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Author: Adam J. Goldwyn Publisher: ISBN: 9783030788582 Category : Languages : en Pages : 0
Book Description
"By turns reflexive and daring, Goldwyn's book is riskful thinking at its best. For medievalists, it opens up new possibilities for reading and teaching the works that matter to us most -- those that somehow place us face-to-face with human Others and leave us feeling more than we can express. In Goldwyn's book, the face of the human Other presents itself, even if only briefly and in a moment of mortal danger." - Vincent Barletta, Stanford University, USA "Innovative, illuminating and daring. This theoretically sophisticated book revolutionizes the study of Byzantine literature and enriches our understanding of angst, anxiety and trauma in the middle ages. This book provides an insightful discussion of captivity in the Byzantine era and a new interdisciplinary, trans-historical understanding of narratives which will captivate scholars for years to come." -Elena N. Boeck, DePaul University, USA.
Author: Adam J. Goldwyn Publisher: ISBN: 9783030788582 Category : Languages : en Pages : 0
Book Description
"By turns reflexive and daring, Goldwyn's book is riskful thinking at its best. For medievalists, it opens up new possibilities for reading and teaching the works that matter to us most -- those that somehow place us face-to-face with human Others and leave us feeling more than we can express. In Goldwyn's book, the face of the human Other presents itself, even if only briefly and in a moment of mortal danger." - Vincent Barletta, Stanford University, USA "Innovative, illuminating and daring. This theoretically sophisticated book revolutionizes the study of Byzantine literature and enriches our understanding of angst, anxiety and trauma in the middle ages. This book provides an insightful discussion of captivity in the Byzantine era and a new interdisciplinary, trans-historical understanding of narratives which will captivate scholars for years to come." -Elena N. Boeck, DePaul University, USA.
Author: Adam J. Goldwyn Publisher: Springer Nature ISBN: 3030788571 Category : History Languages : en Pages : 312
Book Description
This book analyzes Byzantine examples of witness literature, a genre that focuses on eyewitness accounts written by slaves, prisoners, refugees, and other victims of historical atrocity. It focuses on such episodes in three nonfictional texts – John Kaminiates’ Capture of Thessaloniki (904), Eustathios of Thessaloniki’s Capture of Thessaloniki (1186), and Niketas Choniates’ History (ca. 1204–17) – and the three extant twelfth-century Komnenian novels to consider how the authors’ positions as both eyewitness and victim require an interpretive method that distinguishes witness literature from other kinds of writing about the past. Drawing on theoretical developments in the fields of Holocaust and Genocide Studies (such as Giorgio Agamben’s homo sacer and Michel Foucault’s biopolitics) and comparisons with modern examples (Elie Wiesel’s Night and Primo Levi’s If This is a Man), Witness Literature emphasizes the affective, subjective, and experiential in medieval Greek historical writing.
Author: Kathleen Maxwell Publisher: Routledge ISBN: 1351955845 Category : Art Languages : en Pages : 294
Book Description
This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.
Author: Publisher: Harvard University Press ISBN: 0674059034 Category : Biography & Autobiography Languages : en Pages : 473
Book Description
Miracles occupied a unique place in medieval and Byzantine life and thought. This volume makes available three collections of miracle tales never before translated into English. They deepen our understanding of attitudes toward miracles and display the remarkable range of registers in which Greek could be written during the Byzantine period.
Author: Adam J. Goldwyn Publisher: Cambridge University Press ISBN: 1108168620 Category : Literary Criticism Languages : en Pages : 467
Book Description
The corpus of Palaiologan romances consists of about a dozen works of imaginative fiction from the thirteenth to the fifteenth centuries which narrate the trials and tribulations of aristocratic young lovers. This volume brings together leading scholars of Byzantine literature to examine the corpus afresh and aims to be the definitive work on the subject, suitable for scholars and students of all levels. It offers interdisciplinary and transnational approaches which demonstrate the aesthetic and cultural value of these works in their own right and their centrality to the medieval and early modern Greek, European and Mediterranean literary traditions. From a historical perspective, the volume also emphasizes how the romances represent a turning point in the history of Greek letters: they are a repository of both ancient and medieval oral poetic and novelistic traditions and yet are often considered the earliest works of Modern Greek literature.
Author: Baukje van den Berg Publisher: Oxford University Press ISBN: 0192865439 Category : Languages : en Pages : 279
Book Description
Homer the Rhetorician is the first monograph study devoted to the monumental Commentary on the Iliad by Eustathios of Thessalonike, one of the most renowned orators and teachers of the Byzantine twelfth century. Homeric poetry was a fixture in the Byzantine educational curriculum and enjoyed special popularity under the Komnenian emperors. For Eustathios, Homer was the supreme paradigm of eloquence and wisdom. Writing for an audience of aspiring or practising prose writers, he explains in his commentary what it is that makes Homer's composition so successful in rhetorical terms. This study explores the exemplary qualities that Eustathios recognizes in the poet as author and the Iliad as rhetorical masterpiece. In this way, it advances our understanding of the rhetorical thought of a leading intellectual and the role of a cultural authority as respected as Homer in one of the most fertile periods in Byzantine literary history.
Author: Publisher: BRILL ISBN: 9004346236 Category : History Languages : en Pages : 644
Book Description
This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Ševčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.
Author: Adam J. Goldwyn Publisher: Springer Nature ISBN: 3031114736 Category : History Languages : en Pages : 154
Book Description
This book examines how Jewish intellectuals during and after the Second World War reinterpreted Homer’s epics, the Iliad and the Odyssey, in light of their own wartime experiences, drawing a parallel between the ancient Greek genocide of the Trojans and the Nazi genocide of the Jews. The wartime writings of Theodore Adorno, Hannah Arendt, Erich Auerbach, Rachel Bespaloff, Hermann Broch, Max Horkheimer, Primo Levi, and others were attempts both to understand the collapse of European civilization and the Enlightenment through critiques of their foundational texts and to imagine the place of the Homeric epics in a new post-War humanism. The book thus also explores the reception of these writers, analyzing how Jewish child-survivors like Geoffrey Hartman and Hélène Cixous and writers of the post-Holocaust generation like Daniel Mendelsohn continued to read the epics as narratives of grief, trauma, and woundedness into the twenty-first century. .
Author: Sophia Xenophontos Publisher: Cambridge University Press ISBN: 1108833691 Category : History Languages : en Pages : 303
Book Description
This volume provides the first authoritative study of the creative appropriation of Greek ethics by late antique and Byzantine authors.
Author: Walter Puchner Publisher: Cambridge University Press ISBN: 9781107681521 Category : History Languages : en Pages : 375
Book Description
This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state.
Author: Adam J. Goldwyn
Author: Adam J. Goldwyn
Author: Adam J. Goldwyn
Author: Kathleen Maxwell
Author: 
Author: Adam J. Goldwyn
Author: Baukje van den Berg
Author: 
Author: Adam J. Goldwyn
Author: Sophia Xenophontos
Author: Walter Puchner