers women in their homes, jobs, and communities, effectively disproving the Appalachian adage: “Whistlin’ women and crowin’ hens, always come to no good ends.” Sohn situates the women’s stories within the context of theory, self confidence, and place. She weaves the women’s words with her own, relating voice to language, identity, and power. As the women move from silence to voice throughout and after college—by maintaining their dialect, discovering the power of expressivist writing, gaining economic and social power, and remaining in their communities—they discover their identity as strong women of Appalachia. Sohn focuses on the power of place, which figures predominantly in the identity of these women, and colorfully describes the region. These Appalachian women who move from silence to voice are the purveyors of literacy and the keepers of community, says Sohn. Serving as the foundation of Appalachian culture in spite of a patriarchal society, the women shape the region even as it shapes them. Geared to scholars of literacy studies, women’s studies, and regional studies, Whistlin’ and Crowin’ Women of Appalachia will also resonate with those working with other marginalized populations who are isolated economically, geographically, or culturally.
Author: Howard Dorgan Publisher: Univ. of Tennessee Press ISBN: 9780870499623 Category : History Languages : en Pages : 226
Book Description
The investigation of Primitive Baptist Universalists -- Calvinist 'No-Hellers, ' which sounds for all the world like an oxymoron -- requires the exact type of seasoned and comprehensive field experience which Dorgan has brought to it with meticulous care and insight. -- Deborah Vansau McCauley, author of Appalachian Mountain ReligionAmong the many forms of religious practice found in the ridges and hollows of Central Appalachia, one of the most intriguing -- and least understood -- is that of the Primitive Baptist Universalists (PBUs). Popularly known as the No-Hellers, this small Baptist sub-denomination rejects the notion of an angry God bent on punishment and retribution and instead embraces the concept of a happy God who consigns no one to eternal damnation. This book is the first in-depth study of the PBUs and their beliefs.As Howard Dorgan points out, the designation No-Heller is something of a misnomer. Primitive Baptist Universalists, he notes, believe in hell -- but they see it as something that exists in this life, in the temporal world, rather than in an afterlife. For a PBU, sinfulness is the given state of natural man, and hell a reality of earthly life -- the absence-from-God's-blessing torment that sin generates. PBUs further believe that, at the moment of Resurrection, all temporal existence will end as all human-kind joins in a wholly egalitarian heaven, the culmination of Christ's universal atonement.In researching this book, Dorgan spent considerable time with PBU congregations, interviewing their members and observing their emotionally charged and joyous worship services. He deftly combines lucid descriptions of PBU beliefs with richly texturedvignettes portraying the people and how they live their faith on a daily basis. He also explores a fascinating possibility concerning PBU origins: that a strain of early- nineteenth-century American Universalism reached the mountains of Appalachia and there fused with Primitive Baptist theology to form this subdenomination, which barely exists outside a handful of counties in Tennessee, Virginia, Kentucky, and West Virginia.Like Dorgan's earlier books, In the Hands of a Happy God offers an insightful blend of ethnography, history, and theological analysis that will appeal to both Appalachian scholars and all students of American religion.
Author: Connie Park Rice Publisher: Ohio University Press ISBN: 0821445227 Category : Social Science Languages : en Pages : 444
Book Description
Scholars of southern Appalachia have largely focused their research on men, particularly white men. While there have been a few important studies of Appalachian women, no one book has offered a broad overview across time and place. With this collection, editors Connie Park Rice and Marie Tedesco redress this imbalance, telling the stories of these women and calling attention to the varied backgrounds of those who call the mountains home. The essays of Women of the Mountain South debunk the entrenched stereotype of Appalachian women as poor and white, and shine a long-overdue spotlight on women too often neglected in the history of the region. Each author focuses on a particular individual or group, but together they illustrate the diversity of women who live in the region and the depth of their life experiences. The Mountain South has been home to Native American, African American, Latina, and white women, both rich and poor. Civil rights and gay rights advocates, environmental and labor activists, prostitutes, and coal miners—all have lived in the place called the Mountain South and enriched its history and culture.
Author: Publisher: McFarland ISBN: Category : History Languages : en Pages : 236
Book Description
"This bibliography of books, articles, monographs, and dissertations features more than 4,700 entries, divided into twenty-four subject areas such as activism and protest; Appalachian studies; arts and crafts; community culture and folklife; education; environment; ethnicity, race and identity; health and medicine; media and stereotypes; recreation and tourism; religion; and women and gender. Two indexes conclude the bibliography"--Provided by publisher.
Author: Heather Ann Ackley Bean
Author: Heather Ann Ackley Bean
Author: Karin Pendle
Author: Benson Vaughan
Author: ![American Folk Art [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/AxfOEAAAQBAJ?fife=w80-h100)
Author: Kristin G. Congdon
Author: Katherine Kelleher Sohn
Author: Howard Dorgan
Author: Connie Park Rice
Author: Rose Arny
Author: