Visions and Visionaries in Contemporary Austrian Literature and Film PDF Download

Author: Margarete Lamb-Faffelberger
Publisher: Peter Lang
ISBN: 9780820461564
Category : Art
Languages : en
Pages : 284

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Book Description
Visions and Visionaries is an apt title for this volume of essays on contemporary Austrian literature and film, because this collection offers insightful discussions of a gallery of significant authors and cultural figures. It also investigates important issues of style and genre, and portrays questions of Austrian identity and culture in rich contexts of recent literary and multi-media developments, cross-cultural interactions, and historical forces. This book encompasses relevant trends and notions from the past - especially the complexities of lingering effects of the Nazi era - along with issues of the future - in particular the present and anticipated interactions of culture and cyberspace. The essays are enhanced by poems by Evelyn Schlag and Gerhard Kofler.

Author: Matthias Konzett
Publisher: Associated University Presse
ISBN: 9780838641545
Category : Literary Criticism
Languages : en
Pages : 322

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Book Description
Elfriede Jelinek, winner of the Nobel Prize for Literature in 2004, is the important living German-speaking author. She has influenced the German and European literary scene for almost four decades. This volume provides an introduction to this important prose writer, dramatist, and essayist of postwar German literature.

Author: Robert von Dassanowsky
Publisher: Berghahn Books
ISBN: 0857452320
Category : Performing Arts
Languages : en
Pages : 408

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Book Description
Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.

Author: Rebecca S. Thomas
Publisher: Cambridge Scholars Publishing
ISBN: 1527565602
Category : Social Science
Languages : en
Pages : 500

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Book Description
This collection of essays explores the changing history, rhetoric, politics and representation of crime and madness in modern Austria. From the emergence of Viennese modernism to the post-modern moment, the myths, metaphors and realities of crime and madness have unfolded in the shadow of larger cultural questions regarding cultural norms, gender, war, and national identity. Historically based contributions illuminate such diverse cultural realities as the evolution of psychiatry as medical practice, asylum practices in the early twentieth century, and Austrian participation in and responses to terror and war crimes. From these investigations proceeds the clear insight that cultural responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect. Specialists from the fields of Austrian history, literature and culture studies have collaborated to produce this truly interdisciplinary volume, which responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect.

Author: Robert C. Reimer
Publisher: Scarecrow Press
ISBN: 1461731860
Category : History
Languages : en
Pages : 524

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Book Description
German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.

Author: Ben McCann
Publisher: Columbia University Press
ISBN: 0231504659
Category : Performing Arts
Languages : en
Pages : 303

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Book Description
Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations—bourgeois alienation, modes and critiques of spectatorship, the role of the media—and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.

Author: Elsie M. Walker
Publisher: Oxford University Press
ISBN: 0190495901
Category : Art
Languages : en
Pages : 233

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Book Description
Michael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better. Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy. This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Cach , The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change.

Author: Beth Griech-Polelle
Publisher: Cambridge Scholars Publishing
ISBN: 1527564843
Category : History
Languages : en
Pages : 395

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Book Description
This volume, which grew out of a conference of the same name held at Bowling Green State University in March 2006, represents new scholarly perspectives on the way in which the Holocaust is remembered in history, literary studies and theatre. It is a response to changing representations of the Holocaust across generations, disciplines, and in various cultural and national contexts. The contributions address the following questions: How do historians, artists, scholars, and teachers negotiate the language of the Holocaust as survivors die, leaving future generations to respond to the dictum: Never again? How do children and grandchildren of survivors, perpetrators, bystanders transmit the difficult legacy of the Holocaust in American, Israeli, French, German, Swiss and Austrian contexts while navigating feelings of transgenerational guilt or victimhood? How can we do justice to survivor testimony when the survivors can no longer speak directly or mediate the testimony to us? How does transferred and multiply mediated knowledge translate into meaningful artifacts for the next generations? The collection features an interview about interdisciplinarity within Holocaust studies conducted at the conference with keynote speakers Marianne Hirsch and Leo Spitzer. The articles in the first section explore the complex relationship between memory, oral history and historiography in cross-cultural contexts. The second section includes articles on texts by Cynthia Ozick, Thane Rosenbaum, Daniel Handler, W.G Sebald, Monika Maron, Stephan Wackwitz, Jonathan Foer, Art Spiegelman, Georges-Arthur Goldstein, Binjamin Wilkomirski, Elfriede Jelinek, Thomas Bernhard, Tim Blake Nelson, and Diane Samuel.

Author: Elisabeth Krimmer
Publisher: Cambridge University Press
ISBN: 1139488376
Category : Literary Criticism
Languages : en
Pages :

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Book Description
The history of literature about war is marked by a fundamental paradox: although war forms the subject of countless novels, dramas, poems, and films, it is often conceived as indescribable. Even as many writers strive towards an ideal of authenticity, they maintain that no representation can do justice to the terror and violence of war. Readings of Schiller, Kleist, Jünger, Remarque, Grass, Böll, Handke, and Jelinek reveal that stylistic and aesthetic features, gender discourses, and concepts of agency and victimization can all undermine a text's martial stance or its ostensible pacifist agenda. Spanning the period from the Revolutionary and Napoleonic Wars to the recent wars in Yugoslavia and Iraq, this book investigates the aesthetic, theoretical, and historical challenges that confront writers of war.

Author: Oliver C. Speck
Publisher: A&C Black
ISBN: 1441192859
Category : Performing Arts
Languages : en
Pages : 270

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Book Description
An incisive and wide-ranging study of Michael Haneke's entire body of work, broadening the scholarship on this highly controversial filmmaker.