Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 84
Book Description
The Theatrical Manager: a dramatic satire upon David Garrick
Author: Encyclopaedia of Australian Heavy Metal
Author: Brian GiffinPublisher: Lulu.com
ISBN: 0994320612
Category : Music
Languages : en
Pages : 343
Book Description
The Encyclopaedia of Australian Metal presents pictures, biographies and discographical information on more than 2000 metal and heavy rock bands from all parts of Australia - from the early 70s pioneers like AC/DC, Buffalo and Rose Tattoo to the current breed: Psycroptic, Parkway Drive, Ne Obliviscaris and more.
I Am the Darker Brother
Author: Arnold AdoffPublisher: Simon and Schuster
ISBN: 0689808690
Category : Juvenile Nonfiction
Languages : en
Pages : 214
Book Description
Collects verse by African American poets of the twentieth century.
Shakespeare's Accents
Author: Sonia MassaiPublisher: Cambridge University Press
ISBN: 1108429629
Category : Drama
Languages : en
Pages : 251
Book Description
A history of the reception of Shakespeare on the English stage focusing on the vocal dimensions of theatrical performance.
From Enlightenment to Rebellion
Author: James G. BuickeroodPublisher: Bucknell University Press
ISBN: 1611488710
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
This book is a collection of essays and a short story written to honor Christopher Fox of Notre Dame, arguably the most influential figure in Irish Studies for the past quarter century. The essays address topics in which Professor Fox has made his own enduring scholarly contributions, and subjects to which he has made enduring contributions through his academic leadership, from the development of library collections and important fellowships at his university to the institution of a global community of scholars in Irish Studies. The disciplines represented by the essays published here include English Literature, Irish Literature, Comparative Literature, Medieval Studies, Librarianship, History, Intellectual History, Irish Folklore, Philosophy, and Documentary Film. Seven of the fifteen essays focus on topics at the intersection of Irish Studies and Eighteenth-Century Studies, Fox’s own specialty. They include studies of Edmund Burke’s late-career view of the free market and social justice; the persistent influence of William Molyneux and Jonathan Swift in late eighteenth-century Irish patriots’ political vision; Swift’s conception of neighborliness in his fiction and sermons; the satirist’s illnesses and their bearing on his social relationships; the anthropogenic dimension of Alexander Pope’s Dunciad; the reception of Lucretius’ De rerum natura in the seventeenth- and eighteenth-century British Isles; and an examination of the conception of the self in the philosophical work of John Locke and Charles Mein. The remainder cover texts and issues such as the role of Continental influence on medieval Irish epic, the relations of poets and lords in early modern Ireland, perspectives on writers in Irish folklore, and the relations of social class and linguistic change in the modern novel. There is as well a pair of essays on the 1916 Dublin Easter Rising, one examining the role of the theater in the participants’ conceptions of that event, the other discussing the creation of the award winning recent documentary series of which Fox was executive producer, 1916: The Irish Rebellion. The contributions open with a Forward by the former President of Ireland, Mary McAleese, and conclude with a new short story by the Irish novelist Patrick McCabe. The book includes a Select Bibliography of the publications of Professor Fox, and an Index.
The Caperberry Bush
Author: Jack GuinnAfter the Death of Literature
Author: Richard B. SchwartzPublisher: SIU Press
ISBN: 9780809321360
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Schwartz speculates that Johnson - who revered hard facts, a wide cultural base, and common sense - would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan's declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new - "superb" he calls them - he characterizes the entire culture war as a "battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement."
The Dunciad
Author: Alexander PopeTobias Smollett in the Enlightenment
Author: Richard J. JonesPublisher: Rowman & Littlefield
ISBN: 1611480485
Category : History
Languages : en
Pages : 233
Book Description
Tobias Smollett (1721-1771) is best known today as a novelist, but in the eighteenth-century, he was regarded as a historian and critic. In this book, Richard J. Jones explores the diversity of Smollett's journalistic and literary writings and establishes new connections between Smollett's work and writers of the Scottish Enlightenment. The book takes as its focal point Smollett's visit to Nice, between 1763 and 1765, and the account he wrote of it in Travels through France and Italy (1766). This account is usually seen as a "travel narrative" but Jones argues that it should be read as a "pocket encyclopedia" in the tradition of Voltaire. Jones divides his study into sections on medicine, fine art, the theater and history. In doing so, he offers a productive juxtaposition of authors, texts and contexts, presenting Smollett as a writer whose Scottish (and particularly Glaswegian) identity informed his involvement in a wider European Enlightenment.
The Oxford Handbook of the Georgian Theatre 1737-1832
Author: Julia SwindellsPublisher: OUP Oxford
ISBN: 0191655198
Category : Literary Criticism
Languages : en
Pages : 786
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.