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Author: Craig Semetko Publisher: Whalen Studios Editions ISBN: 9781951511432 Category : Photography Languages : en Pages : 96
Book Description
Follow in the footsteps of Leica Camera Ambassador Craig Semetko’s 10 year trek across the globe to capture the spontaneity, humor, and juxtaposition of the human experience. In the book’s forward, iconic photographer Elliott Erwin writes, “Good photographs are tough enough to shoot. Really funny ones are even harder. Good and funny photographs observed in nature not arranged or manipulated but simply observed in real time with amazing consistency, constitute a minor miracle now presented in Mr. Semetko’s book…In my book, he is the essential photographer. That is, the one who sees what others could not have seen.” Inspired by Cartier-Bresson, Robert Frank, and Elliott Erwitt, Craig Semetko is a collector of the spontaneous moment. With an uncanny knack for using Leica Cameras to capture the beautiful and unexpected that surrounds us all, Semetko offers a striking collection of imagery shot during 10 years of traveling around the world, from Edinburgh to Amsterdam, France to Los Angeles, Hanoi to Bangkok, and beyond. This visual celebration records the first decade of the twenty-first century across all walks of life. Semetko documents the muted beauty of regular people simply living their lives, and captures the humor found in the offbeat and eccentric contrasts all around us. Unposed is a memorable exploration of an era shot by a skilled photographer, dubbed by Esquire magazine as “a noble torchbearer” of the Leica Camera legacy.
Author: Craig Semetko Publisher: Whalen Studios Editions ISBN: 9781951511432 Category : Photography Languages : en Pages : 96
Book Description
Follow in the footsteps of Leica Camera Ambassador Craig Semetko’s 10 year trek across the globe to capture the spontaneity, humor, and juxtaposition of the human experience. In the book’s forward, iconic photographer Elliott Erwin writes, “Good photographs are tough enough to shoot. Really funny ones are even harder. Good and funny photographs observed in nature not arranged or manipulated but simply observed in real time with amazing consistency, constitute a minor miracle now presented in Mr. Semetko’s book…In my book, he is the essential photographer. That is, the one who sees what others could not have seen.” Inspired by Cartier-Bresson, Robert Frank, and Elliott Erwitt, Craig Semetko is a collector of the spontaneous moment. With an uncanny knack for using Leica Cameras to capture the beautiful and unexpected that surrounds us all, Semetko offers a striking collection of imagery shot during 10 years of traveling around the world, from Edinburgh to Amsterdam, France to Los Angeles, Hanoi to Bangkok, and beyond. This visual celebration records the first decade of the twenty-first century across all walks of life. Semetko documents the muted beauty of regular people simply living their lives, and captures the humor found in the offbeat and eccentric contrasts all around us. Unposed is a memorable exploration of an era shot by a skilled photographer, dubbed by Esquire magazine as “a noble torchbearer” of the Leica Camera legacy.
Author: Ian Dixon Publisher: Bloomsbury Publishing USA ISBN: 1501368664 Category : Performing Arts Languages : en Pages : 335
Book Description
The first collection dedicated to David Bowie's acting career shows that his film characterisations and performance styles shift and reform as decoratively as his musical personas. Though he was described as the most influential pop artis of the 20th century, whose work became synonymous with mask, mystery, sexual excess and ch-ch-ch-changing genres, Bowie also applied his genius to the craft of acting. Bowie's considerable filmography is systematically examined in 12 scholarly essays that include tributes to Bowie's performance craft in other media forms. Classic films such as The Prestige and Merry Christmas, Mr. Lawrence, cult hits Labyrinth and The Man Who Fell To Earth, as well as lesser-known roles in The Image, Christiane F. and Broadway hit The Elephant Man are viewed, not simply through the lens of Bowie's mega-stardom, but as the work of a serious actor with inimitable talent. This compelling analysis celebrates the risk-taking intelligence and bravura of David Bowie: actor, mime, mimic and icon.
Author: Linda Haverty Rugg Publisher: University of Chicago Press ISBN: 0226731480 Category : Photography Languages : en Pages : 302
Book Description
Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our existence at a given point in time, they also demonstrate the impossibility of framing our multiple and fragmented selves. As Linda Haverty Rugg convincingly shows, photography's double take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act. Rugg tracks photography's impact on the formation of self-image through the study of four literary autobiographers concerned with the transformative power of photography. Obsessed with self-image, Mark Twain and August Strindberg both attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of fakery and kept a fierce watch on the distribution of his photographic image. Strindberg, believing that photographs had occult power, preferred to photograph himself. Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, which had its testing ground in his often-ignored Berliner Kindheit um 1900. And Christa Wolf's narrator in Patterns of Childhood attempts to reclaim her childhood from the Nazis by reconstructing mental images of lost family photographs. Confronted with multiple and conflicting images of themselves, all four of these writers are torn between the knowledge that texts, photographs, and indeed selves are haunted by undecidability and the desire for the returned glance of a single self.
