Author: Rekiya Isaacs
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539972112
Category :
Languages : en
Pages : 66
Book Description
In our circus we are like family members, and you don't leave family behind. At least that's what I thought, but deep within the cellars I had discovered a long forgotten family member. One with so much hate for the circus his killing intent was like none other. It was life or death to us, but it was a game to him. (The cover is meant to represent the two conflicting emotions/sides within the story and isn't supposed to be taken seriously. It reminds you to keep an open mind as you read this book.) **Fanfiction**
The Joker
Author: Rekiya Isaacs
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539972112
Category :
Languages : en
Pages : 66
Book Description
In our circus we are like family members, and you don't leave family behind. At least that's what I thought, but deep within the cellars I had discovered a long forgotten family member. One with so much hate for the circus his killing intent was like none other. It was life or death to us, but it was a game to him. (The cover is meant to represent the two conflicting emotions/sides within the story and isn't supposed to be taken seriously. It reminds you to keep an open mind as you read this book.) **Fanfiction**
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539972112
Category :
Languages : en
Pages : 66
Book Description
In our circus we are like family members, and you don't leave family behind. At least that's what I thought, but deep within the cellars I had discovered a long forgotten family member. One with so much hate for the circus his killing intent was like none other. It was life or death to us, but it was a game to him. (The cover is meant to represent the two conflicting emotions/sides within the story and isn't supposed to be taken seriously. It reminds you to keep an open mind as you read this book.) **Fanfiction**
Why So Serious: On Philosophy and Comedy
Author: Russell Ford
Publisher: Routledge
ISBN: 1351363034
Category : Philosophy
Languages : en
Pages : 158
Book Description
The Western philosophical tradition shows a marked fondness for tragedy. From Plato and Aristotle, through German idealism, to contemporary reflections on the murderous violence of the twentieth century, philosophy has often looked to tragedy for resources to make suffering, grief, and death thinkable. But what if showing a preference for tragedy, philosophical thought has unwittingly and unknowingly aligned itself with a form of thinking that accepts injustice without protest? This collection explores possibilities for philosophical thinking that refuses the tragic model of thought, and turns instead to its often-overlooked companion: comedy. Comprising of a series of experiments ranging across the philosophical tradition, the essays in this volume propose to break, or at least suspend, the use of tragedy as an index of truth and philosophical worth. Instead, they explore new conceptions of solidarity, sympathy, critique, and justice. In addition, the essays collected here provide ample reason to believe that philosophical thinking, aligned with comedy, is capable of important and original insights, discoveries, and creations. The prejudicial acceptance of tragic seriousness only impoverishes the life of thought; it can be rejuvenated and renewed by laughter and the comic. This book was originally published as a special issue of Angelaki.
Publisher: Routledge
ISBN: 1351363034
Category : Philosophy
Languages : en
Pages : 158
Book Description
The Western philosophical tradition shows a marked fondness for tragedy. From Plato and Aristotle, through German idealism, to contemporary reflections on the murderous violence of the twentieth century, philosophy has often looked to tragedy for resources to make suffering, grief, and death thinkable. But what if showing a preference for tragedy, philosophical thought has unwittingly and unknowingly aligned itself with a form of thinking that accepts injustice without protest? This collection explores possibilities for philosophical thinking that refuses the tragic model of thought, and turns instead to its often-overlooked companion: comedy. Comprising of a series of experiments ranging across the philosophical tradition, the essays in this volume propose to break, or at least suspend, the use of tragedy as an index of truth and philosophical worth. Instead, they explore new conceptions of solidarity, sympathy, critique, and justice. In addition, the essays collected here provide ample reason to believe that philosophical thinking, aligned with comedy, is capable of important and original insights, discoveries, and creations. The prejudicial acceptance of tragic seriousness only impoverishes the life of thought; it can be rejuvenated and renewed by laughter and the comic. This book was originally published as a special issue of Angelaki.
