Author: Thomas Betteridge
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 266
Book Description
All the reforming mid-Tudor regimes used historical discourses to support the religious changes which they introduced and the Reformation as a historical event was written and rewritten by various historians to offer legitimation for policies.
Tudor Histories of the English Reformations, 1530-83
Author: Thomas Betteridge
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 266
Book Description
All the reforming mid-Tudor regimes used historical discourses to support the religious changes which they introduced and the Reformation as a historical event was written and rewritten by various historians to offer legitimation for policies.
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 266
Book Description
All the reforming mid-Tudor regimes used historical discourses to support the religious changes which they introduced and the Reformation as a historical event was written and rewritten by various historians to offer legitimation for policies.
Writing the Nation in Reformation England, 1530-1580
Author: Cathy Shrank
Publisher: OUP Oxford
ISBN: 0191514179
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Writing the Nation in Reformation England offers a major re-evaluation of English writing between 1530 and 1580. Studying authors such as Andrew Borde, John Leland, William Thomas, Thomas Smith, and Thomas Wilson, Cathy Shrank highlights the significance of these decades to the formation of English nationhood and examines the impact of the break with Rome on the development of a national language, literary style, and canon. As well as demonstrating the close relationship between literary culture and English identities, it reinvests Tudor writers with a sense of agency. As authors, counsellors, and thinkers they were active citizens participating within, and helping to shape, a national community. In the process, their works were also used to project an image of themselves as authors, playing - and fitted to play - their part in the public domain. In showing how these writers engaged with, and promoted, concepts of national identity, the book makes a significant contribution to our broader understanding of the early modern period, demonstrating that nationhood was not a later Elizabethan phenomenon, and that the Reformation had an immediate impact on English culture, before England emerged as a 'Protestant' nation.
Publisher: OUP Oxford
ISBN: 0191514179
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Writing the Nation in Reformation England offers a major re-evaluation of English writing between 1530 and 1580. Studying authors such as Andrew Borde, John Leland, William Thomas, Thomas Smith, and Thomas Wilson, Cathy Shrank highlights the significance of these decades to the formation of English nationhood and examines the impact of the break with Rome on the development of a national language, literary style, and canon. As well as demonstrating the close relationship between literary culture and English identities, it reinvests Tudor writers with a sense of agency. As authors, counsellors, and thinkers they were active citizens participating within, and helping to shape, a national community. In the process, their works were also used to project an image of themselves as authors, playing - and fitted to play - their part in the public domain. In showing how these writers engaged with, and promoted, concepts of national identity, the book makes a significant contribution to our broader understanding of the early modern period, demonstrating that nationhood was not a later Elizabethan phenomenon, and that the Reformation had an immediate impact on English culture, before England emerged as a 'Protestant' nation.
Humanism and the Reform of Sacred Music in Early Modern England
Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
A Religion of the Word
Author: Catharine Davies
Publisher: Manchester University Press
ISBN: 9780719057304
Category : History
Languages : en
Pages : 292
Book Description
In this work, Catharine Davies makes a contribution to the history of print culture. In her examination of a broad range of material she gains insight into Protestant consciousness and a deeper understanding of the English Reformation. We find that the attitude of the Protestants was at this stage far from triumphalist. Rather, contemporary printed sources reflect the defensive attitude of a minority who were still uneasy in their relations with the ruling regime, and who saw the Reformation as a newly established and fragile opportunity for radical change. This book bears out revisionist views of the English Reformation, but also balances them by providing a sense of the creativity of the protestant camp.
Publisher: Manchester University Press
ISBN: 9780719057304
Category : History
Languages : en
Pages : 292
Book Description
In this work, Catharine Davies makes a contribution to the history of print culture. In her examination of a broad range of material she gains insight into Protestant consciousness and a deeper understanding of the English Reformation. We find that the attitude of the Protestants was at this stage far from triumphalist. Rather, contemporary printed sources reflect the defensive attitude of a minority who were still uneasy in their relations with the ruling regime, and who saw the Reformation as a newly established and fragile opportunity for radical change. This book bears out revisionist views of the English Reformation, but also balances them by providing a sense of the creativity of the protestant camp.
