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Author: Gregory B. Lee Publisher: Duke University Press ISBN: 9780822316718 Category : History Languages : en Pages : 300
Book Description
Whether examining the globalized consumption of satellite-broadcast pop music or the heroic efforts of little-known poets on the margins of the Chinese diaspora, he finds a questioning and contesting of both the Orientalist construction of a mythic monolithic China invented by the West and the Chinese obsession with ideas of authenticity and purity of nationhood.
Author: Gregory B. Lee Publisher: ISBN: Category : China Languages : en Pages : 300
Book Description
In the view of Gregory Lee, approaches to the study of modem Chinese culture based on a mythical orientalist China constructed by its dominant Other (the West) have run their course, and it is time to break free from them. Here he critically re-examines Chinese poetry in the 20th century and aims to restore it as a cultural form equal to any other and thus worthy of examination in its own right.
Author: Gregory B. Lee Publisher: ISBN: 9780822316718 Category : China Languages : en Pages : 0
Book Description
How have the lyrics of poets and songwriters, traditionally voices of protest against domination and exploitation in Chinese society, responded to the forces of cultural imperialism and nationalistic ideology that have accompanied the modernization of Chinese society in the last half of this century? Gregory B. Lee suggests that the response can be seen in a proliferation of hybrid lyric forms and cultures - from both within China and beyond - and that China's "culture of lyricism" contributes in powerful, significant, and often resistant ways to the nation's sense of itself and its encounter with modernity. Lee's broad definition of lyric includes the work of poets, amateur versifiers, and all manner of popular songwriters, and his inclusive sense of nation refers to all Chinese communities regardless of geographic location. Whether examining the globalized consumption of satellite-broadcast pop music or the heroic efforts of little-known poets on the margins of the Chinese diaspora, he finds a questioning and contesting of both the Orientalist construction of a mythic monolithic China invented by the West and the Chinese obsession with ideas of authenticity and purity of nationhood. Lee explores the lyrical transgression of these ideological boundaries in China, in the Chinese communities of America and Britain, and in other marginalized communities, before using the examples of Hong Kong and other non-nationalistic sites to discuss the creative possibilities of hybrid cultures and societies
Author: John Haines Publisher: Cambridge University Press ISBN: 1139451790 Category : Music Languages : en Pages : 361
Book Description
This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries.
Author: Artur K. Wardega Publisher: Cambridge Scholars Publishing ISBN: 1443843059 Category : History Languages : en Pages : 210
Book Description
As the title of the present publication suggests, the ten essays of this book try to approach an inconvenient trauma of global human reality and the uniformity of media and cyberspace in which human lives suffer harm, loss of inner identity and of broader meaning. Indeed, our postmodern and post-identity times are characterized by a flux of rapid social changes, uncertainty, vague and shaking moral values, by violence and frightening information with its contradictory truths and genuine ambiguity; finally by the violence of unpredictable climate change resulting in various and frequent calamities and devastation of life. Doubt and time are the central concern of modern philosophy and remind us that violence is inherent in the human condition and that reflection on it, regardless of different cultural sensibilities, is ipso facto part of the mainstream of our individual and global concerns. These, and many other fascinating topics from Western and Chinese history, were explored and brought to light by a learned forum of distinguished scholars and experts whose contributions are contained in this publication.
Author: Gargi Bhattacharyya Publisher: Routledge ISBN: 1136352562 Category : Social Science Languages : en Pages : 196
Book Description
Reviewing cutting-edge debates around racial politics and the culture and economy of globalization, this book draws together a wide range of important contemporary debates in a clear and concise way for undergraduate students. Far from concluding that racism is over, the authors contend that the forces of globalization inhabit older cultures of racial division in order to safeguard the economic interests of the privileged. Arguing that the unspoken culture of whiteness informs much that passes in the name of globalization, the book suggests that we are witnessing a reformulation of economic relations around global racisms. Alongside these shifts in economic relations, racialized identities evolve to encompass mixed heritages and mixed cultures both in personal identities and in lifestyle choices. This is one of the few texts that concentrates on the theory of race rather than politics. It looks at race in global terms, and at 'whiteness' as a part of ethnic studies.
Author: Angie Chau Publisher: University of Michigan Press ISBN: 0472903926 Category : Literary Criticism Languages : en Pages : 227
Book Description
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.
