Author: Nomadsirius
Publisher: 펜립
ISBN:
Category : Art
Languages : en
Pages : 229
Book Description
Prologue. Romanticism despaired over the destructive and dark aspects of reason that became evident after the French Revolution of 1789. When radical and cruel reason shattered and collapsed all principles and orders, it bred a deep distrust and skepticism toward reason. Amid the ruins of the mind, Romanticism turned inward, seeking individuality and emotion based on self-confirmation and human instinctive desires. While Romanticism clearly emerged as a reaction against Enlightenment and Neoclassicism, it neither ignored nor rejected reason. Instead, it viewed absolute and universal reason as something that evolves with historical flow, perceiving society as an organism undergoing birth, growth, decline, and extinction. Just as Romanticism rebelled against the norms of the Age of Reason, scientific rationalism, and the Industrial Revolution, Realism opposed the exaggerated emotionalism and subjectivism of Romanticism. Focusing on the unpleasant and ugly realities revealed by the February Revolution of 1848, Realism aimed to objectify the lives of the middle and lower classes. It posited that uncomfortable truths are inherent in human conceptual systems and linguistic practices. Realism concerned itself with how things appear in order to view unidealized subjects and events. Thus, it attempted to depict and faithfully express facts existing in third-person objective reality according to secular and empirical rules, without embellishment or interpretation. This book approaches 15 films from the UK, Japan, and France through the intersection of emotion and thought. It contemplates the universal human emotions and experiences contained within the precarious spectacles of these three nations\' histories. By breaking free from prescribed emotional lines and the uncomfortable framework of fixed thought, this book reads the UK, Japan, and France through their cinematic narratives. Even when the film ends, it remains an unsettling stimulus with an unknown conclusion.
View England, Japan, and France through their movie stories
Author: Nomadsirius
Publisher: 펜립
ISBN:
Category : Art
Languages : en
Pages : 229
Book Description
Prologue. Romanticism despaired over the destructive and dark aspects of reason that became evident after the French Revolution of 1789. When radical and cruel reason shattered and collapsed all principles and orders, it bred a deep distrust and skepticism toward reason. Amid the ruins of the mind, Romanticism turned inward, seeking individuality and emotion based on self-confirmation and human instinctive desires. While Romanticism clearly emerged as a reaction against Enlightenment and Neoclassicism, it neither ignored nor rejected reason. Instead, it viewed absolute and universal reason as something that evolves with historical flow, perceiving society as an organism undergoing birth, growth, decline, and extinction. Just as Romanticism rebelled against the norms of the Age of Reason, scientific rationalism, and the Industrial Revolution, Realism opposed the exaggerated emotionalism and subjectivism of Romanticism. Focusing on the unpleasant and ugly realities revealed by the February Revolution of 1848, Realism aimed to objectify the lives of the middle and lower classes. It posited that uncomfortable truths are inherent in human conceptual systems and linguistic practices. Realism concerned itself with how things appear in order to view unidealized subjects and events. Thus, it attempted to depict and faithfully express facts existing in third-person objective reality according to secular and empirical rules, without embellishment or interpretation. This book approaches 15 films from the UK, Japan, and France through the intersection of emotion and thought. It contemplates the universal human emotions and experiences contained within the precarious spectacles of these three nations\' histories. By breaking free from prescribed emotional lines and the uncomfortable framework of fixed thought, this book reads the UK, Japan, and France through their cinematic narratives. Even when the film ends, it remains an unsettling stimulus with an unknown conclusion.
Publisher: 펜립
ISBN:
Category : Art
Languages : en
Pages : 229
Book Description
Prologue. Romanticism despaired over the destructive and dark aspects of reason that became evident after the French Revolution of 1789. When radical and cruel reason shattered and collapsed all principles and orders, it bred a deep distrust and skepticism toward reason. Amid the ruins of the mind, Romanticism turned inward, seeking individuality and emotion based on self-confirmation and human instinctive desires. While Romanticism clearly emerged as a reaction against Enlightenment and Neoclassicism, it neither ignored nor rejected reason. Instead, it viewed absolute and universal reason as something that evolves with historical flow, perceiving society as an organism undergoing birth, growth, decline, and extinction. Just as Romanticism rebelled against the norms of the Age of Reason, scientific rationalism, and the Industrial Revolution, Realism opposed the exaggerated emotionalism and subjectivism of Romanticism. Focusing on the unpleasant and ugly realities revealed by the February Revolution of 1848, Realism aimed to objectify the lives of the middle and lower classes. It posited that uncomfortable truths are inherent in human conceptual systems and linguistic practices. Realism concerned itself with how things appear in order to view unidealized subjects and events. Thus, it attempted to depict and faithfully express facts existing in third-person objective reality according to secular and empirical rules, without embellishment or interpretation. This book approaches 15 films from the UK, Japan, and France through the intersection of emotion and thought. It contemplates the universal human emotions and experiences contained within the precarious spectacles of these three nations\' histories. By breaking free from prescribed emotional lines and the uncomfortable framework of fixed thought, this book reads the UK, Japan, and France through their cinematic narratives. Even when the film ends, it remains an unsettling stimulus with an unknown conclusion.