Music and Religious Identity in Counter-Reformation Augsburg, 1580-1630
Author: Alexander J. Fisher
Publisher: Routledge
ISBN: 1351916408
Category : History
Languages : en
Pages : 361
Book Description
By the late-sixteenth century, Augsburg was one of the largest cities of the Holy Roman Empire, boasting an active musical life involving the contributions of musicians like Jacobus de Kerle, Hans Leo Hassler, and Gregor Aichinger. This musical culture, however, unfolded against a backdrop of looming religious schism. From the mid-sixteenth century onward, Augsburg was the largest 'biconfessional' city in the Empire, housing a Protestant majority and a Catholic minority, ruled by a city government divided between the two faiths. The period 1580-1630 saw a gradual widening of the divide between these groups. The arrival of the Jesuits in the 1580s polarized the religious atmosphere and fueled the assertion of a Catholic identity, expressed in public devotional services, spectacular processions, and pilgrimages to local shrines. The Catholic music produced for these occasions both reflected and contributed to the religious divide. This book explores the relationship between music and religious identity in Augsburg during this period. How did 'Catholic' and 'Protestant' repertories diverge from one another? What was the impetus for this differentiation, and what effect did the circulation and performance of this music have on Augsburg's religious culture? These questions call for a new, cross-disciplinary approach to the music history of this era, one which moves beyond traditional accounts of the lives and works of composers, or histories of polyphonic genres. Using a wide variety of archival and musical documents, Alexander Fisher offers a holistic view of this musical landscape, examining aspects of composition, circulation, performance, and cultural meaning.
Publisher: Routledge
ISBN: 1351916408
Category : History
Languages : en
Pages : 361
Book Description
By the late-sixteenth century, Augsburg was one of the largest cities of the Holy Roman Empire, boasting an active musical life involving the contributions of musicians like Jacobus de Kerle, Hans Leo Hassler, and Gregor Aichinger. This musical culture, however, unfolded against a backdrop of looming religious schism. From the mid-sixteenth century onward, Augsburg was the largest 'biconfessional' city in the Empire, housing a Protestant majority and a Catholic minority, ruled by a city government divided between the two faiths. The period 1580-1630 saw a gradual widening of the divide between these groups. The arrival of the Jesuits in the 1580s polarized the religious atmosphere and fueled the assertion of a Catholic identity, expressed in public devotional services, spectacular processions, and pilgrimages to local shrines. The Catholic music produced for these occasions both reflected and contributed to the religious divide. This book explores the relationship between music and religious identity in Augsburg during this period. How did 'Catholic' and 'Protestant' repertories diverge from one another? What was the impetus for this differentiation, and what effect did the circulation and performance of this music have on Augsburg's religious culture? These questions call for a new, cross-disciplinary approach to the music history of this era, one which moves beyond traditional accounts of the lives and works of composers, or histories of polyphonic genres. Using a wide variety of archival and musical documents, Alexander Fisher offers a holistic view of this musical landscape, examining aspects of composition, circulation, performance, and cultural meaning.
This England
Author: Patrick Collinson
Publisher: Manchester University Press
ISBN: 1847797911
Category : History
Languages : en
Pages : 573
Book Description
Patrick Collinson was one of Britain’s foremost early modern historians. This volume collects together a number of his most interesting and least easily accessible essays with a thoughtful introduction written specifically for this book. This England is a celebration of ‘Englishness’ in the sixteenth century. It explores the growing conviction of ‘Englishness’ through the rapidly developing English language; the reinforcement of cultural nationalism as a result of the Protestant Reformation; the national and international situation of England at a time of acute national catastrophe; and of Queen Elizabeth I, the last of her line, remaining unmarried, refusing to even discuss the succession to her throne. Introducing students of the period to an aspect of history largely neglected in the current vogue for histories of the Tudors, Collinson investigates the rising role of English, of England’s God-centredness, before focusing on the role of Elizabethans as citizens rather than mere subjects. It responds to a demand for a history which is no less social than political, and investigates what it meant to be a citizen of early modern England, living through the 1570s and 1580s.
Publisher: Manchester University Press
ISBN: 1847797911
Category : History
Languages : en
Pages : 573
Book Description
Patrick Collinson was one of Britain’s foremost early modern historians. This volume collects together a number of his most interesting and least easily accessible essays with a thoughtful introduction written specifically for this book. This England is a celebration of ‘Englishness’ in the sixteenth century. It explores the growing conviction of ‘Englishness’ through the rapidly developing English language; the reinforcement of cultural nationalism as a result of the Protestant Reformation; the national and international situation of England at a time of acute national catastrophe; and of Queen Elizabeth I, the last of her line, remaining unmarried, refusing to even discuss the succession to her throne. Introducing students of the period to an aspect of history largely neglected in the current vogue for histories of the Tudors, Collinson investigates the rising role of English, of England’s God-centredness, before focusing on the role of Elizabethans as citizens rather than mere subjects. It responds to a demand for a history which is no less social than political, and investigates what it meant to be a citizen of early modern England, living through the 1570s and 1580s.
