Author: Alice Morse Earle
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1078
Book Description
Two Centuries of Costume in America
Author: Alice Morse Earle
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1078
Book Description
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1078
Book Description
Two Centuries of Costume in America, MDCXX-MDCCCXX
Author: Alice Morse Earle
Publisher: New York, MacMillan
ISBN:
Category : Clothing and dress
Languages : en
Pages : 598
Book Description
Publisher: New York, MacMillan
ISBN:
Category : Clothing and dress
Languages : en
Pages : 598
Book Description
Eighteenth-Century French Fashion Plates in Full Color
Author: Stella Blum
Publisher: Courier Dover Publications
ISBN: 0486163245
Category : Art
Languages : en
Pages : 81
Book Description
The Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the 18th century." Here are 64 of the finest plates, reproduced by costume historian Stella Blum.
Publisher: Courier Dover Publications
ISBN: 0486163245
Category : Art
Languages : en
Pages : 81
Book Description
The Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the 18th century." Here are 64 of the finest plates, reproduced by costume historian Stella Blum.
Dressing Up
Author: Elizabeth L. Block
Publisher:
ISBN: 9780262365550
Category : Affluent consumers
Languages : en
Pages :
Book Description
"A provocative look at late 19th-century French fashion, which discredits the couturier as "genius creator" and makes you think differently about the impact of the American women who influenced the market"--
Publisher:
ISBN: 9780262365550
Category : Affluent consumers
Languages : en
Pages :
Book Description
"A provocative look at late 19th-century French fashion, which discredits the couturier as "genius creator" and makes you think differently about the impact of the American women who influenced the market"--
Two Centuries of Costume in America
Author: Alice Morse Earle
Publisher: BoD – Books on Demand
ISBN: 3734054842
Category : Fiction
Languages : en
Pages : 374
Book Description
Reproduction of the original: Two Centuries of Costume in America by Alice Morse Earle
Publisher: BoD – Books on Demand
ISBN: 3734054842
Category : Fiction
Languages : en
Pages : 374
Book Description
Reproduction of the original: Two Centuries of Costume in America by Alice Morse Earle
Two Centuries of Costume in America, Volume 1 (1620-1820)
Author: Alice Morse Earle
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 417
Book Description
Alice Morse Earle's 'Two Centuries of Costume in America, Volume 1 (1620-1820)' provides a comprehensive and detailed examination of the evolution of fashion in early America. Focusing on the period from 1620 to 1820, Earle meticulously describes the clothing styles, fabrics, and accessories worn by men, women, and children during this time. The book is filled with rich historical references, illustrations, and primary source materials, offering a valuable insight into the social and cultural significance of fashion in colonial and early America. Earle's writing style is engaging and informative, making this book a must-read for anyone interested in the history of fashion in America. Alice Morse Earle, a renowned historian and author, drew on her extensive knowledge of American history and material culture to write 'Two Centuries of Costume in America.' Her passion for preserving and documenting historical customs and traditions shines through in this work, making it a valuable resource for scholars, students, and history enthusiasts alike. I highly recommend this book to anyone interested in gaining a deeper understanding of the role of fashion in shaping American identity and culture.
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 417
Book Description
Alice Morse Earle's 'Two Centuries of Costume in America, Volume 1 (1620-1820)' provides a comprehensive and detailed examination of the evolution of fashion in early America. Focusing on the period from 1620 to 1820, Earle meticulously describes the clothing styles, fabrics, and accessories worn by men, women, and children during this time. The book is filled with rich historical references, illustrations, and primary source materials, offering a valuable insight into the social and cultural significance of fashion in colonial and early America. Earle's writing style is engaging and informative, making this book a must-read for anyone interested in the history of fashion in America. Alice Morse Earle, a renowned historian and author, drew on her extensive knowledge of American history and material culture to write 'Two Centuries of Costume in America.' Her passion for preserving and documenting historical customs and traditions shines through in this work, making it a valuable resource for scholars, students, and history enthusiasts alike. I highly recommend this book to anyone interested in gaining a deeper understanding of the role of fashion in shaping American identity and culture.
French Fashion, Women & the First World War
Author: Maude Bass-Krueger
Publisher:
ISBN: 9780300247985
Category : Design
Languages : en
Pages : 0
Book Description
"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--
Publisher:
ISBN: 9780300247985
Category : Design
Languages : en
Pages : 0
Book Description
"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--
Fashion Victims
Author: Kimberly Chrisman-Campbell
Publisher:
ISBN: 9780300154382
Category : Design
Languages : en
Pages : 0
Book Description
A thoughtful, lavishly illustrated, and highly readable account of the fabulous French fashion world in the pre-Revolutionary period This engrossing book chronicles one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. Kimberly Chrisman-Campbell offers a carefully researched glimpse into the turbulent era's sophisticated and largely female-dominated fashion industry, which produced courtly finery as well as promoted a thriving secondhand clothing market outside the royal circle. She discusses in depth the exceptionally imaginative and uninhibited styles of the period immediately before the French Revolution, and also explores fashion's surprising influence on the course of the Revolution itself. The absorbing narrative demonstrates fashion's crucial role as a visible and versatile medium for social commentary, and shows the glittering surface of 18th-century high society as well as its seedy underbelly. Fashion Victims presents a compelling anthology of trends, manners, and personalities from the era, accompanied by gorgeous fashion plates, portraits, and photographs of rare surviving garments. Drawing upon documentary evidence, previously unpublished archival sources, and new information about aristocrats, politicians, and celebrities, this book is an unmatched study of French fashion in the late 18th century, providing astonishing insight, a gripping story, and stylish inspiration.
Publisher:
ISBN: 9780300154382
Category : Design
Languages : en
Pages : 0
Book Description
A thoughtful, lavishly illustrated, and highly readable account of the fabulous French fashion world in the pre-Revolutionary period This engrossing book chronicles one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. Kimberly Chrisman-Campbell offers a carefully researched glimpse into the turbulent era's sophisticated and largely female-dominated fashion industry, which produced courtly finery as well as promoted a thriving secondhand clothing market outside the royal circle. She discusses in depth the exceptionally imaginative and uninhibited styles of the period immediately before the French Revolution, and also explores fashion's surprising influence on the course of the Revolution itself. The absorbing narrative demonstrates fashion's crucial role as a visible and versatile medium for social commentary, and shows the glittering surface of 18th-century high society as well as its seedy underbelly. Fashion Victims presents a compelling anthology of trends, manners, and personalities from the era, accompanied by gorgeous fashion plates, portraits, and photographs of rare surviving garments. Drawing upon documentary evidence, previously unpublished archival sources, and new information about aristocrats, politicians, and celebrities, this book is an unmatched study of French fashion in the late 18th century, providing astonishing insight, a gripping story, and stylish inspiration.
Two Centuries of Costume in America; 1620-1820
Author: Alice Morse Earle
Publisher: BoD – Books on Demand
ISBN: 3387335792
Category : Fiction
Languages : en
Pages : 377
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Publisher: BoD – Books on Demand
ISBN: 3387335792
Category : Fiction
Languages : en
Pages : 377
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Fashion and Its Social Agendas
Author: Diana Crane
Publisher: University of Chicago Press
ISBN: 0226924831
Category : Social Science
Languages : en
Pages : 353
Book Description
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
Publisher: University of Chicago Press
ISBN: 0226924831
Category : Social Science
Languages : en
Pages : 353
Book Description
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal