Symphonic and Chamber Music Score and Parts Bank Thematic Catalogue of the Barry S. Brook Facsimile Archive of 18th and Early 19th Century Autographs, Manuscripts, and Printed Copies at the Ph.D. Program in Music of the Graduate School of the City University of New York PDF Download
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Author: Symphonic and Chamber Music Score and Parts Bank (City University of New York) Publisher: Stuyvesant, NY : Pendragon Press ISBN: Category : Juvenile Nonfiction Languages : en Pages : 352
Book Description
The Symphonic and Chamber Music Bank of the Ph.D. Program in Music at the Graduate School of the City University of New York is an archive of 18th and 19th century reproductions assembled with a special purpose. Pertinent parts and scores have been culled from libraries and collections world-wide, bringing a lesser-known notated music to a central location for further intensive study. The archive, which has been expanding steadily since 1974, was conceived by Professor Barry Brook, the first Executive Officer of the CUNY Music Department. It is our intent to present the compositional sources - the compositions heard in the classical salons, courts, and concert halls - which did not necessarily make their way into the current repertoire. Excluded are the bulk of the works of the masters - Haydn, Mozart, and Beethoven - which have already been catalogued extensively, and are constantly being updated. Included are any compositions from the early 1700s through the1830s which have survived. These building blocks of yesteryear are the foundation for a penetrating rediscovery and assessment of music in the Classic Era.
Author: Symphonic and Chamber Music Score and Parts Bank (City University of New York) Publisher: Stuyvesant, NY : Pendragon Press ISBN: Category : Juvenile Nonfiction Languages : en Pages : 352
Book Description
The Symphonic and Chamber Music Bank of the Ph.D. Program in Music at the Graduate School of the City University of New York is an archive of 18th and 19th century reproductions assembled with a special purpose. Pertinent parts and scores have been culled from libraries and collections world-wide, bringing a lesser-known notated music to a central location for further intensive study. The archive, which has been expanding steadily since 1974, was conceived by Professor Barry Brook, the first Executive Officer of the CUNY Music Department. It is our intent to present the compositional sources - the compositions heard in the classical salons, courts, and concert halls - which did not necessarily make their way into the current repertoire. Excluded are the bulk of the works of the masters - Haydn, Mozart, and Beethoven - which have already been catalogued extensively, and are constantly being updated. Included are any compositions from the early 1700s through the1830s which have survived. These building blocks of yesteryear are the foundation for a penetrating rediscovery and assessment of music in the Classic Era.
Author: Stewart Cooke Publisher: Oxford University Press ISBN: 0192890476 Category : Literary Criticism Languages : en Pages : 632
Book Description
This volume of letters by Charles Burney, the first to be published since 1991, runs from 1794 to 10 January 1800, beginning with his recovery from a debilitating attack of rheumatism, continuing with the death of his wife in 1796, and ending with the shocking death of his daughter Susanna. Certain leitmotifs, typical of Burney's concerns, stand out throughout the volume: his trepidation over the war with France and its effect on domestic politics, his exhausting social life, his travels, and his publication of the memoirs of the poet and lyricist Metastasio. A staunch monarchist and a self-confessed 'allarmist', Burney is haunted 'day and night' by the French Revolution and the threat that Republican France poses to 'religion, morals, liberty, property, & life'. He frets frequently over those he considers to be domestic Jacobins, a word he uses forty-seven times in the course of the volume to describe anyone whose politics differ from his own conservative values. Although Burney turns sixty-eight in April 1794, in this volume he barely slows down his habitual hectic pace of teaching and publishing. In the summer of 1795, he publishes his final book, Memoirs of the Life and Writings of the Abate Pietro Metastasio, despite a hectic social life that sees him hobnobbing with the elite in society and politics and a love of travel that takes him to the homes of friends in Hampshire and Cheshire and into his past on a nostalgic visit to Shrewsbury, his childhood home.
Author: Stewart Cooke Publisher: Oxford University Press ISBN: 0198739842 Category : Literary Criticism Languages : en Pages : 632
Book Description
This volume of letters by Charles Burney, the first to be published since 1991, runs from 1794 to 10 January 1800, beginning with his recovery from a debilitating attack of rheumatism, continuing with the death of his wife in 1796, and ending with the shocking death of his daughter Susanna. Certain leitmotifs, typical of Burney's concerns, stand out throughout the volume: his trepidation over the war with France and its effect on domestic politics, his exhausting social life, his travels, and his publication of the memoirs of the poet and lyricist Metastasio. A staunch monarchist and a self-confessed 'allarmist', Burney is haunted 'day and night' by the French Revolution and the threat that Republican France poses to 'religion, morals, liberty, property, & life'. He frets frequently over those he considers to be domestic Jacobins, a word he uses forty-seven times in the course of the volume to describe anyone whose politics differ from his own conservative values. Although Burney turns sixty-eight in April 1794, in this volume he barely slows down his habitual hectic pace of teaching and publishing. In the summer of 1795, he publishes his final book, Memoirs of the Life and Writings of the Abate Pietro Metastasio, despite a hectic social life that sees him hobnobbing with the elite in society and politics and a love of travel that takes him to the homes of friends in Hampshire and Cheshire and into his past on a nostalgic visit to Shrewsbury, his childhood home.
Author: Jolande van der Klis Publisher: Leiden University Press ISBN: Category : Biography & Autobiography Languages : en Pages : 462
Book Description
Of all the composers of Dutch origin, only a handful have achieved world renown, such as early seventeenth century's Jan Pieterszoon Sweelinck and today's Louis Andriessen. Nonetheless, so much more Dutch music is worthy of attention. Now, for the first time ever, four centuries of composition in the Netherlands are documented in an alphabetical reference work. This book, an initiative of MuziekGroep Nederland, contains a hundred articles written by over forty specialists. Each essay deals with the life and work of an individual composer and is followed by a list of works as well as a discography. Short bibliographies make suggestions for more specialized reading.
Author: Symphonic and Chamber Music Score and Parts Bank (City University of New York)
Author: Symphonic and Chamber Music Score and Parts Bank (City University of New York)
Author: Stewart Cooke
Author: Frans Vester
Author: British Museum. Department of Printed Books
Author: Harold Reeves (Firm)
Author: Stewart Cooke
Author: British Library. Department of Printed Books![The Double Disguise. A Comic Opera ... Opera 32. [Libretto attributed to Mrs. H. H. Hook.] PDF](https://books.google.com/books/content/images/frontcover/6hYp3P_7U0sC?fife=w80-h100)
Author: Mr. Hook (James)
Author: Jolande van der Klis
Author: British Museum. Department of Printed Books