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Author: Kathleen Dukeley Nicholson Publisher: ISBN: 9780691040806 Category : Art Languages : en Pages : 302
Book Description
Now famous for their immediate impact of color, light, and atmospheric effect, the landscapes of Romantic painter J.M.W. Turner (1775-1851) were at first the object of opposing critical claims: from one side the British artist was charged with painting "pictures of nothing and very like," from the other, with allowing too much "content" to eclipse his presentation of nature. Taking this paradox as its starting point, Kathleen Nicholson's richly illustrated book proposes a thorough revision of how we understand the enigmatic artist who revolutionized landscape painting. Advancing the growing interest in Turner's handling of content, without ignoring questions of style, Nicholson shows how Turner used the themes of antiquity to explore the ways natural imagery can embody meaning, and how he came to view interpretation itself as a primary subject. Nicholson maintains that by seeking themes in ancient myth, culture, and history, Turner was able to reinvest nature with new values and concepts, thereby accomplishing a genuinely modern revision of classical landscape in an early nineteenth-century idiom. His inquiry into the nature of meaning, she argues, led him to articulate a narrative that engaged the viewer in "reading" or interpreting both symbolic and purely visual imagery. Among the first to analyze systematically the themes treated in Turner's early sketchbooks, Nicholson traces the artist's understanding of a given legend, ancient author, or formal source as it developed over time, providing rare insight into the extent and character of his manipulation of subject matter.
Author: Kathleen Dukeley Nicholson Publisher: ISBN: 9780691040806 Category : Art Languages : en Pages : 302
Book Description
Now famous for their immediate impact of color, light, and atmospheric effect, the landscapes of Romantic painter J.M.W. Turner (1775-1851) were at first the object of opposing critical claims: from one side the British artist was charged with painting "pictures of nothing and very like," from the other, with allowing too much "content" to eclipse his presentation of nature. Taking this paradox as its starting point, Kathleen Nicholson's richly illustrated book proposes a thorough revision of how we understand the enigmatic artist who revolutionized landscape painting. Advancing the growing interest in Turner's handling of content, without ignoring questions of style, Nicholson shows how Turner used the themes of antiquity to explore the ways natural imagery can embody meaning, and how he came to view interpretation itself as a primary subject. Nicholson maintains that by seeking themes in ancient myth, culture, and history, Turner was able to reinvest nature with new values and concepts, thereby accomplishing a genuinely modern revision of classical landscape in an early nineteenth-century idiom. His inquiry into the nature of meaning, she argues, led him to articulate a narrative that engaged the viewer in "reading" or interpreting both symbolic and purely visual imagery. Among the first to analyze systematically the themes treated in Turner's early sketchbooks, Nicholson traces the artist's understanding of a given legend, ancient author, or formal source as it developed over time, providing rare insight into the extent and character of his manipulation of subject matter.
Author: Nicola Moorby Publisher: Tate Enterprises Ltd ISBN: 1849763941 Category : Art Languages : en Pages : 275
Book Description
JMW Turner is one of the greatest artists Britain has ever produced. His watercolours, with their extraordinary effects of shifting light and dramatic skyscapes, are especially highly regarded. For the first time, the secrets of Turner's technique are revealed, allowing present-day watercolourists to learn from his achievements.This book combines unrivalled knowledge of Turner's working methods from Tate curators and conservators with practical advice from some of the world's most respected watercolour experts. Twenty-two thematic exercises are illustrated with Turner's works. Expert contemporary watercolourists explain, step-by-step, how to paint a similar composition, learning from Turner's techniques. Packed with invaluable information, from the materials Turner used to achieve the masterpieces we know and love today, to the modern materials the twenty-first-century watercolour artist will need.Backed by the authority of Tate, the world centre for Turner scholarship, with a glossary of technical terms, this is an invaluable resource both for lovers of Turner's art and of watercolour painting.
