Val Lewton: the Reality of Terror PDF Download

Author: Joel E. Siegel
Publisher:
ISBN: 9780670743216
Category : Horror films
Languages : en
Pages : 176

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Book Description

Author: Joel E. Siegal
Publisher: London : Secker and Warburg; British film Institute
ISBN: 9780436099311
Category : Horror films
Languages : en
Pages : 175

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Book Description

Author: J. P. Telotte
Publisher: Urbana, Ill. : University of Illinois Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 272

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Book Description

Author: Joel E. Siegel
Publisher: London : Secker and Warburg; British film Institute
ISBN: 9780436099304
Category : Horror films
Languages : en
Pages : 176

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Book Description

Author: Edmund G. Bansak
Publisher: McFarland
ISBN: 9780786417094
Category : Performing Arts
Languages : en
Pages : 586

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Book Description
Cat People (1942) and I Walked with a Zombie (1943) established Val Lewton's hauntingly graceful style where suggestion was often used in place of explicit violence. His stylish B thrillers were imitated by a generation of filmmakers such as Richard Wallace, William Castle, and even Walt Disney in his animated Adventures of Ichabod and Mr. Toad (1949). Through interviews with many of Lewton's associates (including his wife and son) and extensive research, his life and output are thoroughly examined.

Author: Val Lewton
Publisher: Kingly Books
ISBN: 9780953163960
Category : Depressions
Languages : en
Pages : 261

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Book Description
In New York in the winter of 1931 Rose Mahoney loses her job. Unable to find other employment in time, she finds herself in homeless and alone in the big city.

Author: Bruce F. Kawin
Publisher: Anthem Press
ISBN: 0857284495
Category : Performing Arts
Languages : en
Pages : 269

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Book Description
Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. 'Horror and the Horror Film' conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres - such as the vampire movie - from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.

Author: Theodore Roszak
Publisher: Chicago Review Press
ISBN: 155652577X
Category : Fiction
Languages : en
Pages : 609

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Book Description
From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies--a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth--the sexy sirens, the screwball comedies, the high romance--take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.

Author: Mario DeGiglio-Bellemare
Publisher: Lexington Books
ISBN: 1498503802
Category : Social Science
Languages : en
Pages : 379

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Book Description
The 1940s is a lost decade in horror cinema, undervalued and written out of most horror scholarship. This collection revises, reframes, and deconstructs persistent critical binaries that have been put in place by scholarly discourse to label 1940s horror as somehow inferior to a “classical” period or “canonical” mode of horror in the 1930s, especially as represented by the monster films of Universal Studios. The book's four sections re-evaluate the historical, political, economic, and cultural factors informing 1940s horror cinema to introduce new theoretical frameworks and to open up space for scholarly discussion of 1940s horror genre hybridity, periodization, and aesthetics. Chapters focused on Gothic and Grand Guignol traditions operating in forties horror cinema, 1940s proto-slasher films, the independent horrors of the Poverty Row studios, and critical reevaluations of neglected hybrid films such as The Vampire’s Ghost (1945) and “slippery” auteurs such as Robert Siodmak and Sam Neufield, work to recover a decade of horror that has been framed as having fallen victim to repetition, exhaustion, and decline.

Author: Bernard Perron
Publisher: University of Michigan Press
ISBN: 0472051628
Category : Games & Activities
Languages : en
Pages : 171

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Book Description
The second entry in the Landmark Video Games series