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Author: Steven R. Boyd Publisher: LSU Press ISBN: 0807137960 Category : Antiques & Collectibles Languages : en Pages : 169
Book Description
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
Author: Steven R. Boyd Publisher: LSU Press ISBN: 0807137960 Category : Antiques & Collectibles Languages : en Pages : 169
Book Description
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
Author: Cameron C. Nickels Publisher: Univ. Press of Mississippi ISBN: 1604737484 Category : History Languages : en Pages : 181
Book Description
In Civil War Humor, author Cameron C. Nickels examines the various forms of comedic popular artifacts produced in America from 1861 to 1865, and looks at how wartime humor was created, disseminated, and received by both sides of the conflict. Song lyrics, newspaper columns, sheet music covers, illustrations, political cartoons, fiction, light verse, paper dolls, printed envelopes, and penny dreadfuls—from and for the Union and the Confederacy—are analyzed at length. Nickels argues that the war coincided with the rise of inexpensive mass printing in the United States and thus subsequently with the rise of the country's widely distributed popular culture. As such, the war was as much a “paper war”—involving the use of publications to disseminate propaganda and ideas about the Union and the Confederacy's positions—as one taking place on battlefields. Humor was a key element on both sides in deflating pretensions and establishing political stances (and ways of critiquing them). Civil War Humor explores how the combatants portrayed Jefferson Davis and Abraham Lincoln, life on the home front, battles, and African Americans. Civil War Humor reproduces over sixty illustrations and texts created during the war and provides close readings of these materials. At the same time, it places this corpus of comedy in the context of wartime history, economies, and tactics. This comprehensive overview examines humor's role in shaping and reflecting the cultural imagination of the nation during its most tumultuous period.
Author: George S. Cuhaj Publisher: Penguin ISBN: 1440217203 Category : Antiques & Collectibles Languages : en Pages : 603
Book Description
There is only one guide that gives you complete details, photographs and current values of U.S. currency, and this is that book! Packed with 750 color photos of notes and more than 10,000 listings for U.S. paper money issued between 1812 and the present, no other book can compare to the comprehensiveness of this guide. Among the notes represented in this book are: • Large and small currency • Silver and gold certificates • National bank notes by state • Pre-Civil War Treasury notes • Fractional currency and military payment certificates • Encased postage stamps Put the 30th edition of this popular paper money book to use for you. You and your collection will be better for it.
Author: Xiaoxin Wu Publisher: Routledge ISBN: 1317474686 Category : Business & Economics Languages : en Pages : 862
Book Description
Now revised and updated to incorporate numerous new materials, this is the major source for researching American Christian activity in China, especially that of missions and missionaries. It provides a thorough introduction and guide to primary and secondary sources on Christian enterprises and individuals in China that are preserved in hundreds of libraries, archives, historical societies, headquarters of religious orders, and other repositories in the United States. It includes data from the beginnings of Christianity in China in the early eighth century through 1952, when American missionary activity in China virtually ceased. For this new edition, the institutional base has shifted from the Princeton Theological Seminary (Protestant) to the Ricci Institute for Chinese-Western Cultural Relations at the University of San Francisco (Jesuit), reflecting the ecumenical nature of this monumental undertaking.
