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Author: Glenn Gardner Willumson Publisher: ISBN: 9780521414647 Category : Photography Languages : en Pages : 351
Book Description
Editors published Smith's photo-reportage of Albert Schweitzer against the wishes of the photographer. Smith, at the height of his fame, resigned from Life magazine in protest. The result of his decision was immediate and personal, plunging him into an abyss of self-doubt that haunted him until his death in 1978. Willumson's narrative traces the history of this conflict and its implications for photojournalism. An engaging account of Smith's career, W. Eugene Smith and.
Author: Glenn Gardner Willumson Publisher: ISBN: 9780521414647 Category : Photography Languages : en Pages : 351
Book Description
Editors published Smith's photo-reportage of Albert Schweitzer against the wishes of the photographer. Smith, at the height of his fame, resigned from Life magazine in protest. The result of his decision was immediate and personal, plunging him into an abyss of self-doubt that haunted him until his death in 1978. Willumson's narrative traces the history of this conflict and its implications for photojournalism. An engaging account of Smith's career, W. Eugene Smith and.
Author: Jim Hughes Publisher: McGraw-Hill Companies ISBN: Category : Biography & Autobiography Languages : en Pages : 664
Book Description
Ten years in the writing, this probing biography examines the passionate, haunted and brilliant man whose quest for perfection resulted in an unparalleled photographic legacy. Photographs.
Author: Sam Stephenson Publisher: University of Chicago Press ISBN: 0226824845 Category : Photography Languages : en Pages : 289
Book Description
Reissue of an acclaimed collection of images from photographer W. Eugene Smith’s time in a New York City loft among jazz musicians. In 1957, Eugene Smith walked away from his longtime job at Life and the home he shared with his wife and four children to move into a dilapidated, five-story loft building at 821 Sixth Avenue in New York City’s wholesale flower district. The loft was the late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them. Here, from 1957 to 1965, he made nearly 40,000 photographs and approximately 4,000 hours of recordings of musicians. Smith found solace in the chaotic, somnambulistic world of the loft and its artists, and he turned his documentary impulses away from work on his major Pittsburg photo essay and toward his new surroundings. Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of this book, no one had seen his extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tales.
Author: Sam Stephenson Publisher: ISBN: 0374232156 Category : Biography & Autobiography Languages : en Pages : 221
Book Description
"An incisive biography of the prolific photo-essayist W. Eugene Smith; In an interview with Philippe Halsman, W. Eugene Smith remarked: "I didn't write the rules, why should I follow them?" Famously unabashed, Smith is photography's most celebrated humanist. During his reign as a photo-essayist at Life magazine in the 1940s and 1950s, he established himself as an intimate chronicler of human culture. His photographs of jazz musicians, disasters, doctors, and midwives revolutionized the role that image-making played in journalism, transforming photography for decades to come. In 1997, lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson set out to research those who knew him from various angles. In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across twenty-nine states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes. The result of twenty years of research, Gene Smith's Sink is an unprecedented look into the photographer's beguiling legacy and the subjects around him"--
Author: Paul Cabuts Publisher: ISBN: 9780708325117 Category : Documentary photography Languages : en Pages : 0
Book Description
Creative Photography and Wales explores the photographic tradition in Wales through the work of American photojournalist Eugene Smith's work in Wales in the 1950s. Smith is regarded as a master of the photo essay and one of the most significant photographers of the twentieth century, and his photographs, set in the context of the work of photographers who shot the region in subsequent years--including those engaged in the "Valleys Project" during the 1980s--help us understand the ways in which twentieth century photography fixed an image of Wales, one that still resonates today.
Author: Katherine A. Bussard Publisher: ISBN: 9780300250886 Category : Documentary photography Languages : en Pages : 0
Book Description
The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.
Author: Glenn Gardner Willumson
Author: Glenn Gardner Willumson
Author: Jim Hughes
Author: Sam Stephenson
Author: W. Eugene Smith
Author: Aperture Publishing Staff
Author: W. Eugene Smith
Author: Sam Stephenson
Author: Paul Cabuts
Author: Howard Chapnick
Author: Katherine A. Bussard