Walter Ralegh's History of the World and the Historical Culture of the Late Renaissance
Author: Nicholas Popper
Publisher: University of Chicago Press
ISBN: 0226675025
Category : History
Languages : en
Pages : 368
Book Description
Imprisoned in the Tower of London after the death of Queen Elizabeth in 1603, Sir Walter Ralegh spent seven years producing his massive History of the World. Created with the aid of a library of more than five hundred books that he was allowed to keep in his quarters, this incredible work of English vernacular would become a best seller, with nearly twenty editions, abridgments, and continuations issued in the years that followed. Nicholas Popper uses Ralegh’s History as a touchstone in this lively exploration of the culture of history writing and historical thinking in the late Renaissance. From Popper we learn why early modern Europeans ascribed heightened value to the study of the past and how scholars and statesmen began to see historical expertise as not just a foundation for political practice and theory, but as a means of advancing their power in the courts and councils of contemporary Europe. The rise of historical scholarship during this period encouraged the circulation of its methods to other disciplines, transforming Europe’s intellectual—and political—regimes. More than a mere study of Ralegh’s History of the World, Popper’s book reveals how the methods that historians devised to illuminate the past structured the dynamics of early modernity in Europe and England.
Publisher: University of Chicago Press
ISBN: 0226675025
Category : History
Languages : en
Pages : 368
Book Description
Imprisoned in the Tower of London after the death of Queen Elizabeth in 1603, Sir Walter Ralegh spent seven years producing his massive History of the World. Created with the aid of a library of more than five hundred books that he was allowed to keep in his quarters, this incredible work of English vernacular would become a best seller, with nearly twenty editions, abridgments, and continuations issued in the years that followed. Nicholas Popper uses Ralegh’s History as a touchstone in this lively exploration of the culture of history writing and historical thinking in the late Renaissance. From Popper we learn why early modern Europeans ascribed heightened value to the study of the past and how scholars and statesmen began to see historical expertise as not just a foundation for political practice and theory, but as a means of advancing their power in the courts and councils of contemporary Europe. The rise of historical scholarship during this period encouraged the circulation of its methods to other disciplines, transforming Europe’s intellectual—and political—regimes. More than a mere study of Ralegh’s History of the World, Popper’s book reveals how the methods that historians devised to illuminate the past structured the dynamics of early modernity in Europe and England.
John Bale’s 'The Image of Both Churches'
Author: Gretchen E. Minton
Publisher: Springer Science & Business Media
ISBN: 9400772963
Category : Religion
Languages : en
Pages : 503
Book Description
This book is a critical edition of John Bale's The Image of Both Churches (c. 1545). The Introduction provides a thorough overview of this sixteenth century work, explaining its relationship to the apocalyptic tradition and to Bale's important inspirations, from Augustine to Erasmus and Luther. Topics such as Bale's language, the place of the Image in his oeuvre, his use of medieval chronicles, and the influence of his exegesis are also discussed. The Image has often been called Bale's most important work; it articulated and developed the English Protestant view of the Apocalypse, influencing other Reformers both in England and on the continent. This book offers the first critical edition of the Image, including fully modernized spelling and punctuation as well as extensive explanatory notes. The five sixteenth-century printed editions of the Image are collated here, with textual notes that illustrate the relationship between variant readings and provide information on the choices made in this particular edition. This book also reproduces the striking woodcut illustrations from the Image in their original placements; examples from two different woodcut series are offered, as well as an overview of the history and importance of these images in the early printed texts. Five appendices, including a glossary of unfamiliar terms and a chart outlining Bale's periodization of history, also provide a wealth of information that enables readers to understand and use this edition. The largest appendix, on historical names and terminology, gives biographical information for 450 individuals and explains their importance, both to Bale and to the sixteenth-century Reformers in a broader context. This critical edition of the Image offers the most thorough study of the work to date, opening up the opportunity for a deeper understanding of this monumental text and for many further avenues of research.
