Author: Maria Therese AnnoniPublisher:
ISBN:
Category : Musical temperament
Languages : en
Pages : 266
Book Description
Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo's Declaracion de Instrumentos Musicales (1555)
Author: Maria Therese AnnoniPublisher:
ISBN:
Category : Musical temperament
Languages : en
Pages : 266
Book Description
Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo's "Declaracion de Instrumentos Musicales"
Author: Maria Therese AnnoniPublisher:
ISBN:
Category : Intabulations (Vihuela)
Languages : en
Pages : 231
Book Description
Music Education in the Middle Ages and the Renaissance
Author: Susan Forscher WeissPublisher: Indiana University Press
ISBN: 0253004551
Category : Music
Languages : en
Pages : 424
Book Description
What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.
The Renaissance Vihuela & Guitar in Sixteenth-Century Spain
Author: Frank W. KooncePublisher: Mel Bay Publications
ISBN: 1609746813
Category : Music
Languages : en
Pages : 193
Book Description
Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. for instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to the Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576A companion volume to the Baroque Guitar in Spain and the New World (MB21122)Intended to help bridge the gap between scholarly editions and performance editionsAn introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
Meantone Temperaments on Lutes and Viols
Author: David DolataPublisher: Indiana University Press
ISBN: 0253021464
Category : Music
Languages : en
Pages : 314
Book Description
Written for musicians by a musician, Meantone Temperaments on Lutes and Viols demystifies tuning systems by providing the basic information, historical context, and practical advice necessary to easily achieve more satisfying tuning results on fretted instruments. Despite the overwhelming organological evidence that many of the finest lutenists, vihuelists, and viola da gamba players in the Renaissance and Baroque eras tuned their instruments in one of the meantone temperaments, most modern early instrument players today still tune to equal temperament. In this handbook richly supplemented with figures, diagrams, and music examples, historical performers will discover why temperaments are necessary and how they work, descriptions of a variety of temperaments, and their application on fretted instruments. This technical book provides downloadable audio tracks and other tools for fretted instrument players to achieve more stable consonances, colorful dissonances, and harmonic progressions that vividly propel the music forward.
Music Theory from Boethius to Zarlino
Author: David Russell WilliamsPublisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 398
Book Description
Music Theory from Boethius to Zarlino is a companion volume to Music Theory from Zarlino to Schenker: A Bibliography and Guide by David Damschroder and David Russell Williams (Harmonologia, No. 4, Pendragon Press). Like the previous work, the goal of the volume is to create a logically organized introduction to the major theorists of the time and a thorough review of the scholarly work about these writers. While specialists in the history of music theory may find new materials in these pages, this work is primarily designed for the non-specialist as a practical and basic introduction to the treatises, people, and scholarship of Medieval and Renaissance theory. BR> Winner of the Vincent H. Duckles Award from the Music Library Association, 2009.
Journal of the Lute Society of America
Author: Lute Society of AmericaPublisher:
ISBN:
Category : Lute
Languages : en
Pages : 178
Book Description
Actas del XV Congreso de la Sociedad Internacional de Musicología
Author: International Musicological Society. CongressPublisher:
ISBN:
Category : Music
Languages : en
Pages : 638
Book Description
Dissertation Abstracts International
Author: Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 594
Book Description
![The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 3. Baxter to Borosini PDF](https://books.google.com/books/content/images/frontcover/AbcRAQAAMAAJ?fife=w80-h100)
Author: Stanley Sadie