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Author: Bonnie Clearwater Publisher: Skira Editore ISBN: 9788857239507 Category : Languages : en Pages : 104
Book Description
William J. Glackens's (1870-1938) keen interest in the work of Pierre-Auguste Renoir (1841-1919) has long been recognized, but Glackens's specific debt to the art of this important French modernist has not been fully explored. In bringing together more than 30 works by each of these two important modernists for the first time, William Glackens and Pierre-Auguste Renoir: Affinities and Distinctions fills this void. It demonstrates Glackens's response to Renoir's Impressionist work (1860-mid-1880s), which was avidly purchased by a wide variety of American collectors, including Albert C. Barnes, who sent Glackens, his friend and colleague, to Paris in 1912 to purchase works for his then fledgling collection. Glackens was the only American artist who subsequently had nearly carte blanche access to Barnes' increasingly important collection of American and European modern art that included work by Paul Cézanne, Henri Matisse, and Pablo Picasso, among others, and numerous examples of Renoir's late-style (1890-1919). The exhibition defines Glackens's late style (c.1925-1938) for the first time, its affinities and distinctions from Renoir's work, and how it emerges from Glackens's familiarity with works specific exhibitions in New York, and the art he saw in Italy in 1926, and in Barnes' collection, while shedding new light on the history of taste in American collecting from the late-nineteenth to the mid-twentieth century.
Author: Bonnie Clearwater Publisher: Skira Editore ISBN: 9788857239507 Category : Languages : en Pages : 104
Book Description
William J. Glackens's (1870-1938) keen interest in the work of Pierre-Auguste Renoir (1841-1919) has long been recognized, but Glackens's specific debt to the art of this important French modernist has not been fully explored. In bringing together more than 30 works by each of these two important modernists for the first time, William Glackens and Pierre-Auguste Renoir: Affinities and Distinctions fills this void. It demonstrates Glackens's response to Renoir's Impressionist work (1860-mid-1880s), which was avidly purchased by a wide variety of American collectors, including Albert C. Barnes, who sent Glackens, his friend and colleague, to Paris in 1912 to purchase works for his then fledgling collection. Glackens was the only American artist who subsequently had nearly carte blanche access to Barnes' increasingly important collection of American and European modern art that included work by Paul Cézanne, Henri Matisse, and Pablo Picasso, among others, and numerous examples of Renoir's late-style (1890-1919). The exhibition defines Glackens's late style (c.1925-1938) for the first time, its affinities and distinctions from Renoir's work, and how it emerges from Glackens's familiarity with works specific exhibitions in New York, and the art he saw in Italy in 1926, and in Barnes' collection, while shedding new light on the history of taste in American collecting from the late-nineteenth to the mid-twentieth century.
Author: Bruce Weber Publisher: Pomegranate ISBN: 9780764933196 Category : Art Languages : en Pages : 140
Book Description
New York has always attracted artists--because it is electric with passion, endeavor, and hustle, and because they know they will find others of like mind there. The city is a vibrant center of the international art world; no wonder then that both resident and sojourning painters have long felt compelled to capture, interpret, and evoke the place on canvas. Bruce Weber faced a daunting amount of works for inclusion in Paintings of New York. But he chose well, producing a book that combines solid scholarship in history and the arts, warmly readable prose, and gorgeous color images. Artwork included by Piet Mondrian, Ernest Lawson, Maurice Prendergast, William Glackens, Georgia O'Keeffe, Childe Hassam, Raphael Soyer, Charles Frederic Ulrich, Albertus Del Orient Browere, Thomas Moran, Joseph Stella, Elsie Driggs, George Bellows, Otto Boetticher, Robert Henri, George Tooker, Francis Guy, Thomas Hart Benton, and Ben Shahn.
Author: National Museum of American Art (U.S.) Publisher: ISBN: Category : Architecture Languages : en Pages : 114
Book Description
This volume features artists who brought a new sophistication and elegancento American art in the three decades before World War I. Wealthyndustrialists eager to acquire culture began to patronize native artists whoad achieved international recognition. John Singer Sargent, Irving Wiles andecilia Beaux created portraits of these new patrons, while John La Farge andugustus Saint-Gaudens made luxurious adornments for their homes. One groupf painters - including Louis Comfort Tiffany, Frederick Arthur Bridgman,enry Ossawa Tanner and Charles Sprague Pearce - responded especially to theascnation with exotic Middle Eastern, Egyptian or "Oriental" cultures thatharacterized this age of international imperialism. The educated and refinedspects of Gilded Age culture are expressed here in Renaissance-inspiredaintings by Abbott Thayer and Mary Cassatt. Romantic literary works byisionary Albert Pinkham Ryder symbolize the idealized strivings of thiseneration, while the rugged masculine landscapes of Winslow Homer emblemizehe struggle and conflict that marked this period of contending social and
Author: Avis Berman Publisher: Rizzoli Publications ISBN: 0847864812 Category : Art Languages : en Pages : 0
Book Description
The first major survey on the graceful and colorful paintings of American artist Paul Resika. This new monograph is the most comprehensive book on the work of Paul Resika (b. 1928) to date, highlighting his landscapes, portraits, and still lifes from the 1940s to the present. Resika's most important teacher was Hans Hofmann, with whom he studied on Cape Cod and in New York City in the mid-forties. Resika's subjects are drawn from nature and reflect his surroundings, which change with the seasons: in winter, he lives in New York; in summer, Cape Cod; in spring he spends time painting in the south of France and in Italy. Province-town piers, fishing boats in the harbor, figures on the beach, and French farmhouses in the countryside emanate a dreamlike serenity and make up the rich visual vocabulary for which Resika is best known. Produced in a large format with more than 220 color illustrations, this book reflects over eight decades of Resika's output, with scholarly essays that reveal his ongoing dialogue with Hofmann's sophisticated ideas about color and pictorial structure.
Author: Jean Lee Cole Publisher: Univ. Press of Mississippi ISBN: 149682654X Category : Literary Criticism Languages : en Pages : 208
Book Description
2021 Honorable Mention Recipient of the Charles Hatfield Book Prize from the Comics Studies Society Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895–1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the “other half” laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor. Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity—how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole’s argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them—including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens—and traces the form’s emergence in the pages of Joseph Pulitzer’s New York World and William Randolph Hearst’s Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.
Author: Judith F. Dolkart Publisher: Rizzoli Publications ISBN: 0847838064 Category : Art Languages : en Pages : 377
Book Description
The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin. The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study. Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.
Author: Warren Adelson Publisher: Abbeville Publishing Group ISBN: Category : Art Languages : en Pages : 266
Book Description
Celebrates Hassam's imposing career as one of America's foremost impressionists. Adelson (president of Adelson Galleries), Cantor (teacher, writer and lecturer on American art) and Gerdts (author and professor emeritus, Graduate Center of the City U. of New York) approach the artist from several angles (an international context, his little-understood late work, and predominant themes) to reveal his many facets and uncover previously unknown aspects of his life and work. Illustrated with color reproductions that represent all of Hassam's styles, the volume concludes with an illustrated chronology and an annotated bibliography. Oversize: 10.25x12". Annotation copyrighted by Book News, Inc., Portland, OR
Author: Bonnie Clearwater
Author: Bonnie Clearwater
Author: Rebecca Zurier
Author: Bruce Weber
Author: National Museum of American Art (U.S.)
Author: Avis Berman
Author: Helene Barbara Weinberg
Author: James W. Tottis
Author: Jean Lee Cole
Author: Judith F. Dolkart
Author: Warren Adelson