Twelve fantasias for two bass viols and organ and eleven pieces for three lyra viols PDF Download

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Twelve fantasias for two bass viols and organ and eleven pieces for three lyra viols

Twelve fantasias for two bass viols and organ and eleven pieces for three lyra viols PDF Author: John Coperario
Publisher: A-R Editions, Inc.
ISBN: 0895791803
Category : Chamber music
Languages : en
Pages : 138

Book Description


Twelve fantasias for two bass viols and organ and eleven pieces for three lyra viols

Twelve fantasias for two bass viols and organ and eleven pieces for three lyra viols PDF Author: John Coperario
Publisher: A-R Editions, Inc.
ISBN: 0895791803
Category : Chamber music
Languages : en
Pages : 138

Book Description


The First Set of English Madrigals, Apt Both for Viols & Voyces (1613)

The First Set of English Madrigals, Apt Both for Viols & Voyces (1613) PDF Author: John Ward
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 40

Book Description


Twelve solos for a violin or oboe with basso continuo

Twelve solos for a violin or oboe with basso continuo PDF Author: William Babell
Publisher: A-R Editions, Inc.
ISBN: 0895795760
Category : Music
Languages : en
Pages : 130

Book Description
Pagination: xvii + 82 pp.Parts (violin) available as B140P

Capricci (1622), Part 2

Capricci (1622), Part 2 PDF Author: Bellerofonte Castaldi
Publisher: A-R Editions, Inc.
ISBN: 0895795922
Category : Music
Languages : en
Pages : 194

Book Description
Pagination: xx + 163 pp.

Duos for two bass viols and continuo

Duos for two bass viols and continuo PDF Author: John Jenkins
Publisher: Fretwork Publishing
ISBN:
Category : Music
Languages : en
Pages : 124

Book Description
John Jenkins (1592-1678), Duos for Two Bass Viols and Continuo, Volume 2. Airs with Divisions (VdGS nos 37-38, 44-46 & 63); Fantasia (VdGS no 52); Divisions on a Ground (VdGS nos 18-21 & 23). Editorially reconstructed continuo. Introduction, Critical Commentary and scores; performing parts available direct from the publishers.

Lyra viol duets

Lyra viol duets PDF Author: Thomas Ford
Publisher: A-R Editions, Inc.
ISBN: 0895794128
Category : Music
Languages : en
Pages : 106

Book Description
Enth.: Tabulatur und Transkr.

Erster Theil newer Paduanen

Erster Theil newer Paduanen PDF Author: Johann Schop
Publisher: A-R Editions, Inc.
ISBN: 089579523X
Category : Music
Languages : en
Pages : 210

Book Description
Pgination: xv + 179 pagesParts set: B125P at $60.00 per set.

Lute concerti

Lute concerti PDF Author: Silvius Leopold Weiss
Publisher: A-R Editions, Inc.
ISBN: 0895795515
Category : Biography & Autobiography
Languages : en
Pages : 138

Book Description
xxii + 102 pp.Performance part (lute) available from publisher.

The Consort Music of William Lawes, 1602-1645

The Consort Music of William Lawes, 1602-1645 PDF Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378

Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.

Early English Viols: Instruments, Makers and Music

Early English Viols: Instruments, Makers and Music PDF Author: Michael Fleming
Publisher: Routledge
ISBN: 1317147154
Category : Music
Languages : en
Pages : 475

Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.