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Author: Kristina Muxfeldt Publisher: OUP USA ISBN: 0199782423 Category : History Languages : en Pages : 264
Book Description
Vanishing Sensibilities examines once passionate cultural concerns that shaped music of Schubert, Beethoven, Schumann, and works of their contemporaries in drama or poetry. Music, especially music with text, was a powerful force in lively ongoing conversations about the nature of liberty, which included such topics as the role of consent in marriage, same-sex relationships, freedom of the press, and the freedom to worship (or not). Among the most common vehicles for stimulating debate about pressing social concerns were the genres of historical drama, and legend or myth, whose stories became inflected in fascinating ways during the Age of Metternich. Interior and imagined worlds, memories and fantasies, were called up in purely instrumental music, and music was privately celebrated for its ability to circumvent the restrictions that were choking the verbal arts.Author Kristina Muxfeldt invites us to listen in on these cultural conversations, dating from a time when the climate of censorship made the tone of what was said every bit as important as its literal content. At this critical moment in European history such things as a performer's delivery, spontaneous improvisation, or the demeanor of the music could carry forbidden messages of hope and political resistance--flying under the censor's radar like a carrier pigeon. Rather than trying to decode or fix meanings, Muxfeldt concerns herself with the very mechanisms of their communication, and she confronts distortions to meaning that form over time as the cultural or political pressures shaping the original expression fade and are eventually forgotten. In these pages are accounts of works successful in their own time alongside others that failed to achieve more than a liminal presence, among them Schubert's Alfonso und Estrella and his last opera project Der Graf von Gleichen, whose libretto was banned even before Schubert set to work composing it. Enlivening the narrative are generous music examples, reproductions of artwork, and facsimiles of autograph material.
Author: Kristina Muxfeldt Publisher: OUP USA ISBN: 0199782423 Category : History Languages : en Pages : 264
Book Description
Vanishing Sensibilities examines once passionate cultural concerns that shaped music of Schubert, Beethoven, Schumann, and works of their contemporaries in drama or poetry. Music, especially music with text, was a powerful force in lively ongoing conversations about the nature of liberty, which included such topics as the role of consent in marriage, same-sex relationships, freedom of the press, and the freedom to worship (or not). Among the most common vehicles for stimulating debate about pressing social concerns were the genres of historical drama, and legend or myth, whose stories became inflected in fascinating ways during the Age of Metternich. Interior and imagined worlds, memories and fantasies, were called up in purely instrumental music, and music was privately celebrated for its ability to circumvent the restrictions that were choking the verbal arts.Author Kristina Muxfeldt invites us to listen in on these cultural conversations, dating from a time when the climate of censorship made the tone of what was said every bit as important as its literal content. At this critical moment in European history such things as a performer's delivery, spontaneous improvisation, or the demeanor of the music could carry forbidden messages of hope and political resistance--flying under the censor's radar like a carrier pigeon. Rather than trying to decode or fix meanings, Muxfeldt concerns herself with the very mechanisms of their communication, and she confronts distortions to meaning that form over time as the cultural or political pressures shaping the original expression fade and are eventually forgotten. In these pages are accounts of works successful in their own time alongside others that failed to achieve more than a liminal presence, among them Schubert's Alfonso und Estrella and his last opera project Der Graf von Gleichen, whose libretto was banned even before Schubert set to work composing it. Enlivening the narrative are generous music examples, reproductions of artwork, and facsimiles of autograph material.
Author: Leonard Ginsberg Publisher: Trafford Publishing ISBN: 142517437X Category : Performing Arts Languages : en Pages : 253
Book Description
One of Akira Kurosawa's most popular films, Yojimbo (1961) tells the story of a vagrant samurai who outsmarts two gangs warring to control a small town in mid-19th century Japan. This plot a lone hero who challenges both potent rivals struggling to control a place has proved remarkably adaptable. Recent film settings include the American southwest, New York, the coast of Ireland, Viking Iceland, and outer space. The rivals include drug dealers, police, witches, and seals, the hero a hit-man, a psychopath, a senior, an orphan. These films track the basic plot or veer off in unexpected directions. They provide an evening's delight or arouse enduring intellectual engagement with a wide variety of disciplines. Rhapsody on a Film by Kurosawa explores this cultural complex. Films discussed include American Beauty (1999), Donnie Darko (2001), The King of Masks (1996), Memento (2000), Ponette (1996), Requiem for a Dream (2000), Se7en (1995), and The Witches (1990). Other sections discuss possible origins of the plot in the work of Dashiell Hammett and Shakespeare, a Yojimbo hero who emerged in the final days of the Tokugawa Shogunate, and the relation of Yojimbo to Kurosawa's cinematic career. Rhapsody on a Film by Kurosawa is the author's first book.
Author: David Staines Publisher: ISBN: 1108418082 Category : Literary Criticism Languages : en Pages : 323
Book Description
The first one-volume history of Canadian fiction covering its growth and development from earliest times to the present day. Recounting the struggles and the glories of this burgeoning area of investigation, it explains Canada's literary growth alongside its remarkable history.
