Orchestral Variations PDF Download

Author: Norman Del Mar
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 264

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Book Description
Describes mistakes, misprints, and composer's errors in different editions of orchestral literature.

Author: Carl Dahlhaus
Publisher: Cambridge University Press
ISBN: 9780521337830
Category : Music
Languages : en
Pages : 320

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Book Description
This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.

Author: Julian Rushton
Publisher: Cambridge University Press
ISBN: 9780521636377
Category : Music
Languages : en
Pages : 128

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Book Description
Elgar's Variations for Orchestra, commonly known as the 'Enigma' Variations, marked an epoch both in his career, and in the renaissance of English music at the turn of the century. First performed in 1899 under Hans Richter, the work became his passport to national fame and international success. From the first it intrigued listeners to know why it was called 'enigma', and who were the 'friends pictured within', to whom the work is dedicated. Appearing in the centenary year of the work's composition, this book elucidates what is known, and what has been said about the work and the enigma, and directs future listeners to what matters most: the inspired qualities of the music.

Author: David Hurwitz
Publisher: Continuum
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168

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Book Description
"Brahms was a famously complex character: an irascible curmudgeon, and a famously learned composer who took tremendous pride in composing tuneful, expressive melodies of great popular appeal. This accounts at least in part for the enduring esteem that his symphonies enjoy among musicians, scholars, and the listening public alike. This duality between the learned and the popular sides of Brahms' musical personality has made his music as difficult to analyze and discuss as was his singularly complex and mysterious personal life. This book attempts to aid the general listener in bridging the gap between these two seemingly irreconcilable aspects of Brahms' character, aspects that are particularly in evidence, and balanced with particular poise, in his four symphonies. First, author David Hurwitz examines Brahms' place in the German symphonic tradition, his obsessive preoccupation with his place in the grand line of classical composers stretching back to Bach, and proceeding through Haydn, Mozart, Beethoven, and Schumann. Despite his ongoing struggle to master orchestral writing, Hurwitz argues that Brahms did achieve a unique symphonic style, one found nowhere else in his (or anyone else's) works in symphonic form. Finally, each symphony is described from two perspectives: in the most helpful musical context, and then also in movement by movement descriptions of Brahms' expressive argument. Finally, a list of recommended recordings concludes a discussion that shows today's music lovers that the riches contained in these perennially attractive works do not hide beneath the surface, but in fact lie liberally scattered in plain view, just waiting to be savored." --Back cover.

Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968

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Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Author: Kathryn Bailey
Publisher: Cambridge University Press
ISBN: 9780521547963
Category : Music
Languages : en
Pages : 480

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Book Description
This important new study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition adopted by Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, Professor Bailey demonstrates a fundamentally traditional aspect to Webern's creativity, when describing his own music. Professor Bailey analyses all Webern's twelve-note works (from Op. 17 to Op. 31) i.e. the instrumental and vocal music written between 1924 and 1943. These analyses draw on sketch material recently made available at the Paul Sacher Foundation in Basel and include transcriptions of little-known drafts and sketches. A most valuable aspect of the book is the inclusion in appendices of such materials as a complete explanation of the row content of each work, the correct prime form of each of the rows from Op. 20 onwards, with a matrix constructed for each, and exhaustive row analyses.

Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 968

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Book Description

Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1732

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Book Description

Author: Library of Congress. Subject Cataloging Division
Publisher: Washington : Library of Congress, Processing Department, Subject Cataloging Division
ISBN:
Category : Subject headings
Languages : en
Pages : 1366

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Book Description

Author: Library of Congress. Subject Cataloging Division
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1452

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Book Description