Winter Evenings; or lucubrations on life and letters by V. Knox PDF Download

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 368

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Author: Vicesimus Knox
Publisher:
ISBN:
Category : Life and letters series
Languages : en
Pages : 0

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Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385312744
Category : Fiction
Languages : en
Pages : 1150

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Reprint of the original, first published in 1883.

Author: Kenneth W Burchell
Publisher: Routledge
ISBN: 1000743497
Category : History
Languages : en
Pages : 493

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From his migration to America in 1774 to his death in New York City in 1809, Thomas Paine's ideology was at the centre of American political and social debate. This six-volume facsimile edition brings together rare texts from books, periodicals and newspaper contributions to unearth the contemporary American response to Thomas Paine.

Author: James Fieser
Publisher: James Fieser
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 482

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This work is the last in the 10-volume series "Early Responses to Hume", which is an edited and annotated collection of eighteenth-and nineteenth-century critical reactions to Scottish philosopher David Hume (1711-1776) . Both a philosopher and historian, he was infamous in his day for his skeptical views on human nature, knowledge, metaphysics, and religion.

Author: Lynn (Mass.). Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 204

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Author: Luisa Cale
Publisher: Oxford University Press
ISBN: 0199267383
Category : Art
Languages : en
Pages : 290

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Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformedinto repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society.Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses,let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This bookanalyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.

Author: Liverpool (England). Free Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 640

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Author: Anne M. Thell
Publisher: Bucknell University Press
ISBN: 1611488281
Category : Literary Criticism
Languages : en
Pages : 287

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The central claim of Minds in Motion is that British travel writing of the long eighteenth century functions as an epistemological playing field where authors test empiricist models of engagement with the world while simultaneously seeking out the role of the self and the imagination in producing knowledge. Whether exploring the relationship between the senses and the mind, the narrative viability of experimental detachment, or the literary dynamics of virtual witnessing, eighteenth-century travel authors persistently confront their positionality and raise difficult questions about the nature and value of first-hand experience. In one way or another, they also complicate empiricist ideals by exploring the limits of individual perception and the role of the imagination in generating and relating knowledge. While the genre is often viewed as either numbingly documentary or non-literary and commercial, travel literature actually operates at the front line of the period’s intellectual developments, illustrating both how individual writers grapple with philosophical ideals and how these ideals filter into the lives of ordinary people. Indeed, travel literature directly engages the scientific and philosophical concerns of the period, while it is also widely, avidly read; as such, it offers models for cognitive and rhetorical practices that are evaluated and either embraced or rejected by readers (in a process of identification not unlike that which occurs in early English fiction). Moreover, because eighteenth-century travel literature is so crucial to the development of so many fields—from botany to the novel—it illustrates vividly the divisive energies of discipline and genre formation while also archiving the shared aims and methods of what will become discrete fields of study. Travelogues as diverse as Margaret Cavendish’s Blazing World (1666) and Samuel Johnson’s Journey to the Western Islands of Scotland (1775) reveal the epistemological circuitry of the eighteenth century and historicize the absorption of the philosophical tendencies that have come to define modernity.

Author: Adriana Craciun
Publisher: Springer
ISBN: 1137443790
Category : Literary Criticism
Languages : en
Pages : 304

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In this book the eighteenth century Enlightenment receives an important reassessment, using an astonishing range of materials and objects drawn from Europe and beyond, including artefacts from India and China, West Africa and Polynesia. A series of authoritative essays written by experts in the field explores the full range of material culture in the long eighteenth century, raising crucial questions about notions of property and invention, homely and commercial lives. The book also includes a series of well-illustrated exhibits, a startling and provocative assemblage of objects from the Enlightenment world, each accompanied by expert commentaries. The collection of essays and exhibits is the result of collaborative debate by scholars from Europe and north America, who have together worked on the cross-disciplinary importance of material history in making sense of how past society was fundamentally transformed through the world of goods.