Author: Susan Grace Galassi Publisher: ISBN: 9780300223149 Category : Art Languages : en Pages : 0
Book Description
Modern Histories: Turner's Chronicles of War, Peace, and the Course of Empire / by Gillian Forrester -- Shifting Currents: Turner's Depictions of Coasts, Rivers, Harbors, and Ports in the 1820s / by Ian Warrell -- Liminal Spaces: Turner's Paintings of Dieppe and Cologne / by Susan Grace Galassi -- 'Unfinished Productions': History and Process in Turner's 1820s Port Scenes of Dieppe, Cologne, and Brest / by Rebecca Hellen -- Inglorious Histories: Turner's Ancient Ports / by Joanna Sheers Seidenstein.
Author: Martin Postle Publisher: ISBN: 9780300203851 Category : Landscape painting, European Languages : en Pages : 0
Book Description
Long known as the father of British landscape painting, Richard Wilson (1713-1782) was in fact at the heart of a profound conceptual shift in European landscape art. This magnificently illustrated volume not only situates Wilson’s art at the beginning of a native tradition that would lead to John Constable and J. M. W. Turner, but compellingly argues that in Rome during the 1750s Wilson was part of an international group of artists who reshaped the art of Europe. Rooted in the work of great seventeenth-century masters such as Claude Lorrain but responding to the early stirrings of neoclassicism, Wilson forged a highly original landscape vision that through the example of his own works and the tutelage of his pupils in Rome and later in London would establish itself throughout northern Europe.
Author: Mitchell Albala Publisher: Watson-Guptill ISBN: 0823008347 Category : Art Languages : en Pages : 202
Book Description
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
Author: Gerald Finley Publisher: McGill-Queen's Press - MQUP ISBN: 0773567313 Category : Architecture Languages : en Pages : 280
Book Description
Turner was deeply affected by the world in which he lived, the sciences that explained it, and the conflicts and accomplishments of his society. He wove these strands into the dense fabric of the historical pictures he created, pictures that were extremely varied, complex, original, and controversial. In Angel in the Sun Gerald Finley untangles the various thematic strands running through Turner's art, including the intersection of private and public histories, classical and biblical history and contemporary events, and science and religion, and shows how Turner's use of light and colour played an important role in conveying these ideas. Angel in the Sun includes over 130 illustrations in colour and black and white that reveal Turner's remarkable achievement as a painter of historical subjects. Because of its interdisciplinary nature, the book will appeal not only to art historians and landscape theorists but also to historians of science and literature.
Author: Franny Moyle Publisher: Penguin ISBN: 073522093X Category : Biography & Autobiography Languages : en Pages : 592
Book Description
The life of one of Western art's most admired and misunderstood painters J.M.W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist. Turner was very much a man of his changing era. In his lifetime, he saw Britain ravaged by Napoleonic wars, revived by the Industrial Revolution, and embarked upon a new moment of Imperial glory with the ascendancy of Queen Victoria. His own life embodied astonishing transformation. Born the son of a barber in Covent Garden, he was buried amid pomp and ceremony in St. Paul's Cathedral. Turner was accepted into the prestigious Royal Academy at the height of the French Revolution when a climate of fear dominated Britain. Unable to travel abroad he explored at home, reimagining the landscape to create some of the most iconic scenes of his country. But his work always had a profound human element. When a moment of peace allowed travel into Europe, Turner was one of the first artists to capture the beauty of the Alps, to revive Venice as a subject, and to follow in Byron’s footsteps through the Rhine country. While he was commercially successful for most of his career, Turner's personal life remained fraught. His mother suffered from mental illness and was committed to Bedlam. Turner never married but had several long-term mistresses and illegitimate daughters. His erotic drawings were numerous but were covered up by prurient Victorians after his death. Turner's late, impressionistic work was held up by his Victorian detractors as example of a creeping madness. Affection for the artist’s work soured. John Ruskin, the greatest of all 19th century art critics, did what he could to rescue Turner’s reputation, but Turner’s very last works confounded even his greatest defender. TURNER humanizes this surprising genius while placing him in his fascinating historical context. Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.
Author: Kathleen Dukeley Nicholson
Author: Kathleen Dukeley Nicholson
Author: Nicola Moorby
Author: Ian Warrell
Author: Susan Grace Galassi
Author: William Turner
Author: Martin Postle
Author: Mitchell Albala
Author: Gerald Finley
Author: Franny Moyle
Author: George Shaw