Author: E. L. Huggins
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 128
Book Description
"Winona, a Dakota Legend; and Other Poems" is a book of poems, sonnets, and poetic translation by Eli Lundy Huggins, an American soldier and poet who received the Medal of Honor for his activity in the Indian Wars. The longest poem in the book that gave the edition its name is "Winona," which is a poem in three parts.
Winona, a Dakota Legend; and Other Poems
Author: E. L. Huggins
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 128
Book Description
"Winona, a Dakota Legend; and Other Poems" is a book of poems, sonnets, and poetic translation by Eli Lundy Huggins, an American soldier and poet who received the Medal of Honor for his activity in the Indian Wars. The longest poem in the book that gave the edition its name is "Winona," which is a poem in three parts.
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 128
Book Description
"Winona, a Dakota Legend; and Other Poems" is a book of poems, sonnets, and poetic translation by Eli Lundy Huggins, an American soldier and poet who received the Medal of Honor for his activity in the Indian Wars. The longest poem in the book that gave the edition its name is "Winona," which is a poem in three parts.
Winona
Author: Eli Lundy Huggins
Publisher:
ISBN:
Category : Dakota Indians
Languages : en
Pages : 196
Book Description
Poems written by Captain Huggins 2nd cavalry, U. S. Army.
Publisher:
ISBN:
Category : Dakota Indians
Languages : en
Pages : 196
Book Description
Poems written by Captain Huggins 2nd cavalry, U. S. Army.
Overland Monthly and Out West Magazine
Herringshaw's American Blue-Book of Biography; Prominent Americans
The View from Officers' Row
Author: Sherry L. Smith
Publisher: University of Arizona Press
ISBN: 9780816512454
Category : History
Languages : en
Pages : 292
Book Description
Capturing military men in contemplation rather than combat, Sherry Smith reveals American army officers' views about the Indians against whom they fought in the last half of the nineteenth century. She demonstrates that these officers--and their wives--did not share a monolithic, negative view of their enemies, but instead often developed a great respect for Indians and their cultures. Some officers even came to question Indian policy, expressed misgivings about their personal involvement in the Indian Wars, and openly sympathized with their foe. The book reviews the period 1848-1890--from the acquisition of the Mexican Cession to the Battle of Wounded Knee--and encompasses the entire trans-Mississippi West. Resting primarily on personal documents drawn from a representative sample of the officer corps at all levels, the study seeks to juxtapose the opinions of high-ranking officers with those of officers of lesser prominence, who were perhaps less inclined to express personal opinions in official reports. No educated segment of American society had more prolonged contact with Indians than did army officers and their wives, yet not until now has such an overview of their attitudes been presented. Smith's work demolishes the stereotype of the Indian-hating officer and broadens our understanding of the role of the army in the American West.
Publisher: University of Arizona Press
ISBN: 9780816512454
Category : History
Languages : en
Pages : 292
Book Description
Capturing military men in contemplation rather than combat, Sherry Smith reveals American army officers' views about the Indians against whom they fought in the last half of the nineteenth century. She demonstrates that these officers--and their wives--did not share a monolithic, negative view of their enemies, but instead often developed a great respect for Indians and their cultures. Some officers even came to question Indian policy, expressed misgivings about their personal involvement in the Indian Wars, and openly sympathized with their foe. The book reviews the period 1848-1890--from the acquisition of the Mexican Cession to the Battle of Wounded Knee--and encompasses the entire trans-Mississippi West. Resting primarily on personal documents drawn from a representative sample of the officer corps at all levels, the study seeks to juxtapose the opinions of high-ranking officers with those of officers of lesser prominence, who were perhaps less inclined to express personal opinions in official reports. No educated segment of American society had more prolonged contact with Indians than did army officers and their wives, yet not until now has such an overview of their attitudes been presented. Smith's work demolishes the stereotype of the Indian-hating officer and broadens our understanding of the role of the army in the American West.
Who's who Among North American Authors
Author:
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 464
Book Description
"Covering the United States and Canada [with their possessions and neighbors] and containing the biographical and literary data of living authors whose birth or activities connect them with the continent of North America, with a press section devoted to journalists and magazine writers" (varies slightly).
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 464
Book Description
"Covering the United States and Canada [with their possessions and neighbors] and containing the biographical and literary data of living authors whose birth or activities connect them with the continent of North America, with a press section devoted to journalists and magazine writers" (varies slightly).
The American Blue Book of Biography
Who Killed American Poetry?
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472126016
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Publisher: University of Michigan Press
ISBN: 0472126016
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Making of the American West
Author: Benjamin H. Johnson
Publisher: Bloomsbury Publishing USA
ISBN: 1851097686
Category : History
Languages : en
Pages : 401
Book Description
A richly researched, evocative account of the individuals and institutions involved in the settling of the non-Indian West—and of the impact of the development of the West on the nation as a whole. Making of the American West surveys the experiences of major social groups in the lands from the Mississippi to the Pacific, from the United States' penetration of the region in the early 19th century to its incorporation into national political, economic, and cultural fabric by the early 20th century. This revealing volume offers fascinating portraits of the people and institutions that drove the Western conquest (traders and trappers, ranchers and settlers, corporations, the federal government), as well as of those who resisted conquest or hoped for the emergence of a different society (Indian peoples, Latinos, Asians, wage laborers). Throughout, expert contributors continually return to the growing myth of the West and the impact of its promise of freedom and opportunity on those who sought to "Americanize" it.
Publisher: Bloomsbury Publishing USA
ISBN: 1851097686
Category : History
Languages : en
Pages : 401
Book Description
A richly researched, evocative account of the individuals and institutions involved in the settling of the non-Indian West—and of the impact of the development of the West on the nation as a whole. Making of the American West surveys the experiences of major social groups in the lands from the Mississippi to the Pacific, from the United States' penetration of the region in the early 19th century to its incorporation into national political, economic, and cultural fabric by the early 20th century. This revealing volume offers fascinating portraits of the people and institutions that drove the Western conquest (traders and trappers, ranchers and settlers, corporations, the federal government), as well as of those who resisted conquest or hoped for the emergence of a different society (Indian peoples, Latinos, Asians, wage laborers). Throughout, expert contributors continually return to the growing myth of the West and the impact of its promise of freedom and opportunity on those who sought to "Americanize" it.
Herringshaw's National Library of American Biography
Author: Thomas William Herringshaw
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 632
Book Description