Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Theatre of David Henry Hwang PDF full book. Access full book title The Theatre of David Henry Hwang by Esther Kim Lee. Download full books in PDF and EPUB format.
Author: Esther Kim Lee Publisher: Bloomsbury Publishing ISBN: 1408185016 Category : Literary Criticism Languages : en Pages : 225
Book Description
Since the premiere of his play FOB in 1979, the Chinese American playwright David Henry Hwang has made a significant impact in the U. S. and beyond. The Theatre of David Henry Hwang provides an in-depth study of his plays and other works in theatre. Beginning with his "Trilogy of Chinese America", Esther Kim Lee traces all major phases of his playwriting career. Utilizing historical and dramaturgical analysis, she argues that Hwang has developed a unique style of meta-theatricality and irony in writing plays that are both politically charged and commercially viable. The book also features three essays written by scholars of Asian American theatre and a comprehensive list of primary and secondary sources on his oeuvre. This comprehensive study of Hwang's work follows his career both chronologically and thematically. The first chapter analyzes Hwang's early plays, "Trilogy of Chinese America," in which he explores issues of identity and cultural assimilation particular to Chinese Americans. Chapter two looks at four plays characterised as "Beyond Chinese America," which examines Hwang's less known plays. Chapter three focuses on M. Butterfly, which received the Tony Award for Best Play in 1988. In chapter four, Lee explores Hwang's development as a playwright during the decade of the 1990s with a focus on identity politics and multiculturalism. Chapter five examines Hwang's playwriting style in depth with a discussion of Hwang's more recent plays such as Yellow Face and Chinglish. The sixth chapter features three essays written by leading scholars in Asian American theatre: Josephine Lee on Flower Drum Song, Dan Bacalzo on Golden Child, and Daphne Lei on Chinglish. The final section provides a comprehensive compilation of sources: a chronology, a bibliography of Hwang's works, reviews and critical sources.
Author: Esther Kim Lee Publisher: Bloomsbury Publishing ISBN: 1408185016 Category : Literary Criticism Languages : en Pages : 225
Book Description
Since the premiere of his play FOB in 1979, the Chinese American playwright David Henry Hwang has made a significant impact in the U. S. and beyond. The Theatre of David Henry Hwang provides an in-depth study of his plays and other works in theatre. Beginning with his "Trilogy of Chinese America", Esther Kim Lee traces all major phases of his playwriting career. Utilizing historical and dramaturgical analysis, she argues that Hwang has developed a unique style of meta-theatricality and irony in writing plays that are both politically charged and commercially viable. The book also features three essays written by scholars of Asian American theatre and a comprehensive list of primary and secondary sources on his oeuvre. This comprehensive study of Hwang's work follows his career both chronologically and thematically. The first chapter analyzes Hwang's early plays, "Trilogy of Chinese America," in which he explores issues of identity and cultural assimilation particular to Chinese Americans. Chapter two looks at four plays characterised as "Beyond Chinese America," which examines Hwang's less known plays. Chapter three focuses on M. Butterfly, which received the Tony Award for Best Play in 1988. In chapter four, Lee explores Hwang's development as a playwright during the decade of the 1990s with a focus on identity politics and multiculturalism. Chapter five examines Hwang's playwriting style in depth with a discussion of Hwang's more recent plays such as Yellow Face and Chinglish. The sixth chapter features three essays written by leading scholars in Asian American theatre: Josephine Lee on Flower Drum Song, Dan Bacalzo on Golden Child, and Daphne Lei on Chinglish. The final section provides a comprehensive compilation of sources: a chronology, a bibliography of Hwang's works, reviews and critical sources.
Author: William C. Boles Publisher: Univ of South Carolina Press ISBN: 1611172888 Category : Literary Criticism Languages : en Pages : 147
Book Description
David Henry Hwang is best known as the author of M. Butterfly, which won a 1988 Tony Award and was a finalist for a Pulitzer Prize, and he has written the Obie Award-winners Golden Child and FOB, as well as Family Devotions, Sound and Beauty, Rich Relations, and a revised version of Flower Drum Song. His Yellow Face won a 2008 Obie Award and was a finalist for a Pulitzer Prize. Understanding David Henry Hwang is a critical study of Hwang's playwriting process as well as the role of identity in each one of Hwang's major theatrical works. A first-generation Asian American, Hwang intrinsically understands the complications surrounding the competing attractiveness of an American identity with its freedoms in contrast to the importance of a cultural and ethnic identity connected to another country's culture. William C. Boles examines Hwang's plays by exploring the perplexing struggles surrounding Asian and Asian American stereotypes, values, and identity. Boles argues that Hwang deliberately uses stereotypes in order to subvert them, while at other times he embraces the dual complexity of ethnicity when it is tied to national identity and ethnic history. In addition to the individual questions of identity as they pertain to ethnicity, Boles discusses how Hwang's plays explore identity issues of gender, religion, profession, and sexuality. The volume concludes with a treatment of Chinglish, both in the context of rising Chinese economic prominence and in the context of Hwang's previous work. Hwang has written ten short plays including The Dance and the Railroad, five screenplays, and many librettos for musical theater. The recipient of fellowships from the National Endowment for the Arts and the Guggenheim and Rockefeller foundations, Hwang was appointed by President Bill Clinton to the President's Committee on the Arts and the Humanities.
