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Author: Amy Lidster Publisher: Cambridge University Press ISBN: 1009356070 Category : Literary Criticism Languages : en Pages : 325
Book Description
This is the first sustained study of how Shakespeare has been mobilized during conflicts spanning the eighteenth to the twenty-first century. It draws on interdisciplinary research to develop an innovative critical methodology that reveals the creativity and diversity of wartime theatre production and its variable impacts.
Author: Amy Lidster Publisher: Cambridge University Press ISBN: 1009356070 Category : Literary Criticism Languages : en Pages : 325
Book Description
This is the first sustained study of how Shakespeare has been mobilized during conflicts spanning the eighteenth to the twenty-first century. It draws on interdisciplinary research to develop an innovative critical methodology that reveals the creativity and diversity of wartime theatre production and its variable impacts.
Author: R. King Publisher: Springer ISBN: 0230228275 Category : Literary Criticism Languages : en Pages : 255
Book Description
A lively collection of essays from scholars from across Europe, North America and Australia. The book ranges from Shakespeare's use of manuals on war written for the sixteenth-century English public by an English mercenary, to reflections on the ways in which Shakespeare has been represented in Nazi Germany, wartime Denmark, or cold war Romania.
Author: Irene Rima Makaryk Publisher: University of Toronto Press ISBN: 1442644028 Category : Drama Languages : en Pages : 353
Book Description
Shakespeare's works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society's self-image. In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this 'universal' author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 19391945 are both illuminated by and continue to illuminate the War today.
Author: Paola Pugliatti Publisher: Routledge ISBN: 131705640X Category : Literary Criticism Languages : en Pages : 274
Book Description
Brought to light in this study is a connection between the treatment of war in Shakespeare's plays and the issue of the 'just war', which loomed large both in religious and in lay treatises of Shakespeare's time. The book re-reads Shakespeare's representations of war in light of both the changing historical and political contexts in which they were produced and of Shakespeare's possible connection with the culture and ideology of the European just war tradition. But to discuss Shakespeare's representations of war means, for Pugliatti, not simply to examine his work from a literary point of view or to historicize those representations in connection with the discourses (and the practice) of war which were produced in his time; it also means to consider or re-consider present-day debates for or against war and the kind of war ideology which is trying to assert itself in our time in light of the tradition which shaped those discourses and representations and which still substantiates our 'moral' view of war.
Author: Robert White Publisher: Edinburgh University Press ISBN: 1399516248 Category : Languages : en Pages : 403
Book Description
Whilst Shakespearean drama provides eloquent calls to war, more often than not these are undercut or outweighed by compelling appeals to peaceful alternatives conveyed through narrative structure, dramatic context and poetic utterance. Placing Shakespeare's works in the history of pacifist thought, Robert White argues that Shakespeare's plays consistently challenge appeals to heroism and revenge and reveal the brutal futility of war. White also examines Shakespeare's interest in the mental states of military officers when their ingrained training is tested in love relationships. In imagery and themes, war infiltrates love, with problematical consequences, reflected in Shakespeare's comedies, histories and tragedies alike. Challenging a critical orthodoxy that military engagement in war is an inevitable and necessary condition, White draws analogies with the experience of modern warfare, showing the continuing relevance of Shakespeare's plays which deal with basic issues of war and peace that are still evident.
Author: Irena Makaryk Publisher: University of Toronto Press ISBN: 1442698381 Category : Drama Languages : en Pages : 353
Book Description
Shakespeare’s works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society’s self-image. In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this ‘universal’ author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 1939–1945 are both illuminated by and continue to illuminate the War today.
Author: Tiffany Ann Conroy Moore Publisher: McFarland ISBN: 1476600287 Category : Performing Arts Languages : en Pages : 203
Book Description
This book is a study of Grigory Kozintsev's two cinematic Shakespeare adaptations, Hamlet (Gamlet, 1964), and King Lear (Korol Lir, 1970). The films are considered in relation to the historical, artistic and cultural contexts in which they appear, and in relation to the contributions of Dmitri Shostakovich, who wrote the films' scores; and Boris Pasternak, whose translations Kozintsev used. The films are analyzed respective to their place in the translation and performance history of Hamlet and King Lear from their first appearances in Tsarist Russian arts and letters. In particular, this study is concerned with the ways in which these plays have been used as a means to critique the government and the country's problems in an age in which official censorship was commonplace. Kozintsev's films (as well as his theatrical productions of Hamlet and Lear) continue along this trajectory of protest by providing a vehicle for him and his collaborators to address the oppression, violence and corruption of Soviet society. It was just this sort of covert political protest that finally effected the dissolution and fall of the USSR.
Author: Patrick Gray Publisher: Berghahn Books ISBN: 1789202639 Category : Literary Criticism Languages : en Pages : 170
Book Description
How does Shakespeare represent war? This volume reviews scholarship to date on the question and introduces new perspectives, looking at contemporary conflict through the lens of the past. Through his haunting depiction of historical bloodshed, including the Trojan War, the fall of the Roman Republic, and the Wars of the Roses, Shakespeare illuminates more recent political violence, ranging from the British occupation of Ireland to the Spanish Civil War, the Balkans War, and the past several decades of U. S. military engagement in Iraq and Afghanistan. Can a war be just? What is the relation between the ruler and the ruled? What motivates ethnic violence? Shakespeare’s plays serve as the frame for careful explorations of perennial problems of human co-existence: the politics of honor, the ethics of diplomacy, the responsibility of non-combatants, and the tension between idealism and Realpolitik.
Author: Andrew Maunder Publisher: Springer ISBN: 1137402008 Category : Performing Arts Languages : en Pages : 303
Book Description
British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.
Author: Amy Lidster
Author: Amy Lidster
Author: R. King
Author: Amy Lidster
Author: Irene Rima Makaryk
Author: Paola Pugliatti
Author: Robert White
Author: Irena Makaryk
Author: Tiffany Ann Conroy Moore
Author: Patrick Gray
Author: Andrew Maunder