The power of humanities trivia
Author: Nomadsirius
Publisher: 펜립
ISBN:
Category : History
Languages : en
Pages : 281
Book Description
Prologue. Homer and Hesiod, who encapsulated human desires and ideals, as well as human limitations and imagination, highlight humanity through their mythological elements. Unlike Bulfinch, who viewed myths as tools for Enlightenment teachings, Homer and Hesiod prioritize human values such as honor, courage, and labor. For them, the Greek human is a curious being, questioning everything and exploring to understand, embodying a fantastical race. They challenge the authority of the gods by integrating the humanities, social sciences, and natural sciences into a systematic conception of knowledge. Stripping away the myths shrouded in clouds, they reveal the clarity of all concepts under the bright Mediterranean sunlight. Dutch historian Johan Huizinga also illuminated the dark ages with his work "The Autumn of the Middle Ages" (1919), encouraging a deeper perspective on life through the living humanities. Through humanistic thought grounded in history, we come to understand and engage with the world. By probing into humanistic questions and answers, we uncover symbols of play embedded in the twilight and moonlight, filling life with fantasy. The quality of fantasy is determined by the accumulated knowledge and intellectual capacity of individuals. When the journey of fantasy is beneficial and enjoyable, it transforms into genuine play, yielding riches for oneself and others.
Publisher: 펜립
ISBN:
Category : History
Languages : en
Pages : 281
Book Description
Prologue. Homer and Hesiod, who encapsulated human desires and ideals, as well as human limitations and imagination, highlight humanity through their mythological elements. Unlike Bulfinch, who viewed myths as tools for Enlightenment teachings, Homer and Hesiod prioritize human values such as honor, courage, and labor. For them, the Greek human is a curious being, questioning everything and exploring to understand, embodying a fantastical race. They challenge the authority of the gods by integrating the humanities, social sciences, and natural sciences into a systematic conception of knowledge. Stripping away the myths shrouded in clouds, they reveal the clarity of all concepts under the bright Mediterranean sunlight. Dutch historian Johan Huizinga also illuminated the dark ages with his work "The Autumn of the Middle Ages" (1919), encouraging a deeper perspective on life through the living humanities. Through humanistic thought grounded in history, we come to understand and engage with the world. By probing into humanistic questions and answers, we uncover symbols of play embedded in the twilight and moonlight, filling life with fantasy. The quality of fantasy is determined by the accumulated knowledge and intellectual capacity of individuals. When the journey of fantasy is beneficial and enjoyable, it transforms into genuine play, yielding riches for oneself and others.
Approach the Roadmap to Wealth
Author: Nomadsirius
Publisher: 펜립
ISBN:
Category : Business & Economics
Languages : en
Pages : 480
Book Description
Prologue. In times of economic transition, changes always occur in three areas. First, there is a lack of entrepreneurship. The entrepreneurial spirit, which is crucial to navigate through complex and chaotic times, is in absolute short supply. Second, the dominant institution shifts from corporations to individuals. What once could only be done by large companies can now be accomplished by individuals. Third, the dominant actor shifts from the CEO to the individual entrepreneur. Entrepreneurs create their own systems and work according to the systems they have built. If one overcomes the intense challenges of the night with entrepreneurship, one can grasp an unprecedented level of wealth and freedom, as well as the meaning of work and life in human history. What is dangerous is actually safer. The eminent Islamic historian Ibn Khaldun (1332-1406) mentioned the concept of \'desert people\' in his \'Muqaddimah\'. Desert people live apart from the community, dwelling alone. Without city walls, they are always cautiously vigilant in all directions. They protect themselves with only bold courage. City dwellers, accustomed to success and luxury, indulge in worldly desires. They lack courage due to laziness and complacency. They have an unshakeable belief in the security of the walls surrounding them. People who allow someone else to design their lives enjoy only minimal freedom. They are assigned clearly defined tasks and roles at work. On the other hand, those who define and design their own lives tackle complex problems. They demonstrate a high level of competence in the quality of life, freedom, and wealth. Based on a philosophical understanding of wealth, they amplify the bidirectional feedback mechanism of error and recursion through a roadmap of wealth.
Publisher: 펜립
ISBN:
Category : Business & Economics
Languages : en
Pages : 480
Book Description
Prologue. In times of economic transition, changes always occur in three areas. First, there is a lack of entrepreneurship. The entrepreneurial spirit, which is crucial to navigate through complex and chaotic times, is in absolute short supply. Second, the dominant institution shifts from corporations to individuals. What once could only be done by large companies can now be accomplished by individuals. Third, the dominant actor shifts from the CEO to the individual entrepreneur. Entrepreneurs create their own systems and work according to the systems they have built. If one overcomes the intense challenges of the night with entrepreneurship, one can grasp an unprecedented level of wealth and freedom, as well as the meaning of work and life in human history. What is dangerous is actually safer. The eminent Islamic historian Ibn Khaldun (1332-1406) mentioned the concept of \'desert people\' in his \'Muqaddimah\'. Desert people live apart from the community, dwelling alone. Without city walls, they are always cautiously vigilant in all directions. They protect themselves with only bold courage. City dwellers, accustomed to success and luxury, indulge in worldly desires. They lack courage due to laziness and complacency. They have an unshakeable belief in the security of the walls surrounding them. People who allow someone else to design their lives enjoy only minimal freedom. They are assigned clearly defined tasks and roles at work. On the other hand, those who define and design their own lives tackle complex problems. They demonstrate a high level of competence in the quality of life, freedom, and wealth. Based on a philosophical understanding of wealth, they amplify the bidirectional feedback mechanism of error and recursion through a roadmap of wealth.
WOrld War II Goes to the Movies & Television Guide
Author: Terry Rowan
Publisher: Lulu.com
ISBN: 1105586022
Category : Performing Arts
Languages : en
Pages : 578
Book Description
A complete film guide to all of your films and television shows that pertain to WWII. Included are every WWII film produced throughout the world. Historical and informative. Stories behind the Hollywood Canteen, USO shows, War Bond drives, those who served or were classified as 4F during the war. Many interested stories!
Publisher: Lulu.com
ISBN: 1105586022
Category : Performing Arts
Languages : en
Pages : 578
Book Description
A complete film guide to all of your films and television shows that pertain to WWII. Included are every WWII film produced throughout the world. Historical and informative. Stories behind the Hollywood Canteen, USO shows, War Bond drives, those who served or were classified as 4F during the war. Many interested stories!
World War II Goes to the Movies & Television Guide Volume I A-K
Author: Terry Rowan
Publisher: Lulu.com
ISBN: 110546489X
Category : Performing Arts
Languages : en
Pages : 290
Book Description
A Complete Film Guide to motion pictures and television shows that pertain to WWII. Facts and stories about Hollywood personal that served in the Armed Forces, War Bond drives, USO shows, Hollywood Canteen and those who were ruled 4 F during the war. Complete history of world cinema during the years of the war. As well as other interesting facts are also included in the first volume. Featurine shorts, cartoons, documentaries, and feature films. Don't forget to get the second volume L-Z.
Publisher: Lulu.com
ISBN: 110546489X
Category : Performing Arts
Languages : en
Pages : 290
Book Description
A Complete Film Guide to motion pictures and television shows that pertain to WWII. Facts and stories about Hollywood personal that served in the Armed Forces, War Bond drives, USO shows, Hollywood Canteen and those who were ruled 4 F during the war. Complete history of world cinema during the years of the war. As well as other interesting facts are also included in the first volume. Featurine shorts, cartoons, documentaries, and feature films. Don't forget to get the second volume L-Z.
Producing Hiroshima and Nagasaki
Author: Yuko Shibata
Publisher: University of Hawaii Press
ISBN: 0824876253
Category : History
Languages : en
Pages : 177
Book Description
National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.
Publisher: University of Hawaii Press
ISBN: 0824876253
Category : History
Languages : en
Pages : 177
Book Description
National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.
The Untold Story of the Korean Film Industry
Author: Jimmyn Parc
Publisher: Springer Nature
ISBN: 3030803422
Category : Business & Economics
Languages : en
Pages : 255
Book Description
This book analyses the Korean film industry emergence and development in a global business and economic perspective. This is one of the first books to compare the film policies and industries of the world’s six largest film industries – featuring Korea as the central character – with the aim of defining the contours of what constitutes an effective film policy. It presents many cases showing that, contrary to what is often believed, an economically sound policy is a good instrument for achieving desired cultural goals. It uses a set of analytical tools – borrowed from the economic analysis of international trade policies – to provide a rich harvest of new, rigorous, and often unexpected results on the effectiveness of the existing film policies. The implications found in this book are relevant not only for Korea, but for all other countries that wish to foster or enhance the competitiveness of their film industries. This book will be of interest to a wide spectrum of scholars interested in cultural studies – media and cultural specialists, political scientists, sociologists, historians – in addition to business analysts and economists specialized in cultural economics. As this book focuses on film policies and how to improve them, it will also appeal to policymakers, business figures, public relations officials, and staff from international organizations working on the film industry.
