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Author: Michael Bane Publisher: Da Capo Press, Incorporated ISBN: Category : Music Languages : en Pages : 300
Book Description
White Boy Singin' the Blues is both a musical history of Memphis, the city which gave birth to rock'n'roll, and an examination of the ways in which white and black musics have interacted. In this work, Michael Bane examines the whole history of the music, from the black roots of spirituals and blues, through the beginnings of rock'n'roll, and its evolution through the Twist, the British Invasion, Motown, funk, Southern boogie, and disco. The result is an idiosyncratic history of rock, and a culturally penetrating account of this hybrid music.
Author: Michael Bane Publisher: Penguin Group ISBN: Category : Biography & Autobiography Languages : en Pages : 282
Book Description
White Boy Singin' the Blues is both a musical history of Memphis, the city which gave birth to rock'n'roll, and an examination of the ways in which white and black musics have interacted. In this work, Michael Bane examines the whole history of the music, from the black roots of spirituals and blues, through the beginnings of rock'n'roll, and its evolution through the Twist, the British Invasion, Motown, funk, Southern boogie, and disco. The result is an idiosyncratic history of rock, and a culturally penetrating account of this hybrid music.
Author: Michael Bane Publisher: Da Capo Press, Incorporated ISBN: Category : Music Languages : en Pages : 300
Book Description
White Boy Singin' the Blues is both a musical history of Memphis, the city which gave birth to rock'n'roll, and an examination of the ways in which white and black musics have interacted. In this work, Michael Bane examines the whole history of the music, from the black roots of spirituals and blues, through the beginnings of rock'n'roll, and its evolution through the Twist, the British Invasion, Motown, funk, Southern boogie, and disco. The result is an idiosyncratic history of rock, and a culturally penetrating account of this hybrid music.
Author: John Covach Publisher: Oxford University Press ISBN: 0195356624 Category : Music Languages : en Pages : 238
Book Description
Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.
Author: Charles T. Banner-Haley Publisher: Univ. Press of Mississippi ISBN: 1617031135 Category : Social Science Languages : en Pages : 259
Book Description
In late twentieth-century America, the black middle class has occupied a unique position. It greatly influenced the way African Americans were perceived and presented to the greater society, and it set roles and guidelines for the nation's black masses. Though historically a small group, it has attempted to be a model for inspiration and uplift. As a key force in the "Africanizing" of American culture, the black middle class has been both a shaper and a mirror during the past three decades. This study of that era shows that the fruits of integration have been at once sweet and bitter. This history of a pivotal group in American society will cause reflection, discussion, and debate.
Author: Billie Holiday Publisher: Crown ISBN: 0767923863 Category : Biography & Autobiography Languages : en Pages : 258
Book Description
Perfect for fans of The United States vs. Billie Holiday, this is the fiercely honest, no-holds-barred memoir of the legendary jazz, swing, and standards singing sensation—a fiftieth-anniversary edition updated with stunning new photos, a revised discography, and an insightful foreword by music writer David Ritz Taking the reader on a fast-moving journey from Billie Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.
Author: Roman Iwaschkin Publisher: Routledge ISBN: 1317223446 Category : Music Languages : en Pages : 726
Book Description
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
Author: Arthur Flannigan Saint-Aubin Publisher: LSU Press ISBN: 0807174696 Category : Music Languages : en Pages : 254
Book Description
The year 2019 marked the twenty-fifth anniversary of the death of Kurt Cobain, an artist whose music, words, and images continue to move millions of fans worldwide. As the first academic study that provides a literary analysis of Cobain’s creative writings, Arthur Flannigan Saint-Aubin’s The Pleasures of Death: Kurt Cobain’s Masochistic and Melancholic Persona approaches the journals and songs crafted by Nirvana’s iconic front man from the perspective of cultural theory and psychoanalytic aesthetics. Drawing on critiques and reformulations of psychoanalytic theory by feminist, queer, and antiracist scholars, Saint-Aubin considers the literary means by which Cobain creates the persona of a young, white, heterosexual man who expresses masochistic and melancholic behaviors. On the one hand, this individual welcomes pain and humiliation as atonement for unpardonable sins; on the other, he experiences a profound sense of loss and grief, seeking death as the ultimate act of pleasure. The first-person narrators and characters that populate Cobain’s texts underscore the political and aesthetic repercussions of his art. Cobain’s distinctive version of grunge, understood as a subculture, a literary genre, and a cultural practice, represents a specific performance of race and gender, one that facilitates an understanding of the self as part of a larger social order. Saint-Aubin approaches Cobain’s writings independently of the artist’s biography, positioning these texts within the tradition of postmodern representations of masculinity in twentieth-century American fiction, while also suggesting connections to European Romantic traditions from the nineteenth century that postulate a relation between melancholy (or depression) and creativity. In turn, through Saint-Aubin’s elegant analysis, Cobain’s creative writings illuminate contradictions and inconsistencies within psychoanalytic theory itself concerning the intersection of masculinity, masochism, melancholy, and the death drive. By foregrounding Cobain’s ability to challenge coextensive links between gender, sexuality, and race, The Pleasures of Death reveals how the cultural politics and aesthetics of this tragic icon’s works align with feminist strategies, invite queer readings, and perform antiracist critiques of American culture.
Author: Irene Morra Publisher: Routledge ISBN: 1135048940 Category : Music Languages : en Pages : 303
Book Description
This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.
Author: Michael Bane
Author: Michael Bane
Author: Michael Bane
Author: Michael Bane
Author: John Covach
Author: Charles T. Banner-Haley
Author: Billie Holiday
Author: Roman Iwaschkin
Author: Arthur Flannigan Saint-Aubin
Author: 
Author: Irene Morra