The Joker: the Bronze Age Omnibus
Author: Steve Englehart
Publisher:
ISBN: 9781401293406
Category : Comic books, strips, etc
Languages : en
Pages : 0
Book Description
"Batman created by Bob Kane with Bill Finger; Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family; Wonder Woman created by William Moulton Marston."
Publisher:
ISBN: 9781401293406
Category : Comic books, strips, etc
Languages : en
Pages : 0
Book Description
"Batman created by Bob Kane with Bill Finger; Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family; Wonder Woman created by William Moulton Marston."
The Joker
Author: Robert Moses Peaslee
Publisher: Univ. Press of Mississippi
ISBN: 1626746796
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.
Publisher: Univ. Press of Mississippi
ISBN: 1626746796
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.
Why I Read
Author: Wendy Lesser
Publisher: Macmillan + ORM
ISBN: 0374709815
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
"Wendy Lesser's extraordinary alertness, intelligence, and curiosity have made her one of America's most significant cultural critics," writes Stephen Greenblatt. In Why I Read, Lesser draws on a lifetime of pleasure reading and decades of editing one of the most distinguished literary magazines in the country, The Threepenny Review, to describe her love of literature. As Lesser writes in her prologue, "Reading can result in boredom or transcendence, rage or enthusiasm, depression or hilarity, empathy or contempt, depending on who you are and what the book is and how your life is shaping up at the moment you encounter it." Here the reader will discover a definition of literature that is as broad as it is broad-minded. In addition to novels and stories, Lesser explores plays, poems, and essays along with mysteries, science fiction, and memoirs. As she examines these works from such perspectives as "Character and Plot," "Novelty," "Grandeur and Intimacy," and "Authority," Why I Read sparks an overwhelming desire to put aside quotidian tasks in favor of reading. Lesser's passion for this pursuit resonates on every page, whether she is discussing the book as a physical object or a particular work's influence. "Reading literature is a way of reaching back to something bigger and older and different," she writes. "It can give you the feeling that you belong to the past as well as the present, and it can help you realize that your present will someday be someone else's past. This may be disheartening, but it can also be strangely consoling at times." A book in the spirit of E. M. Forster's Aspects of the Novel and Elizabeth Hardwick's A View of My Own, Why I Read is iconoclastic, conversational, and full of insight. It will delight those who are already avid readers as well as neophytes in search of sheer literary fun.
Publisher: Macmillan + ORM
ISBN: 0374709815
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
"Wendy Lesser's extraordinary alertness, intelligence, and curiosity have made her one of America's most significant cultural critics," writes Stephen Greenblatt. In Why I Read, Lesser draws on a lifetime of pleasure reading and decades of editing one of the most distinguished literary magazines in the country, The Threepenny Review, to describe her love of literature. As Lesser writes in her prologue, "Reading can result in boredom or transcendence, rage or enthusiasm, depression or hilarity, empathy or contempt, depending on who you are and what the book is and how your life is shaping up at the moment you encounter it." Here the reader will discover a definition of literature that is as broad as it is broad-minded. In addition to novels and stories, Lesser explores plays, poems, and essays along with mysteries, science fiction, and memoirs. As she examines these works from such perspectives as "Character and Plot," "Novelty," "Grandeur and Intimacy," and "Authority," Why I Read sparks an overwhelming desire to put aside quotidian tasks in favor of reading. Lesser's passion for this pursuit resonates on every page, whether she is discussing the book as a physical object or a particular work's influence. "Reading literature is a way of reaching back to something bigger and older and different," she writes. "It can give you the feeling that you belong to the past as well as the present, and it can help you realize that your present will someday be someone else's past. This may be disheartening, but it can also be strangely consoling at times." A book in the spirit of E. M. Forster's Aspects of the Novel and Elizabeth Hardwick's A View of My Own, Why I Read is iconoclastic, conversational, and full of insight. It will delight those who are already avid readers as well as neophytes in search of sheer literary fun.
