Variations symphoniques pour piano et orchestre PDF Download

Author: César Franck
Publisher:
ISBN:
Category : Piano with orchestra
Languages : en
Pages : 88

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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 682

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Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354

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Author: Robert James Stove
Publisher: Scarecrow Press
ISBN: 0810882078
Category : Biography & Autobiography
Languages : en
Pages : 401

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Book Description
C sar Franck (1822-1890), Belgian born and French domiciled, was one of the most remarkable composers of the 19th century. A number of his works are commonly recorded--such as his Symphony in D Minor, Symphonic Variations, Violin Sonata, and the ever-popular Panis Angelicus--and yet 38 years have elapsed since a biography of him appeared in English. Now with C sar Franck: His Life and Times, R. J. Stove fills this gap in the history of late 19th-century classical music with a full-length study of the man and his music. Drawing on sources never before cited in English, Stove paints a far more detailed picture of this great musician and deeply loved man, whose influence in both his native and adopted lands was exceptional. Stove carefully delves into intimate matters of Franck's life, including his resilience in the face of his exploitation as a child prodigy at the piano, his development from a shy and harassed piano teacher into one of the most sought-after luminaries of Paris's Conservatoire, and the truth behind Franck's alleged affair with one of his students. Throughout his study, Stove interweaves panoramic surveys of the political and social scene in Belgium and France, contextualizing Franck's achievements in his historical milieu, from his rise as a recognized master of the organ to his dealings with significant composers such as Liszt, Gounod, Saint-Sa ns, Massenet, Chabrier, and others. C sar Franck: His Life and Times is an engagingly written biography sure to interest classical music listeners of all stripes.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 856

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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 676

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Author: Chicago Symphony Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 296

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The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.

Author: James Peter Burkholder
Publisher: Yale University Press
ISBN: 9780300102123
Category : Music
Languages : en
Pages : 572

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Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.

Author: John Michael Cooper
Publisher: Rowman & Littlefield
ISBN: 1538157527
Category : Music
Languages : en
Pages : 847

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Book Description
Library Journal praises the book as "an excellent one-volume ready reference resource for students, researchers, and others interested in music history." Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.

Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 0674417992
Category : Music
Languages : en
Pages : 1020

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Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.