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William Powell Frith

William Powell Frith PDF Author: William Powell Frith
Publisher: Yale University Press
ISBN: 0300121903
Category : Photography
Languages : en
Pages : 204

Book Description
William Powell Frith (1819-1909) was the greatest British painter of the social scene since Hogarth. His panoramas of nineteenth-century life broke new ground in their depiction of the diverse London crowd, and they are now icons of their age. Frith’s popularity in his lifetime was unprecedented; on six separate occasions special railings had to be built at the Royal Academy to protect his paintings from an admiring public. Derby Day and The Railway Station are nearly as well known today as a century ago, yet the artist who painted them is now neglected. This book explores Frith's place in the development of Victorian painting: the impact of his unconventional private life on his work, his relationships with Hogarth and Dickens, his influence on popular illustration, the place of costume in his paintings, his female models, his painting materials and practice, and much more. The book makes an important contribution to the literature on art in the Victorian era and to our understanding of the nineteenth century.

William Powell Frith

William Powell Frith PDF Author: William Powell Frith
Publisher: Yale University Press
ISBN: 0300121903
Category : Photography
Languages : en
Pages : 204

Book Description
William Powell Frith (1819-1909) was the greatest British painter of the social scene since Hogarth. His panoramas of nineteenth-century life broke new ground in their depiction of the diverse London crowd, and they are now icons of their age. Frith’s popularity in his lifetime was unprecedented; on six separate occasions special railings had to be built at the Royal Academy to protect his paintings from an admiring public. Derby Day and The Railway Station are nearly as well known today as a century ago, yet the artist who painted them is now neglected. This book explores Frith's place in the development of Victorian painting: the impact of his unconventional private life on his work, his relationships with Hogarth and Dickens, his influence on popular illustration, the place of costume in his paintings, his female models, his painting materials and practice, and much more. The book makes an important contribution to the literature on art in the Victorian era and to our understanding of the nineteenth century.

My Autobiography and Reminiscences

My Autobiography and Reminiscences PDF Author: William Powell Frith
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 410

Book Description


The Book of British Ballads

The Book of British Ballads PDF Author: Samuel Carter Hall
Publisher:
ISBN:
Category : Ballad, English
Languages : en
Pages : 470

Book Description


William Powell Frith, R.A. (1819-1909)

William Powell Frith, R.A. (1819-1909) PDF Author: Martin Beisly
Publisher:
ISBN: 9781999337605
Category :
Languages : en
Pages : 88

Book Description


My Autobiography and Reminiscences

My Autobiography and Reminiscences PDF Author: William Powell Frith
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 412

Book Description


Further Reminiscences

Further Reminiscences PDF Author: William Powell Frith
Publisher:
ISBN:
Category :
Languages : en
Pages : 376

Book Description


John Leech

John Leech PDF Author: William Powell Frith
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 380

Book Description


The Prince of Wales's Wedding

The Prince of Wales's Wedding PDF Author: Jeremy Maas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108

Book Description
The Prince of Wales's wedding by William Powell Frith.

Pre-Raphaelite Sisters

Pre-Raphaelite Sisters PDF Author: Jan Marsh
Publisher: National Portrait Gallery
ISBN: 9781855147270
Category : ART
Languages : en
Pages : 0

Book Description
Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colors. Who were these women? What is known of their lives and their roles in a movement that spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socializing with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewelry-making--the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. Although their backgrounds and life experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Containing over 100 beautifully reproduced images, Pre-Raphaelite Sisters illustrates the obscure stories of some of the movement's most familiar faces. "

Benjamin Williams Leader R.A., 1831-1923

Benjamin Williams Leader R.A., 1831-1923 PDF Author: Ruth Wood
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 154

Book Description
In this pioneering study, the first substantial reassessment of the artist and his paintings to be written since 1901, Ruth Wood covers his personal and artistic life over a long career of more than seventy years. Working within the tradition of British landscape painting and influenced by his lifelong admiration of John Constable, Leader's extensive coverage of the British countryside and coastal scenes reveals the development of a distinctive and independent style. A master at exploiting the natural effects of water and light, the countryside after rain or the amber luminosity of the late afternoon sun, and these were features of his work which became his trademarks. Ruth Wood uncovers much hitherto unused material and corrects many errors and misconceptions about B.W. Leader and his work. Important sources include the artist's diaries, records of paintings sold, his letters, British and overseas exhibition catalogues, reviews and other archive material. Extensive and representative colour plat