Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Voices of Latin Rock PDF full book. Access full book title Voices of Latin Rock by Jim McCarthy. Download full books in PDF and EPUB format.
Author: Jim McCarthy Publisher: Hal Leonard Corporation ISBN: 9780634080616 Category : Music Languages : en Pages : 336
Book Description
(Book). Directly from the Mission District in San Francisco, the explosive fusion of Latin, salsa and rock is chronicled from a writer who has followed the music and the musicians for over 30 years. The book covers the stories of prominent Latin rock bands including Santana and Malo, examining in detail the pioneering records and the ways in which both reflect a wide spectrum of Latin influences. It highlights the cast of characters and emerging period in the US during the late '60s, with all the cultural background events including the Summer of Love, Woodstock, political activism, and the record label expansion. Legendary figures such as Bill Graham, Clive Davis and the Escovedos family play crucial roles in the development of this sound. As Latin music continues to become more mainstream, the interest in its musical roots grows. This book sheds light on these musical pioneers, and is gorgeously illustrated with over 800 B&W photos by Jim Marshall, Rudy Rodgriguez, Joan Chase and others, plus artwork of dozens of rare album covers.
Author: Jim McCarthy Publisher: Hal Leonard Corporation ISBN: 9780634080616 Category : Music Languages : en Pages : 336
Book Description
(Book). Directly from the Mission District in San Francisco, the explosive fusion of Latin, salsa and rock is chronicled from a writer who has followed the music and the musicians for over 30 years. The book covers the stories of prominent Latin rock bands including Santana and Malo, examining in detail the pioneering records and the ways in which both reflect a wide spectrum of Latin influences. It highlights the cast of characters and emerging period in the US during the late '60s, with all the cultural background events including the Summer of Love, Woodstock, political activism, and the record label expansion. Legendary figures such as Bill Graham, Clive Davis and the Escovedos family play crucial roles in the development of this sound. As Latin music continues to become more mainstream, the interest in its musical roots grows. This book sheds light on these musical pioneers, and is gorgeously illustrated with over 800 B&W photos by Jim Marshall, Rudy Rodgriguez, Joan Chase and others, plus artwork of dozens of rare album covers.
Author: Jim McCarthy Publisher: ISBN: 9781437964509 Category : Languages : en Pages : 272
Book Description
Chronicles the story of the roots and rise of this explosive music. From its free-form jam days in San Francisco¿s Mission District barrio to the Grammy-award show with Santana¿s ¿Supernatural,¿ the cast of characters, events, and collaborations tell an amazing journey of society and art, blending together to create a unique style of passionate music. Illustrates the music, personalities, and political influences (United Farm Workers union, the Black Panthers, and even low-rider clubs) that helped to shape the Latin rock explosion. Features exclusive interviews, biographical profiles, over 800 photographs, and a color photo section. ¿An in-depth, historical, and fascinating look at the success, impact, influence, and aftermath of an important American musical style.¿
Author: Various Publisher: Simon and Schuster ISBN: 178607334X Category : Fiction Languages : en Pages : 352
Book Description
‘This new generation of Latin American writers has exchanged history for memory, dictators for narcos and political engagement for gender and class consciousness.’ El País Ten years on from the first Bogotá 39 selection, which brought writers such as Juan Gabriel Vásquez, Alejandro Zambra and Junot Díaz to fame, comes this story collection showcasing thirty-nine exceptional new talents. Chosen by some of the biggest names in Latin American literature, together with publishers, writers and literary critics and a panel of expert judges, this exciting anthology paves the way for a new generation of household names. These stories have been brought into English by some of the finest translators around, including familiar names such as Daniel Hahn, Christina MacSweeney and Megan McDowell, as well as many new and exciting translators who are just launching their careers. With authors from fifteen different countries, this diverse collection of stories transports readers to a host of new worlds, and represents the very best writing coming out of Latin America today.
