Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download What Is Non-fiction Cinema? PDF full book. Access full book title What Is Non-fiction Cinema? by Trevor Ponech. Download full books in PDF and EPUB format.
Author: Trevor Ponech Publisher: Routledge ISBN: 1000010066 Category : Social Science Languages : en Pages : 258
Book Description
Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In What Is Non-Fiction Cinema? Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In making his case, Ponech cogently presents the other major theoretical positions regarding documentary cinema and shows why each is incomplete. The result is a cutting-edge philosophical inquiry into purposiveness in film.
Author: Trevor Ponech Publisher: Routledge ISBN: 1000010066 Category : Social Science Languages : en Pages : 258
Book Description
Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In What Is Non-Fiction Cinema? Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In making his case, Ponech cogently presents the other major theoretical positions regarding documentary cinema and shows why each is incomplete. The result is a cutting-edge philosophical inquiry into purposiveness in film.
Author: Charles Warren Publisher: Wesleyan University Press ISBN: 9780819562906 Category : Performing Arts Languages : en Pages : 404
Book Description
Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verité, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve" ; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger.
Author: Richard Barsam Publisher: Indiana University Press ISBN: 9780253207067 Category : Performing Arts Languages : en Pages : 508
Book Description
"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Author: Tom Malmquist Publisher: Hachette UK ISBN: 1473640032 Category : Fiction Languages : en Pages : 193
Book Description
Chosen by the New York Times as one of the "Notable Books of 2018" Chosen by El País as one of this past decade's nine best novels about life and death The prize-winning, bestselling tale of love, loss, family and the lives we live moment by moment, from a stunning new voice in European fiction. Tom's heavily pregnant girlfriend Karin is rushed to hospital with severe flu. While the doctors are able to save the baby, they are helpless in the face of what transpires to be acute Leukemia, and in a moment as fleeting as it is cruel Tom gains a daughter but loses his soul-mate. In Every Moment is the story of a year that changes everything, as Tom must reconcile the fury of bereavement with the overwhelming responsibility of raising his daughter, Livia, alone. By turns tragic and redemptive, meditative and breathless, achingly poignant and darkly funny, this heavily autobiographical novel has been described in its native Sweden as 'hypnotic', 'impossible to resist' and 'one of the most powerful books about grief ever written'.
Author: Iván Villarmea Álvarez Publisher: Columbia University Press ISBN: 0231850786 Category : Performing Arts Languages : en Pages : 257
Book Description
While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.
Author: Joshua Malitsky Publisher: John Wiley & Sons ISBN: 1119116309 Category : Performing Arts Languages : en Pages : 544
Book Description
This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.
Author: Keith Beattie Publisher: Wallflower Press ISBN: 9781905674732 Category : Documentary films Languages : en Pages : 0
Book Description
Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining, and spectacular images and explore modes of "showing," in which sensation is the vehicle of cognition and knowledge. This display is analyzed within the popular and prominent forms of found-footage film, "rockumentary," the city film, nonfiction surf film and video, and certain views of natural science. An accessible and informed study, its focus on entertaining, popular, spectacular, and sensational forms of nonfiction representation is an important contribution to theoretical analysis of documentary film and video
Author: Dara Waldron Publisher: Bloomsbury Publishing USA ISBN: 1501322524 Category : Performing Arts Languages : en Pages : 219
Book Description
New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film,' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.
Author: Sheila Curran Bernard Publisher: CRC Press ISBN: 1135015821 Category : Performing Arts Languages : en Pages : 379
Book Description
Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today’s top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).
Author: Trevor Ponech
Author: Trevor Ponech
Author: Charles Warren
Author: Erik Barnouw
Author: Richard Barsam
Author: Tom Malmquist
Author: Iván Villarmea Álvarez
Author: Joshua Malitsky
Author: Keith Beattie
Author: Dara Waldron
Author: Sheila Curran Bernard