Author: Julia Lovell Publisher: University of Hawaii Press ISBN: 9780824830182 Category : Literary Criticism Languages : en Pages : 262
Book Description
In the 1980s China’s politicians, writers, and academics began to raise an increasingly urgent question: why had a Chinese writer never won a Nobel Prize for literature? Promoted to the level of official policy issue and national complex, Nobel anxiety generated articles, conferences, and official delegations to Sweden. Exiled writer Gao Xingjian’s win in 2000 failed to satisfactorily end the matter, and the controversy surrounding the Nobel committee’s choice has continued to simmer. Julia Lovell’s comprehensive study of China’s obsession spans the twentieth century and taps directly into the key themes of modern Chinese culture: national identity, international status, and the relationship between intellectuals and politics. The intellectual preoccupation with the Nobel literature prize expresses tensions inherent in China’s move toward a global culture after the collapse of the Confucian world-view at the start of the twentieth century, and particularly since China’s re-entry into the world economy in the post-Mao era. Attitudes toward the prize reveal the same contradictory mix of admiration, resentment, and anxiety that intellectuals and writers have long felt toward Western values as they struggled to shape a modern Chinese identity. In short, the Nobel complex reveals the pressure points in an intellectual community not entirely sure of itself. Making use of extensive original research, including interviews with leading contemporary Chinese authors and critics, The Politics of Cultural Capital is a comprehensive, up-to-date treatment of an issue that cuts to the heart of modern and contemporary Chinese thought and culture. It will be essential reading for scholars of modern Chinese literature and culture, globalization, post-colonialism, and comparative and world literature.
Author: Gina Marchetti Publisher: Temple University Press ISBN: 9781592132782 Category : History Languages : en Pages : 330
Book Description
From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 explores the important interconnections involving questions of race, ethnicity, gender, and sexuality on world screens by examining a range of films, videos, and digital works associated with global Chinese culture. The ways in which the world has imagined China and the images the Chinese have used to depict themselves have changed dramatically since 1989. The media spotlight placed on Beijing during the spring of 1989 created repercussions that continue to affect how China is seen globally, how it sees itself, and how the Chinese outside the People's Republic see themselves. The films and other texts included in this book represent a range of work by media artists working within China, Hong Kong, Taiwan, Singapore, and on transnational co-productions involving those places. The book also features media from other positions within the Chinese diaspora (including Chinese America) and work produced on China by non-Chinese. Highlighting questions of the circulation of images, people, and commodities, the book explores the important interconnections involving questions of race, ethnicity, gender, and sexuality on global screens. Beginning and ending with Tian'anmen and world image culture, a portrait emerges of momentous change and persistent challenges facing media artists and filmmakers working within "Greater China."
Author: Gregory B. Lee Publisher: Routledge ISBN: 1136857826 Category : Social Science Languages : en Pages : 184
Book Description
A socio-cultural study of the historical representation of China and Chineseness over the past hundred years or so, much of this book discusses the Orientalizing and crude racist ideologies that have formed the foundations of the way people in the west, both popularly and scientifically, have imagined China.
Author: Gregory Lee Publisher: Oxford University Press ISBN: 1787381684 Category : Political Science Languages : en Pages : 255
Book Description
How did China become China? And where is it leading us? We talk as if it had always existed: eternal China with its 5,000 years of uninterrupted history. But the name 'China' was first used by sixteenth-century Europeans, and its Chinese equivalent, Zhongguo, only gained currency in the mid-1800s. China Imagined is a thoughtful exploration of the idea of China, from the naming and mapping of its territory and peoples to the creation and rise of the modern nation-state. China's early history describes a multilingual space, ruled by a homogeneous elite with its own minority culture--a far cry from Maoism's national mass culture, or Xi Jinping's state-controlled digital society today. Gregory Lee traces this complex, diverse entity's evolution since the Opium Wars into a China made in 'our' image. Today, it is a great power integral to the global system, whether it comes to climate change, security or inequality. Given this rapid convergence with the West, Xi's China holds up a mirror to our own nations. Trump's America, Putin's Russia and post-Brexit Europe all betray echoes of 'the Chinese Dream'. If China is a product of Westernization, is it now the West's turn to become China?
Author: Gregory B. Lee
Author: Gregory B. Lee
Author: Gregory B. Lee
Author: John Haines
Author: Artur K. Wardega
Author: Gargi Bhattacharyya
Author: Angie Chau
Author: Julia Lovell
Author: Gina Marchetti
Author: Gregory B. Lee
Author: Gregory Lee