Publisher: Springer Science & Business Media
ISBN: 9400772963
Category : Religion
Languages : en
Pages : 503
Book Description
This book is a critical edition of John Bale's The Image of Both Churches (c. 1545). The Introduction provides a thorough overview of this sixteenth century work, explaining its relationship to the apocalyptic tradition and to Bale's important inspirations, from Augustine to Erasmus and Luther. Topics such as Bale's language, the place of the Image in his oeuvre, his use of medieval chronicles, and the influence of his exegesis are also discussed. The Image has often been called Bale's most important work; it articulated and developed the English Protestant view of the Apocalypse, influencing other Reformers both in England and on the continent. This book offers the first critical edition of the Image, including fully modernized spelling and punctuation as well as extensive explanatory notes. The five sixteenth-century printed editions of the Image are collated here, with textual notes that illustrate the relationship between variant readings and provide information on the choices made in this particular edition. This book also reproduces the striking woodcut illustrations from the Image in their original placements; examples from two different woodcut series are offered, as well as an overview of the history and importance of these images in the early printed texts. Five appendices, including a glossary of unfamiliar terms and a chart outlining Bale's periodization of history, also provide a wealth of information that enables readers to understand and use this edition. The largest appendix, on historical names and terminology, gives biographical information for 450 individuals and explains their importance, both to Bale and to the sixteenth-century Reformers in a broader context. This critical edition of the Image offers the most thorough study of the work to date, opening up the opportunity for a deeper understanding of this monumental text and for many further avenues of research.
The Oxford Handbook of the Age of Shakespeare
Author: R. Malcolm Smuts
Publisher: Oxford University Press
ISBN: 0191074179
Category : Literary Criticism
Languages : en
Pages : 946
Book Description
The Oxford Handbook of the Age of Shakespeare presents a broad sampling of current historical scholarship on the period of Shakespeare's career that will assist and stimulate scholars of his poems and plays. Rather than merely attempting to summarize the historical 'background' to Shakespeare, individual chapters seek to exemplify a wide variety of perspectives and methodologies currently used in historical research on the early modern period that can inform close analysis of literature. Different sections examine political history at both the national and local levels; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets of the histories of architecture, the visual arts, and music. Topics treated include the emergence of an early modern 'public sphere' and its relationship to drama during Shakespeare's lifetime; the role of historical narratives in shaping the period's views on the workings of politics; attitudes about the role of emotion in social life; cultures of honour and shame and the rituals and literary forms through which they found expression; crime and murder; and visual expressions of ideas of moral disorder and natural monstrosity, in printed images as well as garden architecture.
Publisher: Oxford University Press
ISBN: 0191074179
Category : Literary Criticism
Languages : en
Pages : 946
Book Description
The Oxford Handbook of the Age of Shakespeare presents a broad sampling of current historical scholarship on the period of Shakespeare's career that will assist and stimulate scholars of his poems and plays. Rather than merely attempting to summarize the historical 'background' to Shakespeare, individual chapters seek to exemplify a wide variety of perspectives and methodologies currently used in historical research on the early modern period that can inform close analysis of literature. Different sections examine political history at both the national and local levels; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets of the histories of architecture, the visual arts, and music. Topics treated include the emergence of an early modern 'public sphere' and its relationship to drama during Shakespeare's lifetime; the role of historical narratives in shaping the period's views on the workings of politics; attitudes about the role of emotion in social life; cultures of honour and shame and the rituals and literary forms through which they found expression; crime and murder; and visual expressions of ideas of moral disorder and natural monstrosity, in printed images as well as garden architecture.
The Oxford Handbook of Holinshed's Chronicles
Author: Paulina Kewes
Publisher: Oxford University Press, USA
ISBN: 0199565759
Category : History
Languages : en
Pages : 811
Book Description
The Handbook brings together forty articles by leading scholars of history, literature, religion, and classics, in the first full investigation of the significance of Raphael Holinshed's Chronicles of England, Scotland and Ireland (1577, 1587), the greatest of Elizabethan chronicles and a principal source for Shakespeare's history plays.
Publisher: Oxford University Press, USA
ISBN: 0199565759
Category : History
Languages : en
Pages : 811
Book Description
The Handbook brings together forty articles by leading scholars of history, literature, religion, and classics, in the first full investigation of the significance of Raphael Holinshed's Chronicles of England, Scotland and Ireland (1577, 1587), the greatest of Elizabethan chronicles and a principal source for Shakespeare's history plays.