Author: Marc Simpson
Publisher: Yale University Press
ISBN: 9780300071771
Category : Art
Languages : en
Pages : 214
Book Description
Drawing on the correspondence of the artist, his friends and his family, as well as a review of contemporary critical responses, this text examines the work of Sargent's early maturity. The text is the catalogue for an exhibition at the Sterling and Francine Clark Art Institute in Summer 1997.
Uncanny Spectacle
Author: Marc Simpson
Publisher: Yale University Press
ISBN: 9780300071771
Category : Art
Languages : en
Pages : 214
Book Description
Drawing on the correspondence of the artist, his friends and his family, as well as a review of contemporary critical responses, this text examines the work of Sargent's early maturity. The text is the catalogue for an exhibition at the Sterling and Francine Clark Art Institute in Summer 1997.
Publisher: Yale University Press
ISBN: 9780300071771
Category : Art
Languages : en
Pages : 214
Book Description
Drawing on the correspondence of the artist, his friends and his family, as well as a review of contemporary critical responses, this text examines the work of Sargent's early maturity. The text is the catalogue for an exhibition at the Sterling and Francine Clark Art Institute in Summer 1997.
Strapless
Author: Deborah Davis
Publisher: Penguin
ISBN: 1440628181
Category : Biography & Autobiography
Languages : en
Pages : 329
Book Description
The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.
Publisher: Penguin
ISBN: 1440628181
Category : Biography & Autobiography
Languages : en
Pages : 329
Book Description
The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.
Textual Practice
Author: Terence Hawkes
Publisher: Routledge
ISBN: 1134834659
Category : Literary Criticism
Languages : en
Pages : 169
Book Description
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1134834659
Category : Literary Criticism
Languages : en
Pages : 169
Book Description
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
The New American Studies
Author: Philip Fisher
Publisher: Univ of California Press
ISBN: 0520327373
Category : History
Languages : en
Pages : 798
Book Description
Publisher: Univ of California Press
ISBN: 0520327373
Category : History
Languages : en
Pages : 798
Book Description
A Place of Darkness
Author: Kendall R. Phillips
Publisher: University of Texas Press
ISBN: 1477315535
Category : Performing Arts
Languages : en
Pages : 339
Book Description
“An illuminating history . . . it’s clear that the right story can still terrify us; A Place of Darkness is a primer on how the movies learned to do it.” —NPR Horror is one of the most enduringly popular genres in cinema. The term “horror film” was coined in 1931 between the premiere of Dracula and the release of Frankenstein, but monsters, ghosts, demons, and supernatural and horrific themes have been popular with American audiences since the emergence of novelty cinematographic attractions in the late 1890s. A Place of Darkness illuminates the prehistory of the horror genre by tracing the way horrific elements and stories were portrayed in films prior to the introduction of the term “horror film.” Using a rhetorical approach that examines not only early films but also the promotional materials for them and critical responses to them, Kendall R. Phillips argues that the portrayal of horrific elements was enmeshed in broader social tensions around the emergence of American identity and, in turn, American cinema. He shows how early cinema linked monsters, ghosts, witches, and magicians with Old World superstitions and beliefs, in contrast to an American way of thinking that was pragmatic, reasonable, scientific, and progressive. Throughout the teens and twenties, Phillips finds, supernatural elements were almost always explained away as some hysterical mistake, humorous prank, or nefarious plot. The Great Depression of the 1930s, however, constituted a substantial upheaval in the system of American certainty and opened a space for the reemergence of Old-World gothic within American popular discourse in the form of the horror genre, which has terrified and thrilled fans ever since. “[A] fascinating read.” —Sublime Horror
Publisher: University of Texas Press
ISBN: 1477315535
Category : Performing Arts
Languages : en
Pages : 339
Book Description
“An illuminating history . . . it’s clear that the right story can still terrify us; A Place of Darkness is a primer on how the movies learned to do it.” —NPR Horror is one of the most enduringly popular genres in cinema. The term “horror film” was coined in 1931 between the premiere of Dracula and the release of Frankenstein, but monsters, ghosts, demons, and supernatural and horrific themes have been popular with American audiences since the emergence of novelty cinematographic attractions in the late 1890s. A Place of Darkness illuminates the prehistory of the horror genre by tracing the way horrific elements and stories were portrayed in films prior to the introduction of the term “horror film.” Using a rhetorical approach that examines not only early films but also the promotional materials for them and critical responses to them, Kendall R. Phillips argues