Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 728
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 728
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Dictionary Catalog of the Art and Architecture Division
Author: New York Public Library. Art and Architecture DivisionPublisher:
ISBN:
Category : Architecture
Languages : en
Pages : 752
Book Description
Dictionary Catalog of the Prints Division
Author: New York Public Library. Prints DivisionPublisher:
ISBN:
Category : Art
Languages : en
Pages : 854
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research LibrariesPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 592
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 884
Book Description
Catalogue d'estampes principalement de l'école française du XVIIIe siècle, pièces imprimées en noir et en couleurs par et d'après Baudouin, Chardin, Fragonard, Lawreince, Debucourt, etc., dessins anciens et modernes, dont la vente ... aura lieu Hôtel des Commissaires-priseurs, rue Drouot ... les vendredi 31 janvier et samedi 1er février 1879 ... par le ministère de Me Maurice Delestre, commissaire-priseur ... assisté de MM. Danlos fils et Delisle, marchands d'éstampes ...
Author: Salvator Rosa in French Literature
Author: James PattyPublisher: University Press of Kentucky
ISBN: 0813171938
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Catalogue d'une belle collection d'estampes de l'école française du XVIIIe siècle, pièces imprimées en noir et en couleur par et d'après Baudouin, Boucher, Chardin ... dont la vente ... aura lieu Hôtel des Commissires-priseurs, rue Drouot ... les lundi 15 et mardi 16 mai 1876 ... par le ministère de Me Maurice Delestre, commissaire-priseur ... assisté de MM. Danlos fils et Delisle, marchand d'estampes ...
Author: Privilege and Property
Author: Ronan DeazleyPublisher: Open Book Publishers
ISBN: 190692418X
Category : Law
Languages : en
Pages : 438
Book Description
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.