Author: Joseph Mallord William TurnerPublisher:
ISBN:
Category : Art
Languages : en
Pages : 194
Book Description
Turner Sketches, 1802-20
Author: Joseph Mallord William TurnerPublisher:
ISBN:
Category : Art
Languages : en
Pages : 194
Book Description
Turner in Switzerland
Author: Joseph Mallord William TurnerPublisher:
ISBN:
Category : Switzerland
Languages : en
Pages : 158
Book Description
Turner's Early Sketchbooks
Author: Gerald WilkinsonTurner (Second) (World of Art)
Author: Graham ReynoldsPublisher: Thames & Hudson
ISBN: 0500775907
Category : Art
Languages : en
Pages : 294
Book Description
With clear writing, this is the ideal introduction to J. M. W. Turner’s life and work for anyone interested in British painting in its golden age. Few British artists have ever achieved such a wide range of style in oil painting, watercolor, drawing, and engraving as J. M. W. Turner. This classic book in the World of Art series traces the artist’s career from youthful, picturesque views and watercolors of Gothic ruins, to romantic landscapes and historical compositions, to the darker abstracts of his later career. Though these late works were incomprehensible to his contemporaries, Turner is understood today as one of the greatest British painters because of these pioneering explorations into abstraction, which prefigured the art of the twentieth century. In Turner, Graham Reynolds weaves together the artist’s biography and criticism of his work through all phases of his career, paying particular attention to the importance of foreign travel and the influence of Claude Lorrain and Nicolas Poussin. First published in 1969, Turner has long served as an outstanding introduction to Turner’s life and art. Now with full-color illustrations and a new introduction by David Brown, this updated and revised edition reflects recent discoveries and interpretations of Turner’s work, and will serve as the best available study of the artist for a new generation of readers.
Turner
Author: Graham ReynoldsPublisher: Thames & Hudson
ISBN: 0500775893
Category : Art
Languages : en
Pages : 294
Book Description
Few British artists have ever achieved such a wide range of style in oil painting, watercolour, drawing and engraving as J. M. W. Turner. He had a precocious gift that was developed over a lifetime of experiment and innovation. This classic book in the World of Art series traces the artists career from youthful pictureseque views and watercolours of Gothic ruins to the romantic landscape and historical compositions of his maturity, and the astonishing art of his later years. In these late paintings Turners tragic sense of life is stated most profoundly and the work was unintelligible to his contemporaries but his reputation as the greatest British painter now rests on our understanding of these as pioneering explorations of abstraction, prefiguring the art of the 20th century. Graham Reynolds weaves together the artists biography with sensitive criticism of his work, through all phases of his career, in this classic work first published in 1969 that has long served as an outstanding introduction to Turners life and art. It has now been revised and updated by the curator of the Turner Bequest at Tate, David Blayney Brown, to reflect recent discoveries and interpretations, and the illustrations are in full colour for the first time. It will serve as the best available study of this perennially popular artist for a new generation of readers.
Art Books
Author: Wolfgang M. FreitagPublisher: Taylor & Francis
ISBN: 9780824033262
Category : Art
Languages : en
Pages : 572
Book Description
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
Turner as Draughtsman
Author: Andrew WiltonPublisher: Ashgate Publishing, Ltd.
ISBN: 9780754600268
Category : Art
Languages : en
Pages : 196
Book Description
Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.
Conversations with Turner: The Watercolors
Author: Alexander NemerovPublisher: Skira Editore
ISBN: 9788857240916
Category : Art
Languages : en
Pages : 208
Book Description
Turner's daringly loose brushwork and dazzling colors shine in his watercolors J.M.W. Turner, one of Britain's greatest painters, is perhaps known best for his oil paintings. But he was a lifelong watercolorist, and he fundamentally reshaped what would be understood as possible within the medium, both during his lifetime and after. Edited in partnership with Tate Britain, where the majority of the artist's works are conserved, Conversations with Turner: The Watercolorsis published on the occasion of a major exhibition spanning the entirety of Turner's career. Divided into six thematic sections, it focuses on the critical role played by watercolors in defining Turner's personal style. The book brings together texts by prominent scholars of Turner's art, including the art historians and curators Tim Barringer, Alexander Nemerov, Oliver Meslay and Susan Grace Galassi. Comprised of 100 works (all of which are reproduced in this volume), the exhibition was selected from upward of 30,000 works on paper, 300 oil paintings, and 280 sketchbooks donated after the artist's death in 1851, as part of the collection known as the "Turner Bequest." Turner's innovations in watercolor are illustrated in this book through an emphasis on landscapes and seascapes, many of which were painted during Turner's long stays abroad in continental Europe and beyond. The works showcase the development of Turner's stylistic language, focused on experimentation with the expressive potential of light and color, which anticipated trends in late-19th-century painting. J.M.W. Turner(1775-1851) was a controversial figure throughout his career, despite being championed by Ruskin and having played a key role in the elevation of pure landscape painting as a genre, which he took to unprecedented levels of abstraction. He traveled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year, and later making many visits to Venice.
Turner's Colour Sketches, 1820-34
Author: Joseph Mallord William TurnerPublisher: Random House Business Books
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
The 'unfinished' watercolors in this book were the germinating iridescent center from which some of Turner's best known works emerged. The Petworth Watercolours, the 'Colour Beginnings', the sketches for 'Rivers of France' and other blue-paper sketches are all famous, yet have never before been reproduced in useful quantity. Here the relevant pencil sketchbooks, carefully but entertainingly annotated, provide a chronological matrix. The range, power, and brilliance of these watercolors will astonish even those who know Turner well through his oil paintings. From his return from Italy in 1820 to the 'Burning of the Houses of Parliament' in 1834, we see his work rise to a level rarely equalled in the story of art. In his color sketches Turner reaches out to the precarious edges of artistic achievement. -- Provided by publisher.
John Herschel's Cape Voyage
Author: Steven RuskinPublisher: Routledge
ISBN: 1351925156
Category : History
Languages : en
Pages : 388
Book Description
In 1833 John Herschel sailed from London to Cape Town, southern Africa, to undertake (at his own expense) an astronomical exploration of the southern heavens, as well as a terrestrial exploration of the area around Cape Town. After his return to England in 1838, and as a result of his voyage, he was highly esteemed and became Britain's most recognized man of science. In 1847 his southern hemisphere astronomical observations were published as the Cape Results. The main argument of Ruskin's book is that Herschel's voyage and the publication of the Cape Results, in addition to their contemporary scientific importance, were also significant for nineteenth-century culture and politics. In this book it is demonstrated that the reason for Herschel's widespread cultural renown was the popular notion that his voyage to the Cape was a project aligned with the imperial ambitions of the British government. By leaving England for one of its colonies, and pursuing there a significant scientific project, Herschel was seen in the same light as other British men of science (like James Cook and Richard Lander) who had also undertaken voyages of exploration and discovery at the behest of their nation. It is then demonstrated that the production of the Cape Results, in part because of Herschel's status as Britain's scientific figurehead, was a significant political event. Herschel's decision to journey to the Cape for the purpose of surveying the southern heavens was of great significance to almost all of Britain and much of the continent. It is the purpose of this book to make a case for the scientific, cultural, and political significance of Herschel's Cape voyage and astronomical observations, as a means of demonstrating the relationship of scientific practice to broader aspects of imperial culture and politics in the nineteenth century.