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Author: Angela Aleiss Publisher: Bloomsbury Publishing USA ISBN: 0313025754 Category : Performing Arts Languages : en Pages : 233
Book Description
The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites (The Searchers) in contrast to the more peaceful Indian (Broken Arrow). By 1990 the release of Dances with Wolves appeared to have recycled the romantic and savage portrayals embedded in early cinema. In this new study, author Angela Aleiss traces the history of Native Americans on the silver screen, and breaks new ground by drawing on primary sources such as studio correspondence, script treatments, trade newspapers, industry censorship files, and filmmakers' interviews to reveal how and why Hollywood created its Indian characters. Behind-the-scenes anecdotes of filmmakers and Native Americans, as well as rare archival photographs, supplement the discussion, which often shows a stark contrast between depiction and reality. The book traces chronologically the development of the Native American's screen image while also examining many forgotten or lost Western films. Each chapter will feature black and white stills from the films discussed.
Author: Angela Aleiss Publisher: Bloomsbury Publishing USA ISBN: 0313025754 Category : Performing Arts Languages : en Pages : 233
Book Description
The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites (The Searchers) in contrast to the more peaceful Indian (Broken Arrow). By 1990 the release of Dances with Wolves appeared to have recycled the romantic and savage portrayals embedded in early cinema. In this new study, author Angela Aleiss traces the history of Native Americans on the silver screen, and breaks new ground by drawing on primary sources such as studio correspondence, script treatments, trade newspapers, industry censorship files, and filmmakers' interviews to reveal how and why Hollywood created its Indian characters. Behind-the-scenes anecdotes of filmmakers and Native Americans, as well as rare archival photographs, supplement the discussion, which often shows a stark contrast between depiction and reality. The book traces chronologically the development of the Native American's screen image while also examining many forgotten or lost Western films. Each chapter will feature black and white stills from the films discussed.
Author: Fergus M. Bordewich Publisher: Anchor ISBN: 0385420366 Category : Social Science Languages : en Pages : 402
Book Description
In the face of a new lightly romanticized view of Native Americans, Killing the White Man's Indian bravely confronts the current myths and often contradictory realities of tribal life today. Following two centuries of broken treaties and virtual government extermination of the "savage redmen," Americans today have recast Native Americans into another, equally stereotyped role, that of eternal victims, politically powerless and weakened by poverty and alcoholism, yet whose spiritual ties with the natural world form our last, best hope of salvaging our natural environment and ennobling our souls. The truth, however, is neither as grim , nor as blindly idealistic, as many would expect. The fact is that a virtual revolution is underway in Indian Country, an upheaval of epic proportions. For the first time in generations, Indians are shaping their own destinies, largely beyond the control of whites, reinventing Indian education and justice, exploiting the principle of tribal sovereignty in ways that empower tribal governments far beyond most American's imaginations. While new found power has enriched tribal life and prospects, and has made Native Americans fuller participants in the American dream, it has brought tribal governments into direct conflict with local economics and the federal government. Based on three years of research on the Native American reservations, and written without a hidden conservative bias or politically correct agenda, Killing the White Man's Indian takes on Native American politics and policies today in all their contradictory--and controversial-guises."
Author: Elijah Nicholas Wilson Publisher: Prabhat Prakashan ISBN: Category : History Languages : en Pages : 198
Book Description
Step into the world of the Shoshone people with "The White Indian Boy: The Story of Uncle Nick Among the Shoshones" by Elijah Nicholas Wilson. Join us as we journey through the rugged wilderness of the American West and discover the remarkable true story of one man's extraordinary life among Native American tribes. But what if this tale is more than just a recounting of historical events? Delve into the heart of Uncle Nick's experiences and uncover the universal themes of friendship, resilience, and the enduring bonds of kinship. As Uncle Nick navigates the complexities of life on the frontier, you'll witness the profound impact of cultural exchange and mutual understanding between different peoples. From his early encounters with the Shoshones to his later adventures as a trusted member of their community, "The White Indian Boy" offers a glimpse into a world where acceptance and respect transcend cultural boundaries. Are you ready to embark on a journey of discovery and enlightenment? Prepare to be inspired by the courage and compassion of Uncle Nick as he bridges the divide between two worlds and finds his place among the Shoshone people. Immerse yourself in the rich tapestry of Native American culture as you explore the customs, traditions, and spiritual beliefs of the Shoshone tribe. Let Uncle Nick's story serve as a testament to the power of empathy and the transformative potential of cross-cultural exchange. Here's your chance to experience the beauty and complexity of Native American life through the eyes of Uncle Nick. Don't miss out on the opportunity to be transported to a time and place where the bonds of friendship know no bounds. Will you heed the call of the wild? Secure your copy now and prepare to be captivated by the remarkable tale of "The White Indian Boy." It's more than just a book; it's a window into a world of adventure, friendship, and the enduring spirit of humanity. "
Author: Mónica García Blizzard Publisher: State University of New York Press ISBN: 143848805X Category : Performing Arts Languages : en Pages : 209
Book Description
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7153
Author: Robert F. Berkhofer Publisher: Vintage ISBN: 0307761975 Category : History Languages : en Pages : 306
Book Description
Columbus called them "Indians" because his geography was faulty. But that name and, more importantly, the images it has come to suggest have endured for five centuries, not only obscuring the true identity of the original Americans but serving as an idealogical weapon in their subjugation. Now, in this brilliant and deeply disturbing reinterpretation of the American past, Robert Berkhofer has written an impressively documented account of the self-serving stereotypes Europeans and white Americans have concocted about the "Indian": Noble Savage or bloodthirsty redskin, he was deemed inferior in the light of western, Christian civilization and manipulated to its benefit. A thought-provoking and revelatory study of the absolute, seemingly ineradicable pervasiveness of white racism, The White Man's Indian is a truly important book which penetrates to the very heart of our understanding of ourselves. "A splendid inquiry into, and analysis of, the process whereby white adventurers and the white middle class fabricated the Indian to their own advantage. It deserves a wide and thoughtful readership." —Chronicle of Higher Education "A compelling and definitive history...of racist preconceptions in white behavior toward native Americans." —Leo Marx, The New York Times Book Review
Author: Frank Frazetta Publisher: Vanguard Productions (NJ) ISBN: 9781934331477 Category : Comics & Graphic Novels Languages : en Pages : 216
Book Description
Vanguard Frazetta Classics continues with The Complete Frazetta White Indian which collects the complete Frank Frazetta sixteen issue run of White Indian from the back pages of Durango Kid comics. Legendary illustrator Frank Frazetta leads us through the wild adventures of Dan Brand and his blood brother Tipi. Vanguard announces a deluxe, slipcased HC edition of their beautiful new Complete Frazetta White Indian Collection. Included is over 200 pages of Frazetta adventure comics in full color on art-book quality paper, a unique movie-poster style cover, slipcase, endpapers, and an exclusive, 16-pg bonus folio of Frazetta art. This is the definitive, official edition authorized by Frank Frazetta.
Author: Peter Nabokov Publisher: Oxford University Press ISBN: 0199840512 Category : Architecture Languages : en Pages : 432
Book Description
For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.
Author: Angela Aleiss
Author: Angela Aleiss
Author: Fergus M. Bordewich
Author: Elijah Nicholas Wilson
Author: Donald Clayton Porter
Author: Thomas H. Leforge
Author: Mónica García Blizzard
Author: Robert F. Berkhofer
Author: Alan Fitzpatrick
Author: Frank Frazetta
Author: Peter Nabokov