Author: Torah For Children
Publisher:
ISBN: 9781944605292
Category :
Languages : en
Pages :
Book Description
Visual Introduction to Gemara
Author: Torah For Children
Publisher:
ISBN: 9781944605292
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781944605292
Category :
Languages : en
Pages :
Book Description
Visual Introduction to Gemara - 2nd Edition
Author: Torah For Children
Publisher:
ISBN: 9781944605339
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781944605339
Category :
Languages : en
Pages : 0
Book Description
Understanding the Talmud
Author: Yitzchak Feigenbaum
Publisher: Feldheim Publishers
ISBN:
Category : Religion
Languages : en
Pages : 138
Book Description
A systematic guide to Talmudic structure and methodology. Isolates and explains many key words, phrases, and structures in the Gemara. Each entry shows what a word or phrase represents, how it is used textually and logically, and what questions a student should ask when he sees it.
Publisher: Feldheim Publishers
ISBN:
Category : Religion
Languages : en
Pages : 138
Book Description
A systematic guide to Talmudic structure and methodology. Isolates and explains many key words, phrases, and structures in the Gemara. Each entry shows what a word or phrase represents, how it is used textually and logically, and what questions a student should ask when he sees it.
Charting the Sea of Talmud
Author: Yisrael Ury
Publisher: Mosaica Press
ISBN: 9780981497488
Category : Talmud
Languages : en
Pages : 149
Book Description
A Visual Method for Understanding the Talmud
Publisher: Mosaica Press
ISBN: 9780981497488
Category : Talmud
Languages : en
Pages : 149
Book Description
A Visual Method for Understanding the Talmud
Becoming the People of the Talmud
Author: Talya Fishman
Publisher: University of Pennsylvania Press
ISBN: 0812204980
Category : Religion
Languages : en
Pages : 424
Book Description
In Becoming the People of the Talmud, Talya Fishman examines ways in which circumstances of transmission have shaped the cultural meaning of Jewish traditions. Although the Talmud's preeminence in Jewish study and its determining role in Jewish practice are generally taken for granted, Fishman contends that these roles were not solidified until the late eleventh and early twelfth centuries. The inscription of Talmud—which Sefardi Jews understand to have occurred quite early, and Ashkenazi Jews only later—precipitated these developments. The encounter with Oral Torah as a written corpus was transformative for both subcultures, and it shaped the roles that Talmud came to play in Jewish life. What were the historical circumstances that led to the inscription of Oral Torah in medieval Europe? How did this body of ancient rabbinic traditions, replete with legal controversies and nonlegal material, come to be construed as a reference work and prescriptive guide to Jewish life? Connecting insights from geonica, medieval Jewish and Christian history, and orality-textuality studies, Becoming the People of the Talmud reconstructs the process of cultural transformation that occurred once medieval Jews encountered the Babylonian Talmud as a written text. According to Fishman, the ascription of greater authority to written text was accompanied by changes in reading habits, compositional predilections, classroom practices, approaches to adjudication, assessments of the past, and social hierarchies. She contends that certain medieval Jews were aware of these changes: some noted that books had replaced teachers; others protested the elevation of Talmud-centered erudition and casuistic virtuosity into standards of religious excellence, at the expense of spiritual refinement. The book concludes with a consideration of Rhineland Pietism's emergence in this context and suggests that two contemporaneous phenomena—the prominence of custom in medieval Ashkenazi culture and the novel Christian attack on Talmud—were indirectly linked to the new eminence of this written text in Jewish life.
Publisher: University of Pennsylvania Press
ISBN: 0812204980
Category : Religion
Languages : en
Pages : 424
Book Description
In Becoming the People of the Talmud, Talya Fishman examines ways in which circumstances of transmission have shaped the cultural meaning of Jewish traditions. Although the Talmud's preeminence in Jewish study and its determining role in Jewish practice are generally taken for granted, Fishman contends that these roles were not solidified until the late eleventh and early twelfth centuries. The inscription of Talmud—which Sefardi Jews understand to have occurred quite early, and Ashkenazi Jews only later—precipitated these developments. The encounter with Oral Torah as a written corpus was transformative for both subcultures, and it shaped the roles that Talmud came to play in Jewish life. What were the historical circumstances that led to the inscription of Oral Torah in medieval Europe? How did this body of ancient rabbinic traditions, replete with legal controversies and nonlegal material, come to be construed as a reference work and prescriptive guide to Jewish life? Connecting insights from geonica, medieval Jewish and Christian history, and orality-textuality studies, Becoming the People of the Talmud reconstructs the process of cultural transformation that occurred once medieval Jews encountered the Babylonian Talmud as a written text. According to Fishman, the ascription of greater authority to written text was accompanied by changes in reading habits, compositional predilections, classroom practices, approaches to adjudication, assessments of the past, and social hierarchies. She contends that certain medieval Jews were aware of these changes: some noted that books had replaced teachers; others protested the elevation of Talmud-centered erudition and casuistic virtuosity into standards of religious excellence, at the expense of spiritual refinement. The book concludes with a consideration of Rhineland Pietism's emergence in this context and suggests that two contemporaneous phenomena—the prominence of custom in medieval Ashkenazi culture and the novel Christian attack on Talmud—were indirectly linked to the new eminence of this written text in Jewish life.
Talmud Bavli
FROM DJERBA TO JERUSALEM.
Author: LIBBY. LAZEWNIK
Publisher:
ISBN: 9781422619667
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781422619667
Category :
Languages : en
Pages :
Book Description
Annotation
Author: Remi H. Kalir
Publisher: MIT Press
ISBN: 026236140X
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
An introduction to annotation as a genre--a synthesis of reading, thinking, writing, and communication--and its significance in scholarship and everyday life. Annotation--the addition of a note to a text--is an everyday and social activity that provides information, shares commentary, sparks conversation, expresses power, and aids learning. It helps mediate the relationship between reading and writing. This volume in the MIT Press Essential Knowledge series offers an introduction to annotation and its literary, scholarly, civic, and everyday significance across historical and contemporary contexts. It approaches annotation as a genre--a synthesis of reading, thinking, writing, and communication--and offer examples of annotation that range from medieval rubrication and early book culture to data labeling and online reviews.
Publisher: MIT Press
ISBN: 026236140X
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
An introduction to annotation as a genre--a synthesis of reading, thinking, writing, and communication--and its significance in scholarship and everyday life. Annotation--the addition of a note to a text--is an everyday and social activity that provides information, shares commentary, sparks conversation, expresses power, and aids learning. It helps mediate the relationship between reading and writing. This volume in the MIT Press Essential Knowledge series offers an introduction to annotation and its literary, scholarly, civic, and everyday significance across historical and contemporary contexts. It approaches annotation as a genre--a synthesis of reading, thinking, writing, and communication--and offer examples of annotation that range from medieval rubrication and early book culture to data labeling and online reviews.
Thou Art the Man
Author: Ruth Mazo Karras
Publisher: University of Pennsylvania Press
ISBN: 0812253027
Category : History
Languages : en
Pages : 314
Book Description
"This book is a work of medieval history and the history of gender and sexuality. It looks at the biblical King David, who has multiple paradigmatic identities in the Middle Ages: king, military leader, adulterous lover, sinner. It views David primarily from the perspective of medieval European Christian society but also from the medieval European Jewish viewpoint"--
Publisher: University of Pennsylvania Press
ISBN: 0812253027
Category : History
Languages : en
Pages : 314
Book Description
"This book is a work of medieval history and the history of gender and sexuality. It looks at the biblical King David, who has multiple paradigmatic identities in the Middle Ages: king, military leader, adulterous lover, sinner. It views David primarily from the perspective of medieval European Christian society but also from the medieval European Jewish viewpoint"--
Art and Architecture of the Synagogue in Byzantine Palaestina
Author: Asaf Friedman
Publisher: Cambridge Scholars Publishing
ISBN: 1527535053
Category : Art
Languages : en
Pages : 173
Book Description
The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual language of “becoming,” of inward introspection and outward scrutiny. This new analysis goes beyond the limits of compositional rules, and requires an analytical, as well as emotive, thought process, to form a cultural interpretation that reveals the hidden language. This means that some parts of Judaism and some parts of Christianity were in agreement despite the commandment of “Thou shalt not make unto thee any graven image,” and operated under the assumption that paintings were not necessarily the creation of idols. Thus, we see that the modern movements of art and architecture were not the first to deal with images through themes such as abstraction and denotation. The language developed during the Byzantine period could rival the best of such visual languages.
Publisher: Cambridge Scholars Publishing
ISBN: 1527535053
Category : Art
Languages : en
Pages : 173
Book Description
The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual language of “becoming,” of inward introspection and outward scrutiny. This new analysis goes beyond the limits of compositional rules, and requires an analytical, as well as emotive, thought process, to form a cultural interpretation that reveals the hidden language. This means that some parts of Judaism and some parts of Christianity were in agreement despite the commandment of “Thou shalt not make unto thee any graven image,” and operated under the assumption that paintings were not necessarily the creation of idols. Thus, we see that the modern movements of art and architecture were not the first to deal with images through themes such as abstraction and denotation. The language developed during the Byzantine period could rival the best of such visual languages.