Author: Frances R. Aparicio Publisher: Wesleyan University Press ISBN: 0819569941 Category : Music Languages : en Pages : 302
Book Description
Winner of the MLA's Katherine Singer Kovacs Prize for an outstanding book published in English in the field of Latin American and Spanish literatures and culture (1999) For Anglos, the pulsing beats of salsa, merengue, and bolero are a compelling expression of Latino/a culture, but few outsiders comprehend the music's implications in larger social terms. Frances R. Aparicio places this music in context by combining the approaches of musicology and sociology with literary, cultural, Latino, and women's studies. She offers a detailed genealogy of Afro-Caribbean music in Puerto Rico, comparing it to selected Puerto Rican literary texts, then looks both at how Latinos/as in the US have used salsa to reaffirm their cultural identities and how Anglos have eroticized and depoliticized it in their adaptations. Aparicio's detailed examination of lyrics shows how these songs articulate issues of gender, desire, and conflict, and her interviews with Latinas/os reveal how they listen to salsa and the meanings they find in it. What results is a comprehensive view "that deploys both musical and literary texts as equally significant cultural voices in exploring larger questions about the power of discourse, gender relations, intercultural desire, race, ethnicity, and class."
Author: Roberto Avant-Mier Publisher: Bloomsbury Publishing USA ISBN: 1441167978 Category : Social Science Languages : en Pages : 241
Book Description
Rock the Nation analyzes Latino/a identity through rock 'n' roll music and its deep Latin/o history. By linking rock music to Latinos and to music from Latin America, the author argues that Latin/o music, people, and culture have been central to the development of rock music as a major popular music form, in spite of North American racial logic that marginalizes Latino/as as outsiders, foreigners, and always exotic. According to the author, the Latin/o Rock Diaspora illuminates complex identity issues and interesting paradoxes with regard to identity politics, such as nationalism. Latino/as use rock music for assimilation to mainstream North American culture, while in Latin America, rock music in Spanish is used to resist English and the hegemony of U.S. culture. Meanwhile, singing in English and adopting U.S. popular culture allows youth to resist the hegemonic nationalisms of their own countries. Thus, throughout the Americas, Latino/as utilize rock music for assimilation to mainstream national culture(s), for resistance to the hegemony of dominant culture(s), and for mediating the negotiation of Latino/a identities.
Author: Stela M. Brandão Publisher: Indiana University Press ISBN: 0253221382 Category : Music Languages : en Pages : 369
Book Description
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.
Author: John Storm Roberts Publisher: Oxford University Press, USA ISBN: 0195121015 Category : Music Languages : en Pages : 306
Book Description
In this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last 20 years. 50 halftones.
Author: Lauren Shaw Publisher: Rowman & Littlefield ISBN: 0739179489 Category : Music Languages : en Pages : 257
Book Description
Song & Social Change in Latin America offers seven essays from a diverse group of scholars on the topic of music as a reflection of the many social-political upheavals throughout Latin America from the 20th century to the present. Topics covered include: the Tropic lia movement in Brazil, the Nueva Canci n in Central America, Rock in Mexico, Argentina, Chile and Peru, the Vallenato in Colombia, Trova in Cuba, and urban music of Puerto Rico in the mid-20th century. The collection also includes five interviews from prominent and up-and-coming musicians --Ruben Blades, Roy Brown, Habana Abierta, Ana Tijoux, and Mare-- representing a variety of musical genres and political issues in Central America, the Caribbean, South America, and Mexico.
Author: Jesús A. Ramos-Kittrell Publisher: Rowman & Littlefield ISBN: 1498573185 Category : Music Languages : en Pages : 281
Book Description
winner of the 2021 Ellen Koskoff Edited Volume Prize Decentering the Nation: Music, Mexicanidad, and Globalization considers how neoliberal capitalism has upset the symbolic economy of “Mexican” cultural discourse, and how this phenomenon touches on a broader crisis of representation affecting the nation-state in globalization. This book argues that, while mexicanidad emerged in the early twentieth century as a cultural trope about national origins, culture, and history, it was, nonetheless a trope steeped in ‘otherization’ and used by nation-states (Mexico and the United States) to legitimize narratives of cultural and socioeconomic development stemming out of nationalist political projects that are now under strain. Using music as a phenomenological platform of inquiry, contributors to this book focus on a critique of mexicanidad in terms of the cultural processes through which people contest ideas about race, gender, and sexuality; reframe ideas of memory, history, and belonging; and negotiate the experiences of dislocation that affect them. The volume urges readers to find points of resonance in its chapters, and thus, interrogate the asymmetrical ways in which power traverses their own historical experience. In light of the crisis in representation that currently affects the nation-state as a political unit in globalization, such resonance is critical to make culture an arena of social collusion, where alliances can restore the fiber of civil society and contest the pressures that have made disenfranchisement one of the most alarming features characterizing the complex relationships between the state and the neoliberal corporate system that seeks to regulate it. Scholars of history, international relations, cultural anthropology, Latin American studies, queer and gender studies, music, and cultural studies will find this book particularly useful.