that the portrayal of horrific elements was enmeshed in broader social tensions around the emergence of American identity and, in turn, American cinema. He shows how early cinema linked monsters, ghosts, witches, and magicians with Old World superstitions and beliefs, in contrast to an American way of thinking that was pragmatic, reasonable, scientific, and progressive. Throughout the teens and twenties, Phillips finds, supernatural elements were almost always explained away as some hysterical mistake, humorous prank, or nefarious plot. The Great Depression of the 1930s, however, constituted a substantial upheaval in the system of American certainty and opened a space for the reemergence of Old-World gothic within American popular discourse in the form of the horror genre, which has terrified and thrilled fans ever since. “[A] fascinating read.” —Sublime Horror
To Wake the Nations
Author: Eric J. Sundquist
Publisher: Harvard University Press
ISBN: 9780674893313
Category : Literary Criticism
Languages : en
Pages : 722
Book Description
Sundquist presents a major reevaluation of the formative years of American literature, 1830-1930, that shows how white and black literature constitute a single interwoven tradition. By examining African America's contested relation to the intellectual and literary forms of white culture, he reconstructs American literary tradition.
Publisher: Harvard University Press
ISBN: 9780674893313
Category : Literary Criticism
Languages : en
Pages : 722
Book Description
Sundquist presents a major reevaluation of the formative years of American literature, 1830-1930, that shows how white and black literature constitute a single interwoven tradition. By examining African America's contested relation to the intellectual and literary forms of white culture, he reconstructs American literary tradition.
John Singer Sargent & Chicago's Gilded Age
Author: Annelise K. Madsen
Publisher: Yale University Press
ISBN: 0300232977
Category : Art
Languages : en
Pages : 225
Book Description
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Publisher: Yale University Press
ISBN: 0300232977
Category : Art
Languages : en
Pages : 225
Book Description
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Global Citizenship and the Legacy of Empire
Author: April Biccum
Publisher: Routledge
ISBN: 1135218978
Category : Political Science
Languages : en
Pages : 226
Book Description
This book investigates the parallels between mainstream development discourse and colonial discourse as theorized in the work of Homi Bhabha, Gayatri Spivak and Edward Said. Aiming to repoliticize post-colonial theory by applying its understandings to contemporary political discourses, author April Biccum critically examines the ways in which development in its current form has recently begun to be promoted among the metropolitan public. Biccum contends that what has begun is a sustained marketing campaign for development that is a repetition, augmentation and ultimately much greater success of the work of the Empire Marketing Board of 1926. Demonstrating how this marketing campaign for development attempts to facilitate support for neo-liberal globalization, Biccum contends that this theatre of legitimation is emerging in response to growing critical voices and counter-hegemonic activity on the international stage. Featuring in depth analyses of the UK, cultural values, DfID, the commemoration of the slave trade and campaigns including Live8 and Make Poverty History, this book will be of interest to students and scholars of postcolonial studies, development studies, and international political economy. It will also offer insights valuable to a wider range of subjects including critical theory and globalization studies.
Publisher: Routledge
ISBN: 1135218978
Category : Political Science
Languages : en
Pages : 226
Book Description
This book investigates the parallels between mainstream development discourse and colonial discourse as theorized in the work of Homi Bhabha, Gayatri Spivak and Edward Said. Aiming to repoliticize post-colonial theory by applying its understandings to contemporary political discourses, author April Biccum critically examines the ways in which development in its current form has recently begun to be promoted among the metropolitan public. Biccum contends that what has begun is a sustained marketing campaign for development that is a repetition, augmentation and ultimately much greater success of the work of the Empire Marketing Board of 1926. Demonstrating how this marketing campaign for development attempts to facilitate support for neo-liberal globalization, Biccum contends that this theatre of legitimation is emerging in response to growing critical voices and counter-hegemonic activity on the international stage. Featuring in depth analyses of the UK, cultural values, DfID, the commemoration of the slave trade and campaigns including Live8 and Make Poverty History, this book will be of interest to students and scholars of postcolonial studies, development studies, and international political economy. It will also offer insights valuable to a wider range of subjects including critical theory and globalization studies.
Home in Hollywood
Author: Elisabeth Bronfen
Publisher: Columbia University Press
ISBN: 0231121768
Category : History
Languages : en
Pages : 321
Book Description
Leading us on a journey through familiar twentieth-century American films, this engaging and provocative book proposes that Hollywood has created an imaginary cinematic geography filled with people and places we recognize and to which we are irresistibly drawn. Each viewing of a film stirs, in a very real and charismatic way, feelings of home. The comfort of returning to films like familiar haunts is at the core of our nostalgic desire. Elisabeth Bronfen examines the different ways home is constructed in the development of cinematic narrative, offering close readings of crucial scenes in classic films.
Publisher: Columbia University Press
ISBN: 0231121768
Category : History
Languages : en
Pages : 321
Book Description
Leading us on a journey through familiar twentieth-century American films, this engaging and provocative book proposes that Hollywood has created an imaginary cinematic geography filled with people and places we recognize and to which we are irresistibly drawn. Each viewing of a film stirs, in a very real and charismatic way, feelings of home. The comfort of returning to films like familiar haunts is at the core of our nostalgic desire. Elisabeth Bronfen examines the different ways home is constructed in the development of cinematic narrative, offering close readings of crucial scenes in classic films.
Timely Voices
Author: Goran Stanivukovic
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773552588
Category : Literary Criticism
Languages : en
Pages :
Book Description
From the fourteenth-century Sir Gawain and the Green Knight to In Parenthesis – an epic poem written in 1937 by painter and poet David Jones – English writers have looked to romance as a resource and a strategy to expand the imaginary reach of their writing. Rethinking the resilience, purpose, and place of romance in English literature, Timely Voices discusses moments that have altered how we read and interpret this ever-changing form. Addressing the various ways in which romance has absorbed and been absorbed by drama, prose, and poetry, contributors to this volume demonstrate that romance texts do not produce something defined or confined by a static genre, but rather express a repository of creative possibilities. Covering writers including the anonymous author of Sir Orfeo, Jane Austen, Geoffrey of Monmouth, Lucy Hutchinson, William Morris, Philip Sidney, William Shakespeare, and Edmund Spenser, essays explore the magic and wonder of romance, Irish and Gaelic lore, how woodcuts in early books complement and extend printed text, how romance was dramatized, how it gives language to feminist politics and ideology, and how it becomes a counterpoint to finance in the fiction of the early Romantic period. A nuanced reinterpretation of romance in its own terms, Timely Voices inspires new appreciation of this form as a solution to textual, aesthetic, structural, ideological, and political problems in literature.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773552588
Category : Literary Criticism
Languages : en
Pages :
Book Description
From the fourteenth-century Sir Gawain and the Green Knight to In Parenthesis – an epic poem written in 1937 by painter and poet David Jones – English writers have looked to romance as a resource and a strategy to expand the imaginary reach of their writing. Rethinking the resilience, purpose, and place of romance in English literature, Timely Voices discusses moments that have altered how we read and interpret this ever-changing form. Addressing the various ways in which romance has absorbed and been absorbed by drama, prose, and poetry, contributors to this volume demonstrate that romance texts do not produce something defined or confined by a static genre, but rather express a repository of creative possibilities. Covering writers including the anonymous author of Sir Orfeo, Jane Austen, Geoffrey of Monmouth, Lucy Hutchinson, William Morris, Philip Sidney, William Shakespeare, and Edmund Spenser, essays explore the magic and wonder of romance, Irish and Gaelic lore, how woodcuts in early books complement and extend printed text, how romance was dramatized, how it gives language to feminist politics and ideology, and how it becomes a counterpoint to finance in the fiction of the early Romantic period. A nuanced reinterpretation of romance in its own terms, Timely Voices inspires new appreciation of this form as a solution to textual, aesthetic, structural, ideological, and political problems in literature.