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Author: Truman Howe Bartlett Publisher: Forgotten Books ISBN: 9780484700306 Category : Art Languages : en Pages : 278
Book Description
Excerpt from The Art Life of William Rimmer: Sculptor, Painter, and Physician York as the director of the School of Design for Women at the Cooper Institute. Of his origin nothing whatever was learned, either by his friends or the public; and outside of his family - circle little was known of his life or his strug gles, even by his immediate friends. His plaster statue of the falling gladiator, ' when in 1861 it was first shown at his house in East Milton, and soon after in Boston, was pronounced a remarkable work, and its author a modern Michael Angelo. But neither this work, nor the st. Stephen, which was produced a year earlier, gained at that time the place in public esteem which they merited; and, after a temporary suc cess, both sank into undeserved obscurity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Truman Howe Bartlett Publisher: Forgotten Books ISBN: 9780484700306 Category : Art Languages : en Pages : 278
Book Description
Excerpt from The Art Life of William Rimmer: Sculptor, Painter, and Physician York as the director of the School of Design for Women at the Cooper Institute. Of his origin nothing whatever was learned, either by his friends or the public; and outside of his family - circle little was known of his life or his strug gles, even by his immediate friends. His plaster statue of the falling gladiator, ' when in 1861 it was first shown at his house in East Milton, and soon after in Boston, was pronounced a remarkable work, and its author a modern Michael Angelo. But neither this work, nor the st. Stephen, which was produced a year earlier, gained at that time the place in public esteem which they merited; and, after a temporary suc cess, both sank into undeserved obscurity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Sheldon Barr Publisher: Princeton University Press ISBN: 0691222673 Category : Art Languages : en Pages : 336
Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Author: Diane Johnson Publisher: ISBN: Category : Art Languages : en Pages : 204
Book Description
This work describes the concepts of Symbolist art used for this study and presents a sequence of the works and writings of five artists - Washington Allston at the beginning of the century, John La Farge and William Rimmer at mid-century, and George Inness and Albert Pinkham Ryder at the end. These five were selected after a lengthy survey of 19th and early 20th century American art. Although a broader selection might have been made, these particular artists successfully developed, at one point or another in their careers and with more or less clearly defined objectives, highly articulate visual art in the Symbolist mode, as well as writings about their Symbolist intentions (without using the term itself). In many instances, their words, as well as their art, recall those of artists like Paul Gauguin and Vincent Van Gogh, although predating the Europeans by several decades. The Symbolist works of these five Americans are analyzed along side their writings about art, as well as writings by the few major critics who understood their aesthetic intentions at the time, such as James Jackson Jarves, Charles de Kay, and Roger Fry. Not a survey, but rather a highly selective and suggestive
Author: Dorinda Evans Publisher: Open Book Publishers ISBN: 180064759X Category : Art Languages : en Pages : 292
Book Description
William Rimmer (1816–1879) is arguably the first modernist American sculptor, although his inventive originality has not been fully acknowledged. Rimmer cultivated an art of ideas and personal expression whilst supporting himself as a physician and, later, as a teacher of art anatomy at the Cooper Union School of Design for Women in New York. Unlike his contemporaries, he advocated the creation of sculpture drawn entirely from the artist’s imagination, as opposed to antique archetypes or live models. In this way, he sought to reframe excellence in American art as something that must be found within, rather than derived from Europe. In this new monograph, the meaning of Rimmer’s works is for the first time considered from a combination of perspectives, such as close visual analysis (including X-ray and infrared), historical documentation, and social context. These are enriched with discussion of the artist’s own bipolar disorder, deeply-held spiritualism, and views on gender equality—considering women just as talented as men, he used naked male models in all-female classes long before his contemporaries, and produced an allegorical sculpture of fighting lions that criticized the tyranny of men over women. This book will be of great interest to academics, students, art museums, collectors, dealers, art historians, and members of the public with an affinity for Rimmer’s work. It will also appeal to those with a broader interest in American culture.
Author: Jeannine Atkins Publisher: Simon and Schuster ISBN: 1631529889 Category : Fiction Languages : en Pages : 315
Book Description
May Alcott spends her days sewing blue shirts for Union soldiers, but she dreams of painting a masterpiece—which many say is impossible for a woman—and of finding love, too. When she reads her sister’s wildly popular novel, Little Women, she is stung by Louisa’s portrayal of her as “Amy,” the youngest of four sisters who trades her desire to succeed as an artist for the joys of hearth and home. Determined to prove her talent, May makes plans to move far from Massachusetts and make a life for herself with room for both watercolors and a wedding dress. Can she succeed? And if she does, what price will she have to pay? Based on May Alcott’s letters and diaries, as well as memoirs written by her neighbors, Little Woman in Blue puts May at the center of the story she might have told about sisterhood and rivalry in an extraordinary family.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0870999141 Category : Sculpture Languages : en Pages : 481
Book Description
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
Author: Truman Howe Bartlett
Author: Truman Howe Bartlett
Author: 
Author: J. H. Bartlett
Author: Sheldon Barr
Author: Diane Johnson
Author: Dorinda Evans
Author: Erica E. Hirshler
Author: Jeannine Atkins
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Sarah Burns