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Author: Frank Krutnik Publisher: Rutgers University Press ISBN: 0813541980 Category : Art Languages : en Pages : 370
Book Description
'Un-American Hollywood' debates the blacklist era and the aesthetic and political work of the Hollywood Left. Featuring case studies focusing on contexts of production and reception, it offers perspectives on the role of progressive politics within a capitalist media industry.
Author: Frank Krutnik Publisher: Rutgers University Press ISBN: 0813541980 Category : Art Languages : en Pages : 370
Book Description
'Un-American Hollywood' debates the blacklist era and the aesthetic and political work of the Hollywood Left. Featuring case studies focusing on contexts of production and reception, it offers perspectives on the role of progressive politics within a capitalist media industry.
Author: Glenn Frankel Publisher: Bloomsbury Publishing USA ISBN: 1620409488 Category : History Languages : en Pages : 417
Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Author: Reynold Humphries Publisher: Edinburgh University Press ISBN: 074863052X Category : Performing Arts Languages : en Pages : 192
Book Description
'Are you now or have you ever been a member of the Communist Party?' That question was to be repeated endlessly during the anti-Communist investigations carried out by the House Committee on un-American Activities (HUAC) in the early 1950s. The refusal of ten members of the film industry to answer the question in 1947 led to the decision by studio bosses to fire them and never to hire known Communists in the future. The Hearings led to scores of actors, writers and directors being named as Communists or sympathisers. All were blacklisted and fired. Hollywood's Blacklists is a history of the political and cultural factors relevant to understanding the why and the how of the various investigations of the alleged Communist infiltration of Hollywood. What was HUAC? What propaganda role did films play during World War II and the Cold War? What values were at stake in the confrontation between Left and Right that saw the former so resoundingly defeated and expelled from Hollywood? Answers to these and other questions are offered via analyses of the motives of the various players and of the tactics deployed by HUAC to reward collaboration and punish dissent.
Author: Steven J. Ross Publisher: OUP USA ISBN: 0195181727 Category : Biography & Autobiography Languages : en Pages : 513
Book Description
In Hollywood Left and Right, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics.Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--Hollywood Left and Right reveals how the film industry's engagement in politics has been longer, deeper, and more varied than most people would imagine. As shown in alternating chapters, the Left and the Right each gained ascendancy in Tinseltown at different times. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Steven J. Ross traces the intersection of Hollywood and political activism from the early twentieth century to the present.Hollywood Left and Right challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross shows in this passionate and entertaining work, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).
Author: Thomas Doherty Publisher: Columbia University Press ISBN: 0231547463 Category : Political Science Languages : en Pages : 637
Book Description
In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces. In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.
Author: Lloyd Billingsley Publisher: Prima Lifestyles ISBN: 9780761521662 Category : Blacklisting of entertainers Languages : en Pages : 0
Book Description
This engrossing tale of intrigue, passion, betrayal, and violence uncovers the true face of communism in Southern California, and names writers and actresses who were seduced by the party's philosophy.
Author: Allan Ryskind Publisher: Regnery Publishing ISBN: 1621572064 Category : Political Science Languages : en Pages : 530
Book Description
Allan Ryskind, son of Marx Brothers screenwriter Morrie Ryskind (Animal Crackers, A Night at the Opera, Room Service), exposes the ugly truth about the Communists blacklisted from the film industry. Too often, the "Hollywood Ten" brought before the House Un-American Activities Committee are memorialized as victims of an unjust witch-hunt and heroes who stood up for free speech. The truth is shocking: Not only did these supposed liberal paragons adore Josef Stalin and take their orders directly from the Communist Party, but they also sympathized with Adolf Hitler. Ryskind, who grew up in the heart of the Hollywood scene and personally knew many of the key players in this real-life Hollywood drama, has penned a definitive, myth-busting account of the Hollywood Ten and Hollywood Blacklist that will forever change the way you think about the ideological battle waged in the movie capital of the world. With glossy photographs.
Author: Rebecca Prime Publisher: Rutgers University Press ISBN: 0813570867 Category : Performing Arts Languages : en Pages : 248
Book Description
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.
Author: Bernard F. Dick Publisher: University Press of Kentucky ISBN: 0813147719 Category : History Languages : en Pages : 280
Book Description
On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the allege Communist infiltration of the motion picture industry. Hollywood was ordered to "clean its own house," and ten witnesses who had refused to answer questions about their membership in the Screen Writers Guild and the Communist party eventually received contempt citations. By 1950 the Hollywood Ten, as they quickly became known, were serving prison sentences ranging from six months to a year. Since that time the group, which included writers, directors, and a producer, have been either dismissed as industry hacks or eulogized as Cold War martyrs, but never have they been discussed in terms of their profession. Radical Innocence is the first study to focus on the work of the Ten: their short stories, plays, novels, criticism, poems, memoirs, and, of course, their films. Drawing on myriad sources, including archival materials, unpublished manuscripts, black-market scripts, screenplay drafts, letters, and personal interviews, Bernard F. Dick describes the Ten's survival tactics during the blacklisting and analyzes the contribution of these ten individuals no only to film but also to the arts. Radical Innocence captures the personality of each of the Ten -- the arrogant Herbert J. Biberman, the witty Ring Lardner, Jr., the patriarchal Samuel Ornitz, the compassionate Adrian Scott, and the feisty Dalton Trumbo.
Author: Larry Ceplair Publisher: Anchor Books ISBN: Category : Business & Economics Languages : en Pages : 576
Book Description
The blacklist. The Hollywood Ten. These words, evocative as they are, do not reveal that, from 1933 through 1947, Hollywood was the focal point of progressive political activity in the United States. Nor do they convey that the imprisonments and blacklistings were not an isolated outbreak of Cold War hysteria, but rather the successful conclusion of two decades of efforts by conservative and reactionary forces to curtail political activism in Hollywood. In the thirties and forties, Hollywood activists--Lillian Hellman, Ring Lardner, Jr., John Howard Lawson, Albert Maltz, Dalton Trumbo, among others--took part in countless political battles. They founded guilds, aided anti-fascist forces in the Spanish Civil War, and helped elect progressive candidates to public office. But progressives were unwelcome in an industry dominated by the last tycoons--especially since the industry was America's most glamorous and visible. With the outbreak of the Cold War, and the fear of anything labeled "Communist" that it engendered, the right wing finally managed, by means of the blacklist, to bring thought control to Hollywood--and to America. This book tells the real story of how, for a brief time and against immense obstacles, a group of dedicated men and women transformed Hollywood from a glamorous symbol of unreality into the center of social and political consciousness in the United States.--Adapted from dust jacket.
Author: Frank Krutnik
Author: Frank Krutnik
Author: Glenn Frankel
Author: Reynold Humphries
Author: Steven J. Ross
Author: Thomas Doherty
Author: Lloyd Billingsley
Author: Allan Ryskind
Author: Rebecca Prime
Author: Bernard F. Dick
Author: Larry Ceplair