Author: Pierre De ManchicourtPublisher: A-R Editions, Inc.
ISBN: 0895790386
Category : Music
Languages : en
Pages : 114
Book Description
Twenty-Nine Chansons
Author: Pierre De ManchicourtPublisher: A-R Editions, Inc.
ISBN: 0895790386
Category : Music
Languages : en
Pages : 114
Book Description
The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 6. Claudel to Dante
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Author: Stanley SadieThe new Grove dictionary of music and musicians : [in twenty-nine volumes]. 2. Aristoxenus to Bax
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Author: Stanley SadieThe Language of the Modes
Author: Frans WieringPublisher: Routledge
ISBN: 1135683417
Category : Music
Languages : en
Pages : 338
Book Description
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 16. Martín y Coll to Monn
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Author: Stanley SadieThe new Grove dictionary of music and musicians : [in twenty-nine volumes]. 7. Đàn tranh to Egüés
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Author: Stanley SadieThe new Grove dictionary of music and musicians : [in twenty-nine volumes]. 3. Baxter to Borosini
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Author: Stanley SadieMusic History During the Renaissance Period, 1520-1550
Author: Blanche M. GangwerePublisher: Bloomsbury Publishing USA
ISBN: 0313072825
Category : Social Science
Languages : en
Pages : 550
Book Description
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
Catalog of Copyright Entries
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1188
Book Description
Antonio Gardano, Venetian Music Printer, 1538-1569
Author: Mary LewisPublisher: Routledge
ISBN: 1136802061
Category : Music
Languages : en
Pages : 566
Book Description
Antonio Gardano's publications are among the most important sources of 16th-century music. The second volume describes the output of this leading Italian music press in its cultural, bibliographical, and musical context. The first part of the book consists of an overview of Gardano's repertory from the fifties and the cultural and musical milieu in which he worked. It includes discussions of the continuing popularity of his earlier repertory, the music of the younger generation introduced in the fifties, the music of the composers around San Marco, and genres such as the multi-movement madrigal, the canzoni villanesche, instrumental works, and new anthologies. Also discussed are the dating of some undated editions, unconfirmed and doubtful prints, and ordering within the editions. A chapter on binder's copies describes groups of editions bound together by their early owners and serves as a valuable index to the tastes of the collectors. The catalog section covers all Gardano's known publications of the fifties, and provides full titles, bibliographical information, contents with concordant sources for each piece, and locations of individual copies with notes on their bindings, owners' marks, annotations, and other significant characteristics. The catalog is indexed by composer, first line, and short title, and includes a list of primary and secondary sources consulted.