Author: Robert Weible Publisher: SUNY Press ISBN: 1438453485 Category : History Languages : en Pages : 290
Book Description
Examines the pivotal role New York State played in the Civil War. An Irrepressible Conflict documents the pivotal role New York State played in our nations bloodiest and most enduring conflict. As the wealthiest and most populous state in the Union, the Empire State led all others in supplying men, money, and material to the causes of unity and freedom. New Yorks experience provides significant insight into the reasons why the war was fought and the meaning that the Civil War holds today. A companion to the award-winning exhibition of the same name, displayed at the New York State Museum from September 2012 to March 2014, An Irrepressible Conflict includes reproductions of objects from the collections of the New York State Museum, Library, and Archives, as well as more than twenty-five different institutions across the state. Among the many significant objects are a Lincoln life mask from 1860 from the New-York Historical Society; the earliest photograph of Frederick Douglass (a rare 8? x 10? daguerreotype image, courtesy of the Onondaga Historical Association); the only known portrait of Dred Scott, also from New-York Historical Society; and a bronze medal given to the defenders of Fort Sumter by the City of New York from the museums own collection. The title is inspired by an 1858 quote from then US Senator William H. Seward, who also served as governor of New York (183942) and Secretary of State (186169). Seward disagreed with those who believed that the prospect of war between the North and South was the work of fanatical agitators. He understood that the roots of conflict went far deeper, writing, It is an irrepressible conflict, between opposing and enduring forces, and it means that the United States must and will, sooner or later, become either entirely a slave-holding nation or entirely a free-labor nation. Praise for the exhibition: Winner, Award of Merit from the American Association of State and Local History The exhibition reveals New York not only as indispensable to the Union (and to its ultimate victory) but also as essential to the continued pursuit of justice among the formerly enslaved and their descendants. It admirably realizes its objective: To establish New Yorks significance in the Civil War and its lasting battle for freedom. Wall Street Journal adroitly interweaves a rich trove of paintings and engravings, artifacts, photographs, and documents, many borrowed from institutions throughout the state, with a lucid interpretive script to make a convincing case for the Empire States pivotal role in the conflict The exhibition is well conceived intellectually, written in an engaging, mercifully concise style and designed with visitors of all ages in mind. Journal of American History
Author: James Marten Publisher: University of Georgia Press ISBN: 082035967X Category : History Languages : en Pages : 286
Book Description
Buying and Selling Civil War Memory explores the ways in which Gilded Age manufacturers, advertisers, publishers, and others commercialized Civil War memory. Advertisers used images of the war to sell everything from cigarettes to sewing machines; an entire industry grew up around uniforms made for veterans rather than soldiers; publishing houses built subscription bases by tapping into wartime loyalties; while old and young alike found endless sources of entertainment that harkened back to the war. Moving beyond the discussions of how Civil War memory shaped politics and race relations, the essays assembled by James Marten and Caroline E. Janney provide a new framework for examining the intersections of material culture, consumerism, and contested memory in the everyday lives of late nineteenth-century Americans. Each essay offers a case study of a product, experience, or idea related to how the Civil War was remembered and memorialized. Taken together, these essays trace the ways the buying and selling of the Civil War shaped Americans’ thinking about the conflict, making an important contribution to scholarship on Civil War memory and extending our understanding of subjects as varied as print, visual, and popular culture; finance; and the histories of education, of the book, and of capitalism in this period. This highly teachable volume presents an exciting intellectual fusion by bringing the subfield of memory studies into conversation with the literature on material culture. The volume’s contributors include Amanda Brickell Bellows, Crompton B. Burton, Kevin R. Caprice, Shae Smith Cox, Barbara A. Gannon, Edward John Harcourt, Anna Gibson Holloway, Jonathan S. Jones, Margaret Fairgrieve Milanick, John Neff , Paul Ringel, Natalie Sweet, David K. Thomson, and Jonathan W. White.
