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Author: Ernest Newman Publisher: Knopf ISBN: 0307830845 Category : Music Languages : en Pages : 656
Book Description
The foremost authority on Wagner presents in this comprehensive volume all that the opera-goer, radio listener, music-love, and confirmed Wagnerite will wish to know about: The Flying Dutchman Tannhäuser Lohengrin Tristan and Isolde The Mastersingers of Nuremberg The Nibelung’s Ring The Rhinegold The Valkyrie Siegfried The Twilight of the Gods Parsifal Newman’s complete grasp of his is clear at every turn, as are his wit and sheer writing ability. He lards his treatment of the stories, texts, and music of the operas and music dramas with biographical and historical materials acquired in the process of completing his numerous book on Wagner the man, including the magisterial Life of Richard Wagner, of which the fourth and final volume was published in 1946.
Author: Ernest Newman Publisher: Knopf ISBN: 0307830845 Category : Music Languages : en Pages : 656
Book Description
The foremost authority on Wagner presents in this comprehensive volume all that the opera-goer, radio listener, music-love, and confirmed Wagnerite will wish to know about: The Flying Dutchman Tannhäuser Lohengrin Tristan and Isolde The Mastersingers of Nuremberg The Nibelung’s Ring The Rhinegold The Valkyrie Siegfried The Twilight of the Gods Parsifal Newman’s complete grasp of his is clear at every turn, as are his wit and sheer writing ability. He lards his treatment of the stories, texts, and music of the operas and music dramas with biographical and historical materials acquired in the process of completing his numerous book on Wagner the man, including the magisterial Life of Richard Wagner, of which the fourth and final volume was published in 1946.
Author: Richard Wagner Publisher: Palala Press ISBN: 9781355295488 Category : Languages : en Pages : 334
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Mark Berry Publisher: Boydell & Brewer Ltd ISBN: 1843839687 Category : Music Languages : en Pages : 327
Book Description
This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.
Author: Barry Millington Publisher: Oxford University Press ISBN: 0195345517 Category : Music Languages : en Pages : 209
Book Description
One of the most controversial figures in the history of ideas as well as music, Richard Wagner continues to stimulate debate whenever his works are performed. Drawing upon the scholarship of The New Grove Dictionary of Opera, the most comprehensive dictionary of opera in the world, Barry Millington offers a concise, portable survey and guide, which will make a welcome addition to the shelf of anyone who loves opera. Millington has completely updated the original pieces and contributed four new chapters on Wagner, including a summary of Wagner productions from 1876 to the present day, a suggested listening and viewing gyide, complete chronology of Wagner's operas, and a glossary of terms that will delight any opera-goer. In addition, there are detailed entries on each of Wagner's operas, a main biographical section, and a group of separate articles on such topics as Leitmotif and Gesamtkunstwerk, as well as a newly revised updated article on Bayreuth. Complete with a new preface, updated bibliography, glossary, and discography--including first release dates of each recording--The New Grove Guide to Wagner and his Operas furnishes both seasoned Wagner-lovers and neophytes with all they require for an in-depth appreciation of this unique historical figure.
Author: Charles Osborne Publisher: Trafalgar Square ISBN: Category : Biography & Autobiography Languages : en Pages : 312
Book Description
"Wagner's operas can be counted among the most important works of art of the nineteenth century. But Wagner was a composer around whom violent artistic, political, and literary controversies raged duri"
Author: Richard Wagner Publisher: U of Nebraska Press ISBN: 9780803297654 Category : Music Languages : en Pages : 444
Book Description
With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.
Author: John Louis DiGaetani Publisher: McFarland ISBN: 0786454504 Category : Music Languages : en Pages : 273
Book Description
Designed as a companion volume to 2006's Inside the Ring, which focused on the four operas comprising Richard Wagner's Der Ring des Nibelungen, this new volume features more than a dozen original essays focusing on all of Wagner's non-Ring operas. Part One looks at the individual operas, including Der Fliegende Hollander, Tannhauser, Lohengrin, Tristan und Isolde, Die Meistersinger von Nurnberg, and Parsifal. Part Two reveals the connections between Wagnerian opera and other arts, including dance, filmmaking, and fiction. Finally, Part Three examines Wagner's operas in performance, featuring interviews with mezzo-soprano Michelle DeYoung and heldentenor Ben Heppner, both well-known for their Wagnerian performances. The book includes many photographs from current productions by the Metropolitan Opera and other opera companies, along with bibliographies and a discography of recommended performances.
Author: Jonathan Carr Publisher: Open Road + Grove/Atlantic ISBN: 1555848478 Category : Biography & Autobiography Languages : en Pages : 428
Book Description
This chronicle of renowned composer Richard Wagner and his descendants features “a cast of characters who are positively operatic in their histrionics” (The Guardian). Richard Wagner was many things—composer, philosopher, philanderer, failed revolutionary, and virulent anti-Semite—and his descendants have carried on his complex legacy. In his “lively and wry” history of the legendary composer and his family, biographer Jonathan Carr also offers fascinating glimpses of Franz Liszt, Friedrich Nietzsche, Arthur Schopenhauer, Arturo Toscanini, Joseph Goebbels, Hermann Göring, and Adolf Hitler—a passionate fan of the Master’s music and an adopted uncle to Wagner’s grandchildren (The New York Times). Stretching from the revolutions of 1848 to the darkest days of World War II and through to the present incarnation of Wagner’s Bayreuth Festival, The Wagner Clan is “a smart, insightful look into German history” and a family whose saga is as gripping as any opera (New York Post). “Jonathan Carr’s history is formidable . . . [A] compendious and enthralling story.” —The Economist “The grandiose life of Richard Wagner—the pronouncements on art and the German soul, the petty groveling for money and favors, the intermittently atrocious politics and intermittently glorious music—was a tough act to follow. Carr . . . follows Wagner’s descendants through three generations as they fight each other for control of the Bayreuth Festival and, at opportune times, embrace, reject or sweep under the rug their forebear’s status as Nazism’s spiritual godfather. . . . Carr’s sprightly, fluent narrative places the family in its historical and intellectual context without reducing it to the symbolic effigy it has often become.” —Publishers Weekly, starred review
Author: Stephen McClatchie Publisher: Rochester, NY : University of Rochester Press ISBN: 9781580460231 Category : Literary Criticism Languages : en Pages : 262
Book Description
An examination of work by the German music theorist, Alfred Lorenz, to explain Wagner's operas and how they fit with German nationalist ideology.
Author: Ernest Newman
Author: Ernest Newman
Author: Richard Wagner
Author: Richard Wagner
Author: Mark Berry
Author: Barry Millington
Author: Charles Osborne
Author: Richard Wagner
Author: John Louis DiGaetani
Author: Jonathan Carr
Author: Stephen McClatchie