Author: Hansjakob Ziemer Publisher: Taylor & Francis ISBN: 1000780015 Category : History Languages : en Pages : 246
Book Description
This multi-disciplinary anthology provides new perspectives on the journalist’s role in knowledge generation in the newspaper age—covering diverse topics from fake news to new technologies. Fake news, journalistic authority, and the introduction of cutting-edge technologies are often viewed as new topics in journalism. However, these issues were prevalent long before the twenty-first century. Connecting for the first time two burgeoning strands of research—a newly perceived history of knowledge and the study of journalism—Journalists and Knowledge Practices provides insights into the journalist’s role in the world of knowledge in the newspaper age (ca. 1860s to 1970s). This multi-disciplinary anthology asks how journalists conducted their work and reconstructs histories of journalistic practices in specific regional constellations in Europe and North America. From fake news writing to inventing psychological concepts, integrating electric telegrams to fabricating photographs, explaining pandemics to creating communities, these case studies written by distinguished scholars from various disciplines in the humanities show how notions of fact and truth were shaped, new technologies integrated, and knowledge transfers arranged. This book is crucial reading for scholars and students interested in the historically changing relationships between journalistic practices and the generation and dissemination of knowledge. This volume is crucial reading for scholars and students interested in the history of journalistic practice.
Author: Sarah Franklin Publisher: Duke University Press ISBN: 0822383225 Category : Social Science Languages : en Pages : 531
Book Description
The essays in Relative Values draw on new work in anthropology, science studies, gender theory, critical race studies, and postmodernism to offer a radical revisioning of kinship and kinship theory. Through a combination of vivid case studies and trenchant theoretical essays, the contributors—a group of internationally recognized scholars—examine both the history of kinship theory and its future, at once raising questions that have long occupied a central place within the discipline of anthropology and moving beyond them. Ideas about kinship are vital not only to understanding but also to forming many of the practices and innovations of contemporary society. How do the cultural logics of contemporary biopolitics, commodification, and globalization intersect with kinship practices and theories? In what ways do kinship analogies inform scientific and clinical practices; and what happens to kinship when it is created in such unfamiliar sites as biogenetic labs, new reproductive technology clinics, and the computers of artificial life scientists? How does kinship constitute—and get constituted by—the relations of power that draw lines of hierarchy and equality, exclusion and inclusion, ambivalence and violence? The contributors assess the implications for kinship of such phenomena as blood transfusions, adoption across national borders, genetic support groups, photography, and the new reproductive technologies while ranging from rural China to mid-century Africa to contemporary Norway and the United States. Addressing these and other timely issues, Relative Values injects new life into one of anthropology's most important disciplinary traditions. Posing these and other timely questions, Relative Values injects an important interdisciplinary curiosity into one of anthropology’s most important disciplinary traditions. Contributors. Mary Bouquet, Janet Carsten, Charis Thompson Cussins, Carol Delaney, Gillian Feeley-Harnik, Sarah Franklin, Deborah Heath, Stefan Helmreich, Signe Howell, Jonathan Marks, Susan McKinnon, Michael G. Peletz, Rayna Rapp, Martine Segalen, Pauline Turner Strong, Melbourne Tapper, Karen-Sue Taussig, Kath Weston, Yunxiang Yan
Author: Peter K. Manning Publisher: Transaction Publishers ISBN: 9780202367644 Category : Language Arts & Disciplines Languages : en Pages : 270
Book Description
This book discusses the semiotic and ethnographic bases for organizational analysis, including the related fieldwork issues confronting the investigator. It explains the importance of rhetorical-dramaturgic and phenomenological strategies for the study of organizations. The arbitrary and culturally based connections in which organizations abound require an understanding of the particulars of cultural scenes, first observed, later conceptualized through semiotic theory. Organizational Communication includes a series of examples from applied semiotics research in nuclear regulatory policy making, truth telling, regulatory control (by, among others, the police), and risk analysis. These data provide the basis for a critique of the limits of earlier analyses of organizational change, such as those offered by structuralist theories. Dr. Manning concludes with an assessment of the postmodernist ethnographic strategies that have evolved as a response to a larger representational crisis, and of the implications of these strategies for the study of organizational culture.
Author: Craig Semetko
Author: Craig Semetko
Author: Ian Dixon
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Author: Larisa Ivascu
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Author: Linda Haverty Rugg
Author: Hansjakob Ziemer
Author: Sarah Franklin
Author: Aleš Leonardis
Author: Peter K. Manning