Author: Jules Verne Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 10762
Book Description
This collection includes all the great novels and stories written after the turmoil, the trauma and the heroism experienced during the American Civil War:_x000D_ The Red Badge of Courage (Stephen Crane)_x000D_ The Little Regiment (Stephen Crane)_x000D_ The Veteran (Stephen Crane)_x000D_ An Occurrence at Owl Creek Bridge (Ambrose Bierce)_x000D_ A Horseman in the Sky (Ambrose Bierce)_x000D_ Chickamauga (Ambrose Bierce)_x000D_ The Private History of a Campaign That Failed (Mark Twain)_x000D_ A Curious Experience (Mark Twain)_x000D_ The Guns of Bull Run (Joseph A. Altsheler)_x000D_ The Guns of Shiloh (Joseph A. Altsheler)_x000D_ The Scouts of Stonewall (Joseph A. Altsheler)_x000D_ The Sword of Antietam (Joseph A. Altsheler)_x000D_ The Star of Gettysburg (Joseph A. Altsheler)_x000D_ The Rock of Chickamauga (Joseph A. Altsheler)_x000D_ The Shades of the Wilderness (Joseph A. Altsheler)_x000D_ The Tree of Appomattox (Joseph A. Altsheler)_x000D_ The Crisis (Winston Churchill)_x000D_ Miss Ravenel's Conversion from Secession to Loyalty (John William De Forest)_x000D_ With Lee in Virginia (G. A. Henty)_x000D_ Who Would Have Thought It? (María Ruiz de Burton)_x000D_ The Long Roll (Mary Johnston)_x000D_ Cease Firing (Mary Johnston)_x000D_ The Victim: A Romance of the Real Jefferson Davis (Thomas Dixon Jr.)_x000D_ Kincaid's Battery (George Washington Cable)_x000D_ The Border Spy (Harry Hazelton)_x000D_ The Battle Ground (Ellen Glasgow)_x000D_ Who Goes There? (B. K. Benson)_x000D_ Ailsa Paige (Robert W. Chambers)_x000D_ Special Messenger (Robert W. Chambers)_x000D_ How Private George W. Peck Put Down the Rebellion (George W. Peck)_x000D_ Raiding with Morgan (Byron A. Dunn)_x000D_ Mohun; Or, the Last Days of Lee and His Paladins (John Esten Cooke)_x000D_ Brother Against Brother (John R. Musick)_x000D_ The Last Three Soldiers (W. H. Shelton)_x000D_ A War-Time Wooing (Charles King)_x000D_ The Iron Game (Henry F. Keenan)_x000D_ The Blockade Runners (Jules Verne)_x000D_ The Lost Despatch (Natalie Sumner Lincoln)_x000D_ My Lady of the North (Randall Parrish)_x000D_ Uncle Daniel's Story of "Tom" Anderson (John McElroy)_x000D_ The Red Acorn (John McElroy)_x000D_ Winning His Way (Charles Carleton Coffin)_x000D_ A Daughter of the Union (Lucy Foster Madison)_x000D_ Chasing an Iron Horse (Edward Robins)_x000D_ The Man Without a Country (Edward Everett Hale)_x000D_ History of the Civil War, 1861-1865 (James Ford Rhodes)
Author: Joe Nickell Publisher: University Press of Kentucky ISBN: 0813148421 Category : Law Languages : en Pages : 235
Book Description
Detecting Forgery reveals the complete arsenal of forensic techniques used to detect forged handwriting and alterations in documents and to identify the authorship of disputed writings. Joe Nickell looks at famous cases such as Clifford Irving's "autobiography" of Howard Hughes and the Mormon papers of document dealer Mark Hoffman, as well as cases involving works of art. Detecting Forgery is a fascinating introduction to the growing field of forensic document examination and forgery detection.
Author: Rachel Stephens Publisher: University of Arkansas Press ISBN: 1682262332 Category : Art Languages : en Pages : 333
Book Description
"A long-overdue study of the depiction of slavery in nineteenth-century American art and visual culture, Hidden in Plain Sight investigates the relationship between proslavery politics and the visual record. By examining a vast array of Civil War-era artworks that champion the institution of enslavement and connecting them with the abolitionist materials to which they respond, Rachel Stephens traces themes of concealment and silence through paintings, photographs, and ephemera and explores how the visual canon of high art was used to cover up, control, and reshape the discourse surrounding the United States' most odious institution"--
Author: Steven R. Boyd
Author: Steven R. Boyd
Author: Cameron C. Nickels
Author: George S. Cuhaj
Author: Xiaoxin Wu
Author: Robert Weible
Author: James Marten
Author: Jules Verne
Author: Joe Nickell
Author: Mary Hawker Bakeman
Author: Rachel Stephens