Author: Tracy Chevalier Publisher: Routledge ISBN: 1135314101 Category : Reference Languages : en Pages : 1032
Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
Author: Publisher: Scarecrow Press ISBN: 0810883309 Category : Music Languages : en Pages : 427
Book Description
In Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers and Performers, the third volume in Janita R. Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt heralds his admiration for early nineteenth-century opera and musical stage works. He honors Gluck, the musical prophet, as the cultivator of dramatic truth in the Romantic opera Orpheus, expounds on Beethoven’s harmonic inventions and innovative treatment of form in Fidelio, and argues for the latter’s incidental music to Goethe’s Egmont as the epitome of music organicism, a complete unity of words and tone. He also comments on Weber’s Euryanthe as offering the most progressive musical characterizations and declamation—even more so than his popular work Der Freischütz—and on how both works prefigure Wagner’s music dramas; awards Mendelssohn, whose genius Liszt ranks only slightly less than Beethoven’s, top honors for creating in Midsummer’s Night Dream the highest standards of music poetry; suggests how Scribe and Meyerbeer’s Robert the Devil paints a mental image of art’s eternal flames, where poet and musician share equal space in the development of music tragedy; reveals how the poetic deficiencies in the libretto to Schubert’s Alfonso and Estrella are too easily overlooked because of the music’s melodic and lyrical supremacy; and offers in contrast Auber’s Mute from Portici, a remarkable text by many historically picturesque musical motives that are universal and nationalistic at the same time. Finally Liszt offers an early gender study in music in his essay about Bellini’s Montague and Capulet (as well as its impact on nineteenth-century audiences), a look at Boieldieu’s White Lady as a sublime depiction of literary music, and Donizetti’s Favorite as colored with a special type of imagery, a laterna magica, in Liszt’s hand. The beloved soprano Pauline Viardot-Garcia receives special attention in an essay devoted entirely to her, and Liszt proffers a critique of entr’acte music as a pointless tradition that dethrones music and insults the artist and composer by making music a “palate cleanser.” This volume includes a detailed discussion about what it meant to be patronized by Liszt and how his support—financial, literary, and musical—helped shape many a music career. It also offers commentary on how gender in opera was sometimes obscured not only for dramatic interest but also as part of the process of outlining a nation’s identity,as well as a thorough study of Liszt’s concepts of Gestalt theory, the Archetype, and his musical Weltanschauung (his musical "world view"), all revealing his contribution to 19th-century music philosophy as it relates to opera. Finally, a historical review of entr’acte music is presented—how it began and how it developed—to clarify Liszt’s stance against it, making this volume a necessary read for music historians, serious musicians, and music connoisseurs alike.
Author: Lorna Fitzsimmons Publisher: Oxford University Press ISBN: 019993519X Category : Music Languages : en Pages : 960
Book Description
Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.
Author: Benedict Taylor Publisher: Oxford University Press ISBN: 0190206055 Category : History Languages : en Pages : 329
Book Description
Music has been seen since the Romantic era as the quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. The Melody of Time explores the multiple ways in which music may provide insight into the problematics of time, spanning the dynamic century between Beethoven and Elgar.
Author: Richard Kramer Publisher: University of Chicago Press ISBN: 0226821633 Category : Music Languages : en Pages : 266
Book Description
"This is a book about Vienna in 1815, at the close of the Napoleonic era and the Napoleonic wars, and on the verge of the Congress of Vienna, which would redraw national boundaries and reconfigure the European community for a full century. Beethoven and Schubert were both citizens of Vienna at this time, Beethoven half-way through his composing career and socially withdrawn because of his almost total deafness; Schubert not yet twenty years-old and in the middle of one of his most prolific periods, with 140 songs and a symphony composed over the course of 1815 alone. Seemingly oblivious to the momentous events and deeply immersed in their own world, they each seemed to be composing 'against' something, in Richard Kramer's compelling reading: 'against the Enlightenment' in Beethoven's case, for whom only a sense of stripped-down nostalgia remained of the optimistic spirit of the 1790s; 'against Beethoven' in Schubert's case, who felt the looming presence of the older composer even as his own musical imagination bloomed. In taking his readers through a carefully chosen selection of works dating from 1815-songs, string quartets, piano sonatas, and more-Kramer insightfully unearths previously undetected resonances and associations and illuminates the two composers' 'lonely and singular journeys' through the 'rich solitude of their music'"--
Author: Scott Messing Publisher: Boydell & Brewer ISBN: 1580469655 Category : Music Languages : en Pages : 335
Book Description
Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
Author: Robert S. Hatten Publisher: Indiana University Press ISBN: 0253038014 Category : Music Languages : en Pages : 251
Book Description
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
Author: Kristina Muxfeldt
Author: Kristina Muxfeldt
Author: Leonard Ginsberg
Author: David Staines
Author: Tracy Chevalier
Author: 
Author: Lorna Fitzsimmons
Author: Benedict Taylor
Author: Richard Kramer
Author: Scott Messing
Author: Robert S. Hatten