Ridiculous Theatre
Author: Charles Ludlam
Publisher: Theatre Communications Grou
ISBN: 9781559360418
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
Never widely available in his lifetime, Ludlam's essays and opinions of theatre reveal a complex mind focused on theatrical invention.
Publisher: Theatre Communications Grou
ISBN: 9781559360418
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
Never widely available in his lifetime, Ludlam's essays and opinions of theatre reveal a complex mind focused on theatrical invention.
Dark Nights: The Batman Who Laughs (2017-) #1
Author: James Tynion IV
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 30
Book Description
As the events of DARK NIGHTS: METAL rock the DC Universe, the creatures of the Dark Multiverse stand ready to invade our world! How can the WorldÕs Greatest Heroes stop a horde of deadly beings that appear to be powerful nightmare versions of familiar figures?
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 30
Book Description
As the events of DARK NIGHTS: METAL rock the DC Universe, the creatures of the Dark Multiverse stand ready to invade our world! How can the WorldÕs Greatest Heroes stop a horde of deadly beings that appear to be powerful nightmare versions of familiar figures?
The Dark Knight Trilogy
Author: Christopher Nolan
Publisher: Opus Books
ISBN: 1623160006
Category : Performing Arts
Languages : en
Pages : 588
Book Description
(Book). At nearly six hundred pages, The Dark Knight Trilogy , a behemoth of script and storyboards, captures on the page the dark mythic expanse of the cinematic Batman. These definitive, vibrant film blueprints published on the heels of the final film's closely guarded release are destined to be enshrined on every fan's bedside table, studied in universities, and emulated by filmmakers.
Publisher: Opus Books
ISBN: 1623160006
Category : Performing Arts
Languages : en
Pages : 588
Book Description
(Book). At nearly six hundred pages, The Dark Knight Trilogy , a behemoth of script and storyboards, captures on the page the dark mythic expanse of the cinematic Batman. These definitive, vibrant film blueprints published on the heels of the final film's closely guarded release are destined to be enshrined on every fan's bedside table, studied in universities, and emulated by filmmakers.
Why I Write
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
The History of the English People, 1000-1154
Author: Henry (of Huntingdon)
Publisher: Oxford University Press, USA
ISBN: 9780192840752
Category : History
Languages : en
Pages : 212
Book Description
Henry of Huntingdon's narrative covers one of the most exciting and bloody periods in English history: the Norman Conquest and its aftermath. He tells of the decline of the Old English kingdom, the victory of the Normans at the Battle of Hastings, and the establishment of Norman rule. His accounts of the kings who reigned during his lifetime--William II, Henry I, and Stephen--contain unique descriptions of people and events. Henry tells how promiscuity, greed, treachery, and cruelty produced a series of disasters, rebellions, and wars. Interwoven with memorable and vivid battle-scenes are anecdotes of court life, the death and murder of nobles, and the first written record of Cnut and the waves and the death of Henry I from a surfeit of lampreys. Diana Greenway's translation of her definitive Latin text has been revised for this edition.
Publisher: Oxford University Press, USA
ISBN: 9780192840752
Category : History
Languages : en
Pages : 212
Book Description
Henry of Huntingdon's narrative covers one of the most exciting and bloody periods in English history: the Norman Conquest and its aftermath. He tells of the decline of the Old English kingdom, the victory of the Normans at the Battle of Hastings, and the establishment of Norman rule. His accounts of the kings who reigned during his lifetime--William II, Henry I, and Stephen--contain unique descriptions of people and events. Henry tells how promiscuity, greed, treachery, and cruelty produced a series of disasters, rebellions, and wars. Interwoven with memorable and vivid battle-scenes are anecdotes of court life, the death and murder of nobles, and the first written record of Cnut and the waves and the death of Henry I from a surfeit of lampreys. Diana Greenway's translation of her definitive Latin text has been revised for this edition.