Publisher: Springer Nature
ISBN: 3030803422
Category : Business & Economics
Languages : en
Pages : 255
Book Description
This book analyses the Korean film industry emergence and development in a global business and economic perspective. This is one of the first books to compare the film policies and industries of the world’s six largest film industries – featuring Korea as the central character – with the aim of defining the contours of what constitutes an effective film policy. It presents many cases showing that, contrary to what is often believed, an economically sound policy is a good instrument for achieving desired cultural goals. It uses a set of analytical tools – borrowed from the economic analysis of international trade policies – to provide a rich harvest of new, rigorous, and often unexpected results on the effectiveness of the existing film policies. The implications found in this book are relevant not only for Korea, but for all other countries that wish to foster or enhance the competitiveness of their film industries. This book will be of interest to a wide spectrum of scholars interested in cultural studies – media and cultural specialists, political scientists, sociologists, historians – in addition to business analysts and economists specialized in cultural economics. As this book focuses on film policies and how to improve them, it will also appeal to policymakers, business figures, public relations officials, and staff from international organizations working on the film industry.
An Introduction to Film Studies
Author: Jill Nelmes
Publisher: Psychology Press
ISBN: 9780415262682
Category : Performing Arts
Languages : en
Pages : 532
Book Description
An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film. Features of the third edition include: *full coverage of all the key topics at undergraduate level *comprehensive and up-to-date information and new case studies on recent films such as Gladiator, Spiderman, The Blair Witch Project, Fight Club, Shrekand The Matrix *annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study. Individual chapters include: *Film form and narrative *Spectator, audience and response *Critical approaches to Hollywood cinema: authorship, genre and stars *Animation: forms and meaning *Gender and film *Lesbian and gay cinema *British cinema *Soviet montage Cinema *French New Wave *Indian Cinema
Publisher: Psychology Press
ISBN: 9780415262682
Category : Performing Arts
Languages : en
Pages : 532
Book Description
An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film. Features of the third edition include: *full coverage of all the key topics at undergraduate level *comprehensive and up-to-date information and new case studies on recent films such as Gladiator, Spiderman, The Blair Witch Project, Fight Club, Shrekand The Matrix *annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study. Individual chapters include: *Film form and narrative *Spectator, audience and response *Critical approaches to Hollywood cinema: authorship, genre and stars *Animation: forms and meaning *Gender and film *Lesbian and gay cinema *British cinema *Soviet montage Cinema *French New Wave *Indian Cinema
Moving Picture World and View Photographer
The Russo-Japanese War in Cultural Perspective, 1904–05
Author: D. Wells
Publisher: Springer
ISBN: 0230514588
Category : History
Languages : en
Pages : 227
Book Description
The Russo-Japanese War of 1904-05 has been widely seen as a historical turning-point. For the first time in modern history an Asian and a European country competed on equal terms, overturning the prevailing balance of power. Based on a wide range of original source material in Russian, Japanese and other languages, this book goes beyond the military and international political grand narratives to examine the war's social, cultural, literary and intellectual impact in their historical context. In Japan the war reinforced the country's self-image as a 'coming' nation, while in Russia, combined with the revolution of 1905 and later political and social upheaval, it was seen as separating the old régime from the new. Throughout the world, 'spirit' was seen to be a decisive factor, and cultural considerations determined the war's interpretation. Featuring contributions by established scholars in the fields of military history and the history and literature of both Russia and Japan, this book offers for the first time a comparative perspective on the symbolic meaning of the conflict.
Publisher: Springer
ISBN: 0230514588
Category : History
Languages : en
Pages : 227
Book Description
The Russo-Japanese War of 1904-05 has been widely seen as a historical turning-point. For the first time in modern history an Asian and a European country competed on equal terms, overturning the prevailing balance of power. Based on a wide range of original source material in Russian, Japanese and other languages, this book goes beyond the military and international political grand narratives to examine the war's social, cultural, literary and intellectual impact in their historical context. In Japan the war reinforced the country's self-image as a 'coming' nation, while in Russia, combined with the revolution of 1905 and later political and social upheaval, it was seen as separating the old régime from the new. Throughout the world, 'spirit' was seen to be a decisive factor, and cultural considerations determined the war's interpretation. Featuring contributions by established scholars in the fields of military history and the history and literature of both Russia and Japan, this book offers for the first time a comparative perspective on the symbolic meaning of the conflict.