Author: Norman Philbrick
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 392

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Book Description

Author: Patricia Bradley
Publisher: Univ. Press of Mississippi
ISBN: 1496800672
Category : History
Languages : en
Pages : 214

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Book Description
Under the leadership of Samuel Adams, patriot propagandists deliberately and conscientiously kept the issue of slavery off the agenda as goals for freedom were set for the American Revolution. By comparing coverage in the publications of the patriot press with those of the moderate colonial press, this book finds that the patriots avoided, misinterpreted, or distorted news reports on blacks and slaves, even in the face of a vigorous antislavery movement. The Boston Gazette, the most important newspaper of the Revolution, was chief among the periodicals that dodged or excluded abolition. The author of this study shows that The Gazette misled its readers about the notable Somerset decision that led to abolition in Great Britain. She notes also that The Gazette excluded anti-slavery essays, even from patriots who supported abolition. No petitions written by Boston slaves were published, nor were any writings by the black poet Phillis Wheatley. The Gazette also manipulated the racial identity of Crispus Attucks, the first casualty in the Revolution. When using the word slavery, The Gazette took care to focus it not upon abolition but upon Great Britain's enslavement of its American colonies. Since propaganda on behalf of the Revolution reached a high level of sophistication, and since Boston can be considered the foundry of Revolutionary propaganda, the author writes that the omission of abolition from its agenda cannot be considered as accidental but as intentional. By the time the Revolution began, white attitudes toward blacks were firmly fixed, and these persisted long after American independence had been achieved. In Boston, notions of virtue and vigilance were shown to be negatively embodied in black colonists. These devil's imps were long represented in blackface in Boston's annual Pope Day parade. Although the leaders of the Revolution did not articulate a national vision on abolition, the colonial anti-slavery movement was able to achieve a degree of success, but only in drives through the individual colonies.

Author: Randall Huff
Publisher: Bloomsbury Publishing USA
ISBN: 0313052905
Category : Social Science
Languages : en
Pages : 265

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Book Description
This volume in Greenwood's American Popular Culture through History series recreates the many ways in which a new American culture took root during the Revolutionary period. Tavern culture and pamphlet literature played integral parts in debates surrounding the Revolution. Newspapers spread information while printing the first advertisements. Courtship and marriage rituals varied greatly among the rich and poor, and among city and country folk. Public performance art was a hotly debated component of the increased schism between secular and religious concerns, though many Americans enjoyed recreations of recent military battles. Foodways were distinctly regional, yet food rationing was a universal hardship among army personnel. Randall Huff's narrative essays, as well as many extra front- and back-matter resources, help describe citizen's lives in the newly formed United States of America as the nation fought to win its independence. American Popular Culture through History is the only reference series that presents a detailed, narrative discussion of United States popular culture. This volume is one of 17 in the series, each of which presents essays on Everyday America, The World of Youth, Advertising, Architecture, Fashion, Food, Leisure Activities, Literature, Music, Performing Arts, Travel, and Visual Arts.

Author: Amelia Howe Kritzer
Publisher: University of Michigan Press
ISBN: 9780472065981
Category : American drama
Languages : en
Pages : 452

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Book Description
Highlights the achievements and significance of women playwrights in early American drama.

Author: Zoe Detsi-Diamanti
Publisher: Psychology Press
ISBN: 9780815333043
Category : Biography & Autobiography
Languages : en
Pages : 236

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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 081087833X
Category : Performing Arts
Languages : en
Pages : 571

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Book Description
Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.

Author: Jason Shaffer
Publisher: University of Pennsylvania Press
ISBN: 9780812240245
Category : History
Languages : en
Pages : 254

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Book Description
Selected by Choice magazine as an Outstanding Academic Title During the eighteenth century, North American colonists began to display an increasing appetite for professional and amateur theatrical performances and a familiarity with the British dramatic canon ranging from the tragedies of Shakespeare, Addison, and Rowe to the comedies of Farquhar, Steele, and Gay. This interest sparked demand for both the latest hits of the London stage and a body of plays centered on patriotic (and often partisan) British themes. As relations between the crown and the colonies soured, the texts of these plays evolved into a common frame of reference for political arguments over colonial policy. Making the transition to print, these arguments deployed dramatic texts and theatrical metaphors for political advantage. Eventually, with the production of American propaganda plays during the Revolution, colonists began to develop a patriotic drama of their own, albeit one that still stressed the "British" character of American patriotism. Performing Patriotism examines the role of theatrical performance and printed drama in the development of early American political culture. Building on the eighteenth-century commonplace that the theater could be a school for public virtue, Jason Shaffer illustrates the connections between the popularity of theatrical performances in eighteenth-century British North America and the British and American national identities that colonial and Revolutionary Americans espoused. The result is a wide-ranging survey of eighteenth-century American theater history and print culture.

Author: Denise L. Montgomery
Publisher: Scarecrow Press
ISBN: 081087721X
Category : Performing Arts
Languages : en
Pages : 834

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Book Description
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.

Author: Barry Witham
Publisher: Cambridge University Press
ISBN: 9780521308588
Category : Drama
Languages : en
Pages : 370

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Book Description
Describes the growth and development of theatre in the United States. Documents and commentary are arranged into chapters on business practice, acting, theatre buildings, drama, design, and audience behavior.

Author: Leopold Lippert
Publisher: transcript Verlag
ISBN: 3839452538
Category : Performing Arts
Languages : en
Pages : 217

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Book Description
In the late 18th and early 19th centuries, the American theater emerged as a crucial cultural space for debates around gender stereotypes, gendered conduct, sexual desire, the politics of intimacy and domesticity, female authorship, as well as the complex intersections of gender and other markers of cultural difference, such as race, ethnicity, socioeconomic class, age, or nation. This collection explores the role of gender in the formation of American theatrical culture in this period. It features essays on well-known early American dramatists such as Susanna Rowson or Judith Sargent Murray, but also sheds light on anonymous authors and more obscure theatrical practices.