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Author: John Vornholt Publisher: Simon and Schuster ISBN: 074342087X Category : Fiction Languages : en Pages : 264
Book Description
The Enterprise™ journeys to Lorca, a beautiful world where the inhabitants wear masks to show their rank and station. There, Captain Picard and an away team begin a quest for the planet's ruler and the great Wisdom Mask that the leader traditionally wears. Their mission: establish diplomatic relations. But Picard and his party lose contact with the ship, and Commander Riker leads a search party down to the planet to find them. Both men are unaware that their searchs are part of a madman's plan. A madman who is setting a trap that will ensnare both landing parties, and leave him poised to seize control of the awesome Wisdom Mask... And the planet Lorca itself.
Author: Wayne Edward Oates Publisher: Westminster John Knox Press ISBN: 9780664240288 Category : Religion Languages : en Pages : 144
Book Description
Describes eight common personality disorders, presents Biblical guidelines for dealing with difficult people, and explains how Christian faith can help their real personalities to emerge.
Author: Australian Drilling Industry Training Committee Limited Publisher: CRC Press ISBN: 143981421X Category : Technology & Engineering Languages : en Pages : 739
Book Description
An Invaluable Reference for Members of the Drilling Industry, from Owner–Operators to Large Contractors, and Anyone Interested In Drilling Developed by one of the world’s leading authorities on drilling technology, the fifth edition of The Drilling Manual draws on industry expertise to provide the latest drilling methods, safety, risk management, and management practices, and protocols. Utilizing state-of-the-art technology and techniques, this edition thoroughly updates the fourth edition and introduces entirely new topics. It includes new coverage on occupational health and safety, adds new sections on coal seam gas, sonic and coil tube drilling, sonic drilling, Dutch cone probing, in hole water or mud hammer drilling, pile top drilling, types of grouting, and improved sections on drilling equipment and maintenance. New sections on drilling applications include underground blast hole drilling, coal seam gas drilling (including well control), trenchless technology and geothermal drilling. It contains heavily illustrated chapters that clearly convey the material. This manual incorporates forward-thinking technology and details good industry practice for the following sectors of the drilling industry: Blast Hole Environmental Foundation/Construction Geotechnical Geothermal Mineral Exploration Mineral Production and Development Oil and Gas: On-shore Seismic Trenchless Technology Water Well The Drilling Manual, Fifth Edition provides you with the most thorough information about the "what," "how," and "why" of drilling. An ideal resource for drilling personnel, hydrologists, environmental engineers, and scientists interested in subsurface conditions, it covers drilling machinery, methods, applications, management, safety, geology, and other related issues.
Author: Drew Morton Publisher: Univ. Press of Mississippi ISBN: 1496842189 Category : Performing Arts Languages : en Pages : 171
Book Description
Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. After Midnight: “Watchmen” after “Watchmen” looks specifically at the three adaptations of Moore and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can impact its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.
Author: Martin Lund Publisher: MIT Press ISBN: 0262544199 Category : Social Science Languages : en Pages : 274
Book Description
The socially constructed phenomenon of whiteness: how it was created, how it changes, and how it protects and privileges people who are perceived as white. This volume in the MIT Press Essential Knowledge series examines the socially constructed phenomenon of whiteness, tracing its creation, its changing formation, and its power to privilege and protect people who are perceived as white. Whiteness, author Martin Lund explains, is not one single idea but a shifting, overarching category, a flexible cluster of historically, culturally, and geographically contingent ideals and standards that enable systems of hierarchical classification. Lund discusses words used to talk about whiteness, from white privilege to white fragility; the intersections of whiteness with race, class, and gender; whiteness in popular culture; and such ideas as “colorblindness” and “reverse racism,” which, he argues, actually uphold whiteness. Lund shows why it is important to keep talking and thinking about whiteness. The word “whiteness,” he writes, doesn’t describe; it conjures something into being. Drawing on decades of critical whiteness studies and citing a range of examples (primarily from the United States and Sweden), Lund argues that whiteness is continually manufactured and sustained through language, laws, policies, science, and representations in media and popular culture. It is often positioned as normative, even universal. And despite its innocuous-seeming manifestations in sitcoms and superheroes, whiteness is always in the service of racial domination.
Author: Dorian L. Alexander Publisher: Univ. Press of Mississippi ISBN: 1496837177 Category : Literary Criticism Languages : en Pages : 216
Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Sean Guynes
Author: Sean Guynes
Author: John Vornholt
Author: Wayne Edward Oates
Author: 
Author: Australian Drilling Industry Training Committee Limited
Author: Drew Morton
Author: David Wiles
Author: Martin Lund
Author: Dorian L. Alexander
Author: Guy Plunkett