Author: Jacqueline Gay Walley Publisher: Etruscan Press ISBN: Category : Fiction Languages : en Pages : 212
Book Description
A creative, individualistic woman risks following a vision to a place that ends up changing her to a new, true, risky, loving self. Dostoyevsky said, "Beauty saves," and, in Jacqueline Gay Walley’s The Waw, a woman leaves her New York life to follow an image she has seen of a small town of great beauty by the sea in England. She does not quite know why she does this and is frequently asked and gives different answers. There she encounters remarkable people of strength with whom she explores music, love, dignity, and the gifts of solitude coupled with the gifts of community. She, in addition, is having a collection of her writings published which is daunting to her since she knows she will now be revealed, and not so pleasantly, and this unglues her. Along the way, the reader gets a wry look at publishing. The narrator is also wrestling with how the world’s changing is being reported in such a vituperative manner. She also has a boyfriend in New York who visits and reveals himself in ways unforeseen. At the same time, she meets two men on the island, who astound her in their lack of artifice and sly profundity. She finds herself in love and more open than ever before. All of this put together strips her down to her essence, where the beauty of the place and people are able to transform her to a better self. The book is written in an inventive style: novelistic, seemingly memoir, often poetic, sometimes with a touch of magic realism. "
Author: Terrance Hayes Publisher: Penguin ISBN: 0593511859 Category : Literary Criticism Languages : en Pages : 241
Book Description
“Dazzling . . . a verbal and visual feast that defies genres.” —The Washington Post From the National Book Award–winning author of Lighthead, Terrance Hayes, a fascinating collection of graphic reviews and illustrated prose addressing the last century of American poetry—to be published simultaneously with his latest poetry collection, So to Speak Canonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry. Illustrated micro-essays, graphic book reviews, biographical prose poems, and nonfiction sketches make reading an imaginative and critical act of watching your language. Hayes has made a kind of poetic guidebook with more questions than answers. "If you don't see suffering's potential as art, will it remain suffering?" he asks in one of the lively mock poetry exam questions of this musing, mercurial collection. Hayes's astonishing drawings and essays literally and figuratively map the acclaimed poet's routes, roots, and wanderings through the landscape of contemporary poetry.
Author: Margaret Ross Griffel Publisher: Scarecrow Press ISBN: 0810883252 Category : Music Languages : en Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Author: Brian Coughlan Publisher: Etruscan Press ISBN: Category : Fiction Languages : en Pages : 111
Book Description
The short stories in Brian Coughlan’s Don’t Mind Me dig deep into what it means to live in an increasingly connected, but isolated modern world that demands far more than we can possibly hope to provide. A couple with financial problems encounter an over-bearing madam in her hell-hole bed & breakfast; an aged wastrel must travel across the country to the aid of his ailing guardian angel; a hurrying man falls inexplicably and is forced to confront the fragility of his body and the choices that were made for him. What begins as tragedy trips into farce, the realistic somehow turns mystical, and viewed through a prism of irony these delightfully off kilter stories offer surprising, often skewed and witfully unsettling impressions. Don’t Mind Me is a collection that follows no rules and leaves no tracks.
Author: Colum McCann Publisher: Etruscan Press ISBN: Category : Biography & Autobiography Languages : en Pages : 194
Book Description
"A spectacular tale of violence and forgiveness."— Salman Rushdie “It’s kind of unique in my experience. . . . It’s a novelist writing about an actual event with a depth and thoroughness that you never get from the news.”—Michael Cunningham, via New York Times What does a mother say to the person responsible for kidnapping, torturing, and murdering her son? National Book Award-winning author Colum McCann channels Diane Foley’s voice as she tells her story, as the mother of American journalist Jim Foley – in search of answers, beyond justice, found through dogged, empathetic, spiritual enquiry. In late 2021, Diane Foley sat at a table across from her son's killer, Alexanda Kotey, a member of the ISIS group known as "The Beatles" who plead guilty to the kidnapping, torture, and murder of her son seven years before. Kotey was about to go serve life imprisonment and this was Diane’s chance to talk to the man who had been involved with brutally taking her son's last breath. What would she say to his killer? What would he reveal to her? Might she even be able to summon forgiveness for him? So begins American Mother— which reads alternately like a thriller, a biography, a mystery, a memoir, and a literary examination of grace. Diane looks back on the early days when Jim was a child and his journey to journalism, and the killing fields of the world where he reports with indefatigable determination and insight on the plight of those caught up in the agonies of war. She guides us through her family history and the difficulties they faced when Jim was captured. And she also charts the tenacity it takes to turn her grief into grace as she seeks to give voice to those who are still being kidnapped and wrongfully detained around the world. Few journeys are more worthy than this and, in this astonishing book, we are all invited to celebrate the lives of those who are never, in the end, gone.
Author: Rus Bradburd Publisher: Etruscan Press ISBN: Category : Fiction Languages : en Pages : 231
Book Description
Welcome to Coors State University, a cash-strapped college that sold naming rights, academic programs, and, ultimately, its soul to a beer company just to keep the lights on. At Coors, the engineering professors are expanding the stadium, criminal justice faculty are the campus cops, and the history profs sell popcorn at concession stands. It’s the world turned upside down—yet not very far from the truth at today’s big state schools. Big Time is—ruefully and hilariously—a novel for Our Time.
Author: Esther Kim Lee
Author: Esther Kim Lee
Author: William C. Boles
Author: Jacqueline Gay Walley
Author: Terrance Hayes
Author: Margaret Ross Griffel
Author: Brian Coughlan
Author: 
Author: Colum McCann
Author: 
Author: Rus Bradburd