Author: Anandi Ramamurthy
Publisher: Routledge
ISBN: 0429685599
Category : Art
Languages : en
Pages : 303
Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
Visual Culture and Decolonisation in Britain
Author: Anandi Ramamurthy
Publisher: Routledge
ISBN: 0429685599
Category : Art
Languages : en
Pages : 303
Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
Publisher: Routledge
ISBN: 0429685599
Category : Art
Languages : en
Pages : 303
Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
Beyond the Frame
Author: Deborah Cherry
Publisher: Routledge
ISBN: 1135094837
Category : Art
Languages : en
Pages : 290
Book Description
Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.
Publisher: Routledge
ISBN: 1135094837
Category : Art
Languages : en
Pages : 290
Book Description
Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.
Visual Culture in Britain
Author: Ysanne Holt
Publisher:
ISBN: 9780719080012
Category : Art and society
Languages : en
Pages : 128
Book Description
1. Staging The Raft of the Medusa - Christine Riding; 2. Uncanny Landscapes in British Film and Television - Peter Hutchings; 3. From Out of the Shadows: Sir Joshua Reynolds' Captain Robert Orme - Mark Hallett; 4. Putting the 'Culture' into Visual Culture: the Legacy and Challenge of Raymond Williams - Jonathan Harris; 5.
Publisher:
ISBN: 9780719080012
Category : Art and society
Languages : en
Pages : 128
Book Description
1. Staging The Raft of the Medusa - Christine Riding; 2. Uncanny Landscapes in British Film and Television - Peter Hutchings; 3. From Out of the Shadows: Sir Joshua Reynolds' Captain Robert Orme - Mark Hallett; 4. Putting the 'Culture' into Visual Culture: the Legacy and Challenge of Raymond Williams - Jonathan Harris; 5.
Visual Culture in Britain
Author: Ysanne Holt
Publisher:
ISBN: 9780754605294
Category :
Languages : en
Pages : 128
Book Description
Publisher:
ISBN: 9780754605294
Category :
Languages : en
Pages : 128
Book Description
Art & Visual Culture
Author: Angeliki Lymberopolou
Publisher: Tate
ISBN: 9781849760485
Category : Art
Languages : en
Pages : 0
Book Description
"Anthology [of] key texts that document the history of art over the past one thousand years"--P. [4] of cover.
Publisher: Tate
ISBN: 9781849760485
Category : Art
Languages : en
Pages : 0
Book Description
"Anthology [of] key texts that document the history of art over the past one thousand years"--P. [4] of cover.
Visual culture in Britain
Mass-Observation and Visual Culture
Author: LucyD. Curzon
Publisher: Routledge
ISBN: 1351559001
Category : Art
Languages : en
Pages : 195
Book Description
Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain critically analyses the role that visual culture played in the early development of Mass-Observation, the innovative British anthropological research group founded in 1937. The group?s production and use of painting, collage, photography, and other media illustrates not only the broad scope of Mass-Observation?s efforts to document everyday life, but also, more specifically, the centrality of visual elements to its efforts at understanding national identity in the 1930s. Although much interest has previously focused on Mass-Observation?s use of written reports and opinion surveys, as well as diaries that were kept by hundreds of volunteer observers, this book is the first full-length study of the group?s engagement with visual culture. Exploring the paintings of Graham Bell and William Coldstream; the photographs of Humphrey Spender; the paintings, collages, and photographs of Julian Trevelyan; and Humphrey Spender?s photographs and widely recognized ?Mass-Observation film?, Spare Time, among other sources, Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain positions these works as key sources of information with regard to illuminating the complex character of British identity during the Depression era.
Publisher: Routledge
ISBN: 1351559001
Category : Art
Languages : en
Pages : 195
Book Description
Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain critically analyses the role that visual culture played in the early development of Mass-Observation, the innovative British anthropological research group founded in 1937. The group?s production and use of painting, collage, photography, and other media illustrates not only the broad scope of Mass-Observation?s efforts to document everyday life, but also, more specifically, the centrality of visual elements to its efforts at understanding national identity in the 1930s. Although much interest has previously focused on Mass-Observation?s use of written reports and opinion surveys, as well as diaries that were kept by hundreds of volunteer observers, this book is the first full-length study of the group?s engagement with visual culture. Exploring the paintings of Graham Bell and William Coldstream; the photographs of Humphrey Spender; the paintings, collages, and photographs of Julian Trevelyan; and Humphrey Spender?s photographs and widely recognized ?Mass-Observation film?, Spare Time, among other sources, Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain positions these works as key sources of information with regard to illuminating the complex character of British identity during the Depression era.
Visual Culture in Britain
Author: Ysanne Holt
Publisher:
ISBN: 9780754600916
Category : Art
Languages : en
Pages : 308
Book Description
This twice-yearly journal encourages new material and introduces innovative work with the aim of placing the visual culture - painting and sculpture, architecture and design, print, film, photography and the performing arts - in relation to the wider culture, historically and geographically. The journal addresses a range of contemporary debates involving constructions of racial, ethnic and gender identities, nationality and internationalism, colonialism, high and low culture, the role of institutions and cultural groupings, and models of production and consumption.
Publisher:
ISBN: 9780754600916
Category : Art
Languages : en
Pages : 308
Book Description
This twice-yearly journal encourages new material and introduces innovative work with the aim of placing the visual culture - painting and sculpture, architecture and design, print, film, photography and the performing arts - in relation to the wider culture, historically and geographically. The journal addresses a range of contemporary debates involving constructions of racial, ethnic and gender identities, nationality and internationalism, colonialism, high and low culture, the role of institutions and cultural groupings, and models of production and consumption.
Black Artists in British